Plays By David Garrick And George Colman The Elder

As playwrights David Garrick and George Colman the Elder showed themselves to be practical men of the theatre, providing excellent acting parts and well-constructed scenes capable of provoking laughter in any age. At one time they were rival managers of the two main London theatres, Drury Lane and Covent Garden, but their friendship was greater than their rivalry and survived until Garrick's death. This volume includes five plays: three short farces by Garrick, a full-length play by Colman and the famous collaborative work The Clandestine Marriage. The playwrights' abilities complemented each other and their eventual parting illustrates the divergence of comic styles that were popular at the time - the satirical and the sentimental. In his introduction Mr Wood describes the composition and expectations of the contemporary London audiences and the theatrical careers of the two playwright-managers.

This work is the late author's manuscript abridged and edited by M. L. Lawhon. It follows his earlier volume of similar title for the years 1671-1737, continuing that study through the remainder of the eighteenth century. In addition to Sheridan's Critic, the book treats little-known plays of the lesser playwrights of the period. Illustrated.

Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

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This volume contains edited texts of five plays by two late eighteenth-century dramatists. The plays have been chosen to represent the range of the two playwrights and the variety of dramatic material on offer during the period. The full-length plays and afterpieces by George Colman the Younger and Thomas Morton were as popular as Sheridan's works in their time, but today are seldom performed or read. This discrepancy lies at the heart of Barry Sutcliffe's extensive introduction, which explores the critical and social background to the dramatic activity of the period and relates the dramas to the shifting demands of the theatre audiences for whom these plays were written.

David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. Contents: The Rehearsal (George Villiers and Others), 1742; The Alchymist. A Comedy (Ben Jonson), 1743; The Provok'd Wife. A Comedy (John Vanbrugh), 1744; and The Roman Father. A Tragedy (William Whitehead), 1750.