Planet Narnia

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains conna?tre knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

Millions of readers have been captivated by C. S. Lewis’s famed Chronicles of Narnia, but why? What is it about these seven books that makes them so appealing? For more than half a century, scholars have attempted to find the organizing key—the “secret code”—to the beloved series, but it has remained a mystery. Until now. In The Narnia Code, Michael Ward takes the reader through each of the seven Narnia books and reveals how each story embodies and expresses the characteristics of one of the seven planets of medieval cosmology—Jupiter, Mars, Sol, Luna, Mercury, Venus and Saturn—planets which Lewis described as “spiritual symbols of permanent value.” How does medieval cosmology relate to the Christian underpinnings of the series? How did it impact Lewis’s depiction of Aslan, the Christlike character at the heart of the books? And why did Lewis keep this planetary inspiration a secret? Originally a ground-breaking scholarly work called Planet Narnia, this more accessible adaptation will answer all the questions.

All seven Chronicles are bound together in this one magnificent volume with a personal introduction by Douglas Gresham, stepson of C. S. Lewis.

Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.

When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Brackin: "Quarantine," a short story. Annie Crawford: "The Cure Has Begun." Brenton Dickieson: "(Re)Considering the Planet Narnia Thesis," a challenging essay to the thesis. Ryan Grube: "For Your Contemplation" Malcolm Guite: "Planet Narnia as Creative Inspiration," an essay; "The Daily Planet," a poem; "The Circle Dance", a poem. Marshall Liszt: "Gravitational Pull," a reflection. Louis Markos: "Why We Love to Visit Narnia." Jason Monroe: "The Voyage of the Dawn Treader and the Rehabilitation of Practical Reason." Holly Ordway: "A Seven-Day's Journey through the Heavens," a poem Jahdiel Perez: "Where Paradoxes Play," Michael Ward on Christian Orthodoxy. Josiah Peterson: "A Defense of Planet Narnia." John Mark Reynolds: "An Unexpected Journey: Imaginative Apologetics and the Ward Moment," A personal reflection from Dr. John Mark Reynolds on the origins of the apologetics program at Houston Baptist University. Michael Ward: "Seven Questions," an interview with Dr. Michael Ward and An Unexpected Journal, and "Return to Planet Narnia" with additional support for the planetary thesis. Donald T. Williams: "C.S. Lewis, A Life," a poem. Kyoko Yuasa: "Table Narnia: Fugue to Evangelical Adventure," an essay on the symbolism of the table throughout the Chronicles.

A distinguished academic, influential Christian apologist, and best-selling author of children's literature, C. S. Lewis is a controversial and enigmatic figure who continues to fascinate, fifty years after his death. This Companion is a comprehensive single-volume study written by an international team of scholars to survey Lewis's career as a literary historian, popular theologian, and creative writer. Twenty-one expert voices from the University of Oxford, the University of Cambridge, Princeton University, and Wheaton College, among many other places of learning, analyze Lewis's work from theological, philosophical, and literary perspectives. Some chapters consider his professional contribution to fields such as critical theory and intellectual history, while others assess his views on issues including moral knowledge, gender, prayer, war, love, suffering, and Scripture. The final chapters investigate his work as a writer of fiction and poetry. Original in its approach and unique in its scope, this Companion shows that C. S. Lewis was much more than merely the man behind Narnia.

Lev Grossman’s new novel THE BRIGHT SWORD will be on sale July 2024 The New York Times bestselling novel about a young man practicing magic in the real world, now an original series on SYFY “The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. . . . Hogwarts was never like this.” —George R.R. Martin “Sad, hilarious, beautiful, and essential to anyone who cares about modern fantasy.” —Joe Hill “A very knowing and wonderful take on the wizard school genre.” —John Green “The Magicians may just be the most subversive, gripping and enchanting fantasy novel I’ve read this century.” —Cory Doctorow “This gripping novel draws on the conventions of contemporary and classic fantasy novels in order to upend them . . . an unexpectedly moving coming-of-age story.” —The New Yorker “The best urban fantasy in years.” —A.V. Club Quentin Coldwater is brilliant but miserable. A high school math genius, he’s secretly fascinated with a series of children’s fantasy novels set in a magical land called Fillory, and real life is disappointing by comparison. When Quentin is unexpectedly admitted to an elite, secret college of magic, it looks like his wildest dreams have come true. But his newfound powers lead him down a rabbit hole of hedonism and disillusionment, and ultimately to the dark secret behind the story of Fillory. The land of his childhood fantasies turns out to be much darker and more dangerous than he ever could have imagined. . . . The prequel to the New York Times bestselling book The Magician King and the #1 bestseller The Magician's Land, The Magicians is one of the most daring and inventive works of literary fantasy in years. No one who has escaped into the worlds of Narnia and Harry Potter should miss this breathtaking return to the landscape of the imagination.

C.S. Lewis's Ransom Trilogy, better known as "the Space Trilogy", is a much-neglected and yet critically important part of Lewis' works. It has captivated and bewildered readers since its publication, and though hundreds of books about Lewis have been written, few seek to navigate the maze that is Lewis's "space-travel story." These books are a distillation in novel form of one of Lewis' favorite subjects, a subject whose melody is woven into almost everything that Lewis ever wrote: the medieval model of the cosmos. Deeper Heaven is a guide and companion through the magical web of medieval cosmology, ancient myth, and critique of modern philosophies that makes up the oft-maligned "Space Trilogy." A student and teacher of literature and history herself, Christiana Hale will walk you through the Trilogy one step at a time, with eyes fixed where Lewis himself fixed his: on Deep Heaven and beyond. In the process, many questions will be answered: What does Christ have to do with Jupiter? Why does Lewis care so much about the medieval conception of the heavens? Why should we? And, perhaps the most puzzling question of all: why is Merlin in That Hideous Strength?