Plain Tales From The British Empire

PLAIN TALES FROM THE BRITISH EMPIRE gathers together Charles Allen's best loved books on the British experience across the Empire: PLAIN TALES FROM THE RAJ, TALES FROM THE SOUTH CHINA SEAS and TALES FROM THE DARK CONTINENT. These vivid stories and recollections give an evocative and unique glimpse into the lost days of the Empire across India, Africa and the territories fringing the South China Sea. 'A hugely valuable record of colonial life in India, Africa and the Far East -- intimate, vivid and immensely enjoyable' Antonia Fraser

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald (Institut für Fremdsprachliche Philologien), course: Imagining the Nation: From the British Empire to Multicultural Britain, language: English, abstract: One of the most influential and well-known authors during the time of the British Empire and still today is without doubt Rudyard Kipling. Whether or not his political views can be agreed upon, he nevertheless represents a great part of English literature. He wrote numerous novels, short stories and poems and was even awarded the Nobel Prize for Literature in 1907. (cf. Green 22) Along with this great success, however, came also a spate of criticism leading to an “ambivalent attitude towards the author and his work” (Gilbert: xvii). Herein lays the prominent reason for writing a paper on colonialism: in the controversial portray of Rudyard Kipling. Some authors like Henry James view him as “the most complete man of genius [to be] ever known” (159) whilst others see him as a “jingo imperialist [...] morally insensitive and aesthetically disgusting” (Orwell 74). The majority of Kipling’s work has been written during the peak times of the British Empire and takes same one as thematic playground. Kipling is said to have created “not only the best but almost the only literary picture [of Anglo-India].” (Orwell 82) and thus resemble a suitable foundation for analysis. Hence, it shall be examined what picture of Imperialism with particular reference to Indian colony and its inhabitants as subjects to the Royal government as well as the role of the English in India, is created in Rudyard Kipling’s work. Is it really as Fabian Schefold proposes, that Kipling’s writing is furnished with racist and imperialist ideas, presenting Britain as racial superior to India? (cf. 59-60) Or is it as Edgar Mertner suggests, that Kipling was rather critic of the British rule in India considering it “a huge macabre joke” (145).

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, Ernst Moritz Arndt University of Greifswald (Institut für Fremdsprachliche Philologien), course: Imagining the Nation: From the British Empire to Multicultural Britain, language: English, abstract: One of the most influential and well-known authors during the time of the British Empire and still today is without doubt Rudyard Kipling. Whether or not his political views can be agreed upon, he nevertheless represents a great part of English literature. He wrote numerous novels, short stories and poems and was even awarded the Nobel Prize for Literature in 1907. (cf. Green 22) Along with this great success, however, came also a spate of criticism leading to an "ambivalent attitude towards the author and his work" (Gilbert: xvii). Herein lays the prominent reason for writing a paper on colonialism: in the controversial portray of Rudyard Kipling. Some authors like Henry James view him as "the most complete man of genius [to be] ever known" (159) whilst others see him as a "jingo imperialist [...] morally insensitive and aesthetically disgusting" (Orwell 74). The majority of Kipling's work has been written during the peak times of the British Empire and takes same one as thematic playground. Kipling is said to have created "not only the best but almost the only literary picture [of Anglo-India]." (Orwell 82) and thus resemble a suitable foundation for analysis. Hence, it shall be examined what picture of Imperialism with particular reference to Indian colony and its inhabitants as subjects to the Royal government as well as the role of the English in India, is created in Rudyard Kipling's work. Is it really as Fabian Schefold proposes, that Kipling's writing is furnished with racist and imperialist ideas, presenting Britain as racial superior to India? (cf. 59-60) Or is it as Edgar Mertner suggests, that Kipling was rather critic of the British rule in India co

The Raj was, for two hundred years, the jewel in the British imperial crown. Although founded on military expansionism and undoubted exploitation, it developed over the centuries into what has been called 'benign autocracy' - the government of many by few, with the active collaboration of most Indians in recognition of a desire for the advancement of their country. Charles Allen's classic oral history of the period that marked the end of British rule was first published a generation ago. Now reissued as the imperial century closes, this brilliantly insightful and bestselling collection of reminiscences illustrates the unique experience of British India: the sadness and luxury for some; the joy and deprivation for others.

