Plotinus Enneadv 8 On Intelligible Beauty

Intro -- Title Page -- Copyright Page -- Contents -- Introduction to the Series -- Abbreviations -- Acknowledgments -- Introduction to the Treatise -- Note on the Greek Text -- Synopsis -- Translation of Ennead V.8 -- Commentary -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Select Bibliography -- Index of Ancient Authors -- Index of Names and Subjects -- Also Available from Parmenides Publishing

Plotinus' Ennead V.8, originally part of a single work (with III.8, V.5, and II.9), provides the foundation for a positive view of the universe as an image of divine beauty against the Gnostic rejection of the world. Although it emphasizes the cosmic dimension of beauty, it is, as are most treatises of Plotinus, concerned with the individual soul. The notion that the artist has within him an idea of beauty that derives directly from the intelligible world in fact coincides with his theory that each one of us has access to Intellect through his or her own intellect. It is the exploitation of this theme that forms the central dynamic of the treatise, with its stress on our ability to "e;see"e; and be one with the intelligible world and its beauty.

Ennead I.6 is probably the best known and most influential treatise of Plotinus, especially for Renaissance artists and thinkers. Although the title may suggest a work on aesthetics and thus of limited focus, this is far from the case. For it quickly becomes apparent that Plotinus' main interest is in transcendent beauty, which he identifies with the Good, the goal of all philosophical endeavor in the Platonist's search to assimilate himself with the divine. The treatise is at once a philosophical search for the nature of the divine and at the same time an encouragement to the individual to aspire to this goal by taking his start from the beauty which is experienced in this world; for it is an image of transcendent beauty. This upward movement of the treatise reflects throughout the speech of Socrates in Plato's Symposium in which he recounts the exhortation of the priestess Diotima to ascend from earthly to transcendent beauty, which for Plotinus is identified with the divine.

This is a new release of the original 1932 edition.

A Greek edition of Plotinus's philosophical works with notes for students of Classical Greek Plotinus, the father of Neoplatonism, composed the treatise On Beauty (Ennead 1.6) as the first of a series of philosophical essays devoted to interpreting and elucidating Platonic ideas. This treatise is one of the most accessible and influential of Plotinus's works, and it provides a stimulating entrée into the many facets of his philosophical activity. In this volume Andrew Smith first introduces readers to the Greek of Plotinus and to his philosophy in general, then provides the Greek text of and English notes on Plotinus's systematic argument and engaging exhortation to foster the inner self. The volume ends with the text of and notes on Plotinus's complementary statements in On Intelligible Beauty (Ennead 5.8.1–2). Features: An overview of Plotinus's life Background discussion of Plotinus's thought and outline of his philosophical system Analysis of the relationship of Plotinus's thought to Plato’s

Plotinus was much exercised by Plato's doctrines of the soul. In this treatise, at chapter 1 line 27, he talks of "e;the divine Plato, who has said in many places in his works many noble things about the soul and its arrival here, so that we can hope for some clarity from him. So what does the philosopher say? It is clear that he does not always speak with sufficient consistency for us to make out his intentions with any ease."e; The issue in this treatise is one that has puzzled students of Plato from ancient to modern times-and is indeed a popular topic for undergraduate essays even today: Why should the philosopher, who has ascended through a long and painful process of dialectic to "e;assimilation to the divine,"e; ever descend back into the body? Plotinus himself is said by Porphyry to have attained such a state of other-worldly transcendence on at least four occasions during his lifetime, so this was a very real and personal issue for him. In this treatise we see him grappling with it.