Playing The Other

Zeitlin explores the diversity and complexity of these interactions through the most influential literary texts of the archaic and classical periods, from epic (Homer) and didactic poetry (Hesiod) to the productions of tragedy and comedy in fifth-century Athens.

This book is an exploration and critique of 'playback theatre', a form of improvised theatre in which a company of performers spontaneously enact autobiographical stories told to them by members of the audience. With more than ten years' experience as an actor with Playback Theatre York, the author introduces the reader to the basics of playback theatre within a historical and theoretical context. The history and development of the form is traced, from its conception in the late 1970s to its subsequent growth worldwide, and its relationship to the psychodrama tradition from which it has evolved is discussed. Through an examination of playback performances from the perspectives of performers, `tellers' of their stories and the audience, the author critically explores the nature, implications and ethics of the performers' response to the teller's experience, how notions of the public and personal are constructed, and the risks involved in improvising a response to a member of the audience's story. Playing the Other will be essential reading for drama students, dramatherapists and all those interested in the history and use of the theatre.

Annotation In tribute to his influential piano teacher, Guerry (music emeritus, Louisiana State U.) has compiled some previously unpublished essays by Italian-American Scionti (1882-1973)--the subject of his 1991 biography and a 1995 compact disc. In delightful counterpoint to essays amplified with examples on the basics of fine piano playing and the art of pedaling, is the concluding "Maxims for a Spaghetti Party."Annotation copyrighted by Book News, Inc., Portland, OR.

Reprint of the original, first published in 1876.

Explores the origin and development of flutes, recorders, and other woodwinds, discussing how they work and guiding students from the first steps of playing to more advanced techniques.

Playing Santa Claus and Other Christmas Tales is a collection of 13 beautiful and warmhearted children's stories._x000D_ Table of Contents:_x000D_ Playing Santa Claus_x000D_ Nothing to Give_x000D_ Willie's Gold Dollar_x000D_ The Thanksgiving Party_x000D_ A Christmas Story_x000D_ April Fool's Day_x000D_ The Christmas Tree_x000D_ A Dream_x000D_ No Time like the Present_x000D_ The Little Match Boy_x000D_ I Forgot_x000D_ The Silver Morning and Golden Day_x000D_ Two Sides to a Story

A cultural anthropologist from California, Wolfe spent twenty years in Alaska documenting the traditional hunting and fishing practices of Alaska Natives and discovered much about sustainable relationships between people and nature. In this series of thought-provoking essays contrasting California and Alaska - worlds far apart yet connected by peoples, cultural traditions, and ecology - he challenges readers to reflect on their own personal conduct within nature and within our multicultural world.

No contemporary form of pop culture has as large a social impact as video games, an entertainment industry whose yearly revenues continue to rise. Gamergate rocked the gaming industry when isolated incidents of male gamers threatening female game developers and critics grew into a sustained campaign of harassment against minorities and the historically marginalized. These events negatively revealed the political, ethical, and theological meaning latent within video games and gaming communities, but constructive reactions to the situation showed that video game creators and consumers were interested in thinking about games differently. In the wake of Gamergate, the voices of those marginalized and ignored as the other became louder, and alternative gaming experiences reflecting their perspectives more commonplace. Playing as Others traces the development of video game culture in response to marginalization and explores the ways in which the content of video games can generate theological insight and positive ethical impact. Benjamin Chicka shows how the interactivity and compelling narratives provided by emerging styles of video games can provide powerful lessons in listening to, accepting, and helping those often harmed or outright neglected by society. Bringing Paul Tillich's theology of culture into conversation with Emmanuel Levinas' ethical concept of responsibility toward the other, Chicka shows that video games as art form aid in the overcoming of estrangement. If culture, art, and technology have the power to reveal divine depth, video games offer a unique opportunity to foster redemptive face-to-face encounters in a way that is impossible for even the most practical discussions of philosophy and theology. With their fully formed characters and morally challenging stories, the games considered here, such as Gone Home; Papers, Please; and 1979 Revolution: Black Friday, can become a means to personal fulfillment and a desire for justice. For nonmarginalized players, virtual encounters are opportunities to listen to the call of the other and carry that lesson into the real world.