Place And Politics In Modern Italy

How do the places where people live help structure and restructure their sociopolitical identities and interests? In this book, renowned political geographer John A. Agnew presents a theoretical model that addresses the relation of place to politics and applies it to a series of historicogeographical case studies set in modern Italy. For Agnew, place is not just a static backdrop against which events occur, but a dynamic component of social, economic, and political processes. He shows, for instance, how the lack of a common "landscape ideal" or physical image of Italy delayed the development of a sense of nationhood among Italians after unification. And Agnew uses the post-1992 victory of the Northern League over the Christian Democrats in many parts of northern Italy to explore how parties are replaced geographically during periods of intense political change. Providing a fresh new approach to studying the role of space and place in social change, Place and Politics in Modern Italy will interest geographers, political scientists, and social theorists.

The history of modern Italy is characterized by recurrent cultural and political projects of modernity, rejuvenation, and regeneration; projects which often had their roots in a widespread dissatisfaction with social and political reality, and perceived moral corruption. The Risorgimento, the movement leading to Italian Unification in 1861, explicitly linked the quest for national unity to a process of moral regeneration and progress. Later forms of nationalism and the rise of fascism in the first two decades of the twentieth century advocated a spiritual revolution and the moulding of new Italians through war and violence. The tragic outcome of Italian fascism led to the emergence of new visions of progress during the post-war First Republic, in which European integration was embraced with conviction. In the last 25 years a project of of modernization epitomized by Silvio Berlusconi has characterized Italian politics, invoking a mixture of nationalist themes and an uncritical embracing of consumer and media culture. In this Very Short Introduction Anna Cento Bull addresses the question of what modernity means to Italy, and asks what modern Italy stands for. She considers Italy's political system and style of government, and looks at its economic modernisation and issues with emigration, internal migration and immigration. Bull concludes by looking at the Italian culture and lifestyle, including modern art and architecture, cinema, literature, gastronomy, fashion and sport. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Routledge Handbook of Contemporary Italy provides a comprehensive account of Italy and Italian politics in the 21st Century. Featuring contributions from many leading scholars in the field, this Handbook is comprised of 28 chapters which are organized to deliver unparalleled analysis of Italian society, politics and culture. A wide range of topics are covered, including: Politics and economy, and their impact on Italian society Parties and new politics Regionalism and migrations Public memories Continuities and transformations in contemporary Italian society. This is an essential reference work for scholars and students of Italian and Western European society, politics, and history.

A new edition of the classic historical text on Italy

This classic textbook covers the social, economic and political history of Italy from unification in 1870 to the present time. This new edition brings students right up to date, with increased coverage of the the 1980's and 90's and a new section on the turbulent reign of Silvio Berlusconi. Other changes include updating the coverage of Liberal Italy and Fascism in the light of recent scholarship and changes in historiographical approach, additional material on Italian popular culture and a new chronology.

In early 2020 Italy was a country whose political parties stood as significant obstacles in the way of resolution of its social and economic problems. The purpose of this book is to help the reader to understand how Italian politics had reached this point. It does this by tracing the most significant processes of political, economic and social change to have marked Italian history in recent years back to their roots in the Italian political system as it emerged at the end of the Second World War. Starting with the restoration of democracy, the volume discusses the post-war party system and how it came under increasing pressure from the mid-1970s. From there it discusses the political upheavals of the early 1990s and the transformations they led to, the rise and fall of Silvio Berlusconi, and the watershed election of 2018. In short, the book provides a narrative. Narratives tell us who we are, where we have come from, where we are now and where we are going. Without them, we cannot make sense of the world. At the end of this narrative, if it has done its job properly, Italian politics and current affairs should ‘make sense’ if before they seemed confusing.

Paul Furlong presents an introduction to Italian politics and policy-making, considering in detail the way in which Italy's recent history has affected its course of political and economic development. He looks at the policy process through the 1980s, analysing the practical results of the policy-making process in key areas, such as industry and the economy. He goes on to discuss the party-political and governmental developments of the 1990s. The book is designed throughout to illuminate the Italian case by applying a comparative framework. Italy has often been treated as an exception to any rule of Western European politics; there are, however, many features that the country holds in common with its EC neighbours.

This 2000 volume was the first attempt at a comparative reconstruction of the foreign policy and diplomacy of the major Italian states in the early modern period. The various contributions reveal the instruments and forms of foreign relations in the Italian peninsula. They also show a range of different case-studies and models which share the values and political concepts of the cultural context of diplomatic practice in the ancien régime. While Venice, the Papal States, the duchy of Savoy, Florence (later the duchy of Tuscany), Mantua, Modena, and later the kingdom of Naples may be considered minor states in the broader European context, their diplomatic activity was equal to that of the major powers. This reconstruction of their ambassadors, their secretaries, and their ceremonies offers a fascinating interpretation of the political history of early modern Italy.