Rudyard Kipling is one of the best known writers of the 20th century, and an author whose works are ready by kids around the globe. In his day, he was known for his tales and poems, many of which were set in India during the era of the British Empire, but now he is best known for works like The Jungle Book, Just So Stories, and Kim. Among the works Kipling produced about India, Plain Tales from the Hills is arguably the most popular. Plain Tales was Kipling's first collection of stories, and it looks at what life was like in India when the British still ruled it. It also serves as a prequel of sorts to Kim, one of Kipling's most famous novels.

She was the daughter of Sonoo, a Hill-man, and Jadeh his wife. One year their maize failed, and two bears spent the night in their only poppy-field just above the Sutlej Valley on the Kotgarth side; so, next season, they turned Christian, and brought their baby to the Mission to be baptized. The Kotgarth Chaplain christened her Elizabeth, and "Lispeth" is the Hill or pahari pronunciation. Later, cholera came into the Kotgarth Valley and carried off Sonoo and Jadeh, and Lispeth became half-servant, half-companion to the wife of the then Chaplain of Kotgarth. This was after the reign of the Moravian missionaries, but before Kotgarth had quite forgotten her title of "Mistress of the Northern Hills." Whether Christianity improved Lispeth, or whether the gods of her own people would have done as much for her under any circumstances, I do not know; but she grew very lovely. When a Hill girl grows lovely, she is worth traveling fifty miles over bad ground to look upon. Lispeth had a Greek face-one of those faces people paint so often, and see so seldom. She was of a pale, ivory color and, for her race, extremely tall. Also, she possessed eyes that were wonderful; and, had she not been dressed in the abominable print-cloths affected by Missions, you would, meeting her on the hill-side unexpectedly, have thought her the original Diana of the Romans going out to slay. Lispeth took to Christianity readily, and did not abandon it when she reached womanhood, as do some Hill girls. Her own people hated her because she had, they said, become a memsahib and washed herself daily; and the Chaplain's wife did not know what to do with her. Somehow, one cannot ask a stately goddess, five foot ten in her shoes, to clean plates and dishes. So she played with the Chaplain's children and took classes in the Sunday School, and read all the books in the house, and grew more and more beautiful, like the Princesses in fairy tales. The Chaplain's wife said that the girl ought to take service in Simla as a nurse or something "genteel." But Lispeth did not want to take service. She was very happy where she was.

Set and published during the time of the British Raj, a time of subalterns and tea planters, the 40 stories in Plain Tales From The Hills are played out under an unforgiving sun, revealing the deceit, faithlessness, shallowness, despair, mistrust, hate, and petty jealousies rife amongst the British inhabitants of India. Fascinating, funny, tragic, immensely readable, and witty, these stories provide an invaluable insight into life in India during the British Raj, introducing us to the work of one of the most beloved writers of the 20th century. Rudyard Kipling was an English author and poet, born in Bombay, India, and is best known for The Jungle Book series and is regarded as a major "innovator in the art of the short story"; his children's books are enduring classics of children's literature. Kipling was one of the most popular writers in English, in both prose and verse, in the late 19th and early 20th centuries. In 1907, he was awarded the Nobel Prize in Literature, making him the first English language writer to receive the prize, and he remains its youngest-ever recipient. However, later in life Kipling also came to be seen (in George Orwell's words) as a "prophet of British imperialism." Many saw prejudice and militarism in his works, and the resulting controversy about him continued for much of the 20th century. According to critic Douglas Kerr: "He is still an author who can inspire passionate disagreement and his place in literary and cultural history is far from settled. But as the age of the European empires recedes, he is recognized as an incomparable, if controversial, interpreter of how empire was experienced. That, and an increasing recognition of his extraordinary narrative gifts, make him a force to be reckoned with." Kipling kept writing until the early 1930s and died of a brain haemorrhage in January of 1936 at the age of 70.