Place It On The Tree

Deep in the forest . . . A bear sharpens her claws on a tree trunk. The scratched bark chips; a tiny hole forms. Timber beetles tunnel inside. The hole grows bigger and bigger. In lyrical prose, Barbara Brenner reveals the fascinating happenings in one small place. She explains how, over many years, the rough hole transforms into a cozy hollow -- home to salamanders, tree frogs, a family of white-footed mice. Tom Leonard’s absorbing illustrations take you beneath the bark to a hidden world. His warm, lifelike depictions of squirrels and bluebirds, snakes and spiders show the splendor that dwells in the most unexpected places. So stop. Observe. Explore your natural world. If you look closely enough, you will surely find . . . one small place that is home for something.

The relationship between nature and culture has become a popular focus in social science, but there have been few grounded accounts of trees. Providing shelter, fuel, food and tools, trees have played a vital role in human life from the earliest times, but their role in symbolic expression has been largely overlooked. For example, trees are often used to express nationalistic feelings. Germans drew heavily on tree and forest imagery in nation-building, and the idea of 'hearts of oak' has been central to concepts of English identity. Classic scenes of ghoulish trees coming to life and forests closing in on unsuspecting passers-by commonly feature in the media. In other instances, trees are used to represent paradisical landscapes and symbolize the ideologies of conservation and concern for nature. Offering new theoretical ideas, this book looks at trees as agents that co-constitute places and cultures in relationship with human agency. What happens when trees connect with human labour, technology, retail and consumption systems? What are the ethical dimensions of these connections? The authors discuss how trees can affect and even define notions of place, and the ways that particular places are recognized culturally. Working trees, companion trees, wild trees and collected or conserved trees are considered in relation to the dynamic politics of conservation and development that affect the values given to trees in the contemporary world. Building on the growing field of landscape study, this book offers rich insights into the symbolic and practical roles of trees. It will be vital reading for anyone interested in the anthropology of landscape, forestry, conservation and development, and for those concerned with the social science of nature.

As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!

Far and near. Lost and found. Four girls. Four generations. Georgia cannot figure out what's going on in her family. Her mother, Francie, is extremely overprotective. Her grandmother, Dana, and her great-grandmother, Abby, don't speak to each other. And Georgia's great-great-grandmother also had some secrets that nobody else knows about.Georgia knows this because she's found her great-great grandmother's diary hidden in a wall in the family's house in Maine. Reading the diary makes her think of her own struggles - and draws her even closer to the mysteries of her family as Abby's hundredth birthday approaches.HOME IS THE PLACE is the heartfelt, remarkable conclusion to Ann M. Martin's Family Tree series, which has followed Abby, Dana, Francie, and now Georgia from girlhood to womanhood, showing readers the intertwining, extraordinary ways we grow up.

Picture a tree -- what do YOU see? Picture a tree, from every season, and from every angle. These wondrous beings give shade and shelter. They protect, and bring beauty to, any landscape. Now look again. Look closer. A tree's colours both soothe and excite. Its shape can ignite the imagination and conjure a pirate ship, a bear cave, a clubhouse, a friend; an ocean, a tunnel, and a home sweet home. Its majestic presence evokes family, growth, changes, endings and new beginnings. Picture a tree -- what do you see? The possibilities are endless. In this gorgeous new picture book, Barbara Reid brings her vision, her craft, and her signature Plasticine artwork to the subject of trees. Each page is a celebration, and you will never look at trees in quite the same way again.

Depicts life in Australia at different times in its development by viewing one place in different years while moving backwards from 1988 to 1788.

'The master. Puts all other modern tree-writers in the shade' John Lewis-Stempel, author of Meadowland Thomas Pakenham is an indefatigable champion of trees. In The Company of Trees he recounts his personal quest to establish a large arboretum on the family estate, Tullynally in Ireland; his forays to other tree-filled parks and plantations; his often hazardous seed-hunting expeditions; and his efforts to preserve magnificent old trees and historic woodlands. Whether writing about the terrible storms breaking the backs of hundred-year-old trees or a fire in the peat bog on Tullynally which threatens to spread to the main commercial spruce-woods, his fear of climate change and disease, or the sturdy young saplings giving him hope for the future, his book is never less than enthralling.