Poecraft

Poecraft is a new literary remix, which combines the the world renown short stories of Edgar Allan Poe with the writings of the master of horror himself, H. P. Lovecraft, into 13 of the most terrifying tales ever recorded.

"Poe reclaims the Baltimore and Virginia writer's reputation and power, retracing Poe's life and career. James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe's major works and his main themes, techniques, and imaginative preoccupations." "This portrait of the writer emphasizes Poe's southern identity. It traces his existence as a workaday journalist in the burgeoning magazine era and later his tremendous authority as a literary critic and cultural arbiter. To counter the long-lasting damage done by Poe's literary enemies, Hutchisson explores the far-reaching, posthumous influence Poe's literary and critical work exerted on the sister arts and on modern writers from Nietzsche to Nabokov."--BOOK JACKET.

Fisher & Frey’s answer to close and critical reading Learn the best ways to use text-dependent questions as scaffolds during close reading and the big understandings they yield. But that’s just for starters. Fisher and Frey also include illustrative video, texts and questions, cross-curricular examples, and an online facilitator’s guide—making the two volumes of TDQ a potent professional development tool across all of K–12. The genius of TDQ is the way Fisher and Frey break down the process into four cognitive pathways: What does the text say? How does the text work? What does the text mean? What does the text inspire you to do?

This collection explores how anthologizers and editors of Edgar Allan Poe play an integral role in shaping our conceptions of Poe as the author we have come to recognize, revere, and critique today. In the spheres of literature and popular culture, Poe wields more global influence than any other U.S. author. This influence, however, cannot be attributed solely to the quality of Poe’s texts or to his compellingly tragic biography. Rather, his continued prominence as a writer owes much to the ways that Poe has been interpreted, portrayed, and packaged by an extensive group of mediators ranging from anthologizