Plays In Ten

Eugene Peterson's Spiritual Theology series provides a completely fresh evaluation of Christian Spirituality, past, present and future. The bestselling author of THE MESSAGE draws on the very latest scholarship and understanding of biblical revelation, and will represent the most thorough and significant work on contemporary Christian Spirituality by an evangelical author. Most writings in the field of spiritual theology represent mere dabblings. The more significant endeavours are impenetrably academic. Petrson's masterwork, which has been years in the making, is designed for those who are comfortable with being stretched, as well as pastors, academics and lay leaders. CHRIST PLAYS IN TEN THOUSAND PLACES is Book One in a five-part series, and concentrates on 'clearing the playing field', evaluating spirituality as it is understood today. Also available in the Spiritual Theology series: Eat This Book, The Jesus Way, The Word Made Flesh and Practise Resurrection.

A dazzlingly diverse anthology of thirty-five short plays spanning the theatrical spectrum. A ten-minute play is a blaze of theatrical energy. In this follow-up to their groundbreaking collection Take Ten, editors Eric Lane and Nina Shengold have put together a veritable bonfire of talent. Take Ten II: More 10-Minute Plays provides a fast-track tour of the current theatrical landscape, from the slapstick ingenuity of David Ives’ Arabian Nights to the searing tension of Diana Son’s 9/11 drama The Moon, Please, to Susan Miller’s luminous fable The Grand Design. This remarkably diverse anthology includes thirty-five short plays by such major American playwrights as Christopher Durang, Warren Leight, Romulus Linney and Donald Margulies, alongside a host of exciting new voices. Actors, directors, producers and teachers will find Take Ten II an invaluable source of meaty roles for people of every age, ethnicity and gender; lovers of theatre will find it a richly satisfying read. These deceptively short plays throb with life in all its variety: harrowing, hilarious, and breathtakingly vital. Playwrights included: Taylor Mac Bowyer Laura Shaine Cunningham Anthony David Steven Dietz Christopher Durang Linda Eisenstein Simon Fill Craig Fols Sigrid Heath David Ives Caleen Sinnette Jennings Honour Kane Eric Lane Edward Bok Lee Warren Leight Romulus Linney Donald Margulies Susan Miller Chiori Miyagawa Itamar Moses Sean O'Connor Mark O'Donnell Dael Orlandersmith Rich Orloff Joe Pintauro Craig Pospisil Toni Press-Coffman Claire Reeve Elaine Romero Susan Sandler Nina Shengold Diana Son Alison Weiss Mary Louise Wilson Garth Wingfield Alexander Woo From the Trade Paperback edition.

Paperback Original

A ten-minute play is a streak of theatrical lightning. It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.

A collection of ten-minute plays from Creative Mechanics Theatre Company and E Merging Writers' 2005 competition, Stage This! is an exciting and diverse group of new plays ripe for reading and demanding to be staged.

In Hot Thespian Action! Robin Whittaker argues that new plays can thrive in amateur theatres, which have freedoms unavailable to professional companies. He proves it with ten relevant, engaging playscripts originally produced by one of Canada's longest-running theatres, Edmonton's acclaimed Walterdale Theatre Associates. This collection challenges notions that amateur theatre is solely a phenomenon of the pre-professional past. Whittaker makes an important contribution to Canadian theatre studies with the first North American anthology in 80 years to collect plays first produced by a nonprofessionalized theatre company.