Plant Metaphors In Prophetic Condemnations Of Israel And Judah

Tina M. Sherman offers a first-of-its-kind, detailed analysis of prophetic passages that depict people as plants—from grasses and grains to fruit trees and grapevines—examining how the biblical authors exploited these metaphors to portray the condemnation and punishment of Israel and Judah in terms of the everyday work of crop farming and plant husbandry. Additionally, she explores how the prophetic authors employed plant imagery to construct national identities that emphasize the people’s collective responsibility for the kingdoms’ fate. Plant Metaphors in Prophetic Condemnations of Israel and Judah demonstrates the usefulness of combining conceptual metaphor theory with aspects of frame semantics in the analysis of patterns of thought and expression in biblical metaphor.

In The Metaphor of the Divine as Planter of the People Pantoja traces the emergence of the conceptual metaphor YHWH IS THE PLANTER OF THE PEOPLE in ancient Hebrew poetry and follows its development throughout biblical history and Second Temple literature.

Though interest in the use of metaphor in the Hebrew Bible has gained momentum in recent years, there is, to date, no investigation which concentrates exclusively on the animal metaphors in the book of Jeremiah. In this book, the author brings to light this neglected area of study by examining the language and imagery of the animal metaphors for the people of Israel in the book of Jeremiah. The contribution that these metaphors make to the theology of the book is given special attention, and since different interpretations have been given to many of the metaphors in question, the author resolves some of the questions regarding the meaning of these images in his in-depth study. Additionally, scholars have not tended to research metaphors for the nation of Israel and thus this volume draws attention to a particular subject which has largely been overlooked.In chapter one Foreman familiarizes the reader with the major theoretical approaches to metaphor and spells out the approach taken in his investigation. Eighteen metaphors are then thoroughly analyzed in chapters two, three, and four. These metaphors are grouped into three categories, each of which constitutes a chapter: pastoral metaphors, mammal metaphors, and bird metaphors. Chapter five draws the results of the inquiry together. This study reveals how animal metaphors make important theological claims about the nation of Israel and demonstrates that they are essential elements of the message of the book of Jeremiah. Foreman's elucidation of the language and imagery of the animal metaphors for the people of Israel leads to a richer understanding of these metaphors and ultimately contributes to a more precise interpretation of the message of the book of Jeremiah as a whole.

Prophetic Literature: From Oracles to Books presents an in-depth introduction to the origins and development of the Prophetic Books of the Old Testament, including an examination of the literary structure, authorship, and editorial processes that produced each book. The only introductory textbook that explores both how the prophetic books were composed and edited Accessible and engaging, the book contains numerous student features to encourage learning, including introductions, summaries, tables and boxes, etc Based on international scholarship on the individual prophetic books, including German scholarship that is otherwise inaccessible to most English readers

Sharon Moughtin-Mumby explores metaphor as a tool of persuasion in the prophetic books of the Hebrew Bible. She emphasises the importance of context and challenges previous scholarship which has read such language in terms of the concept of 'the marriage metaphor' and the hypothetical background of cultic prostitution.

"By focusing on the forms of religious expression which the sixth-century prophets condemn, we can begin to apprehend the diversity which characterized exilic religion. Moreover, by recognizing the polemical nature of the prophetic critiques and by resolving to read these critiques without prophetic prejudice and instead with a non-judgmental eye, we can place ourselves in a position to re-evaluate the traditional descriptions of the sixth-century cult. Our task, then, is to read anew; our aim is to judge afresh. With this goal in mind, we turn our attention to the major prophetic texts which will comprise our study: Jeremiah 7 and 44, Ezekiel 8, Isaiah 57, and Isaiah 65." - From the Introduction

While most treatments of biblical metaphor examine individual metaphors in isolation, Sarah J. Dille presents a model for interpretation based on their interaction with one another. Using Lakoff and Johnson's category of "metaphoric coherence", she argues that when nonconsistent or contradictory metaphors appear together in a literary unit, the areas of overlap (coherence) are highlighted in each. Using the images of father and mother in Deutero-Isaiah as a starting point, she explores how these images interact with others: for example, the divine warrior, the redeeming kinsman, the artisan of clay, or the husband. The juxtaposition of diverse metaphors (common in Hebrew prophetic literature) highlights common "entailments", enabling the reader to see aspects of the image which would be overlooked or invisible if read in isolation. Dille argues that any metaphor for God can only be understood if it is read or heard in interaction with others within a particular cultural context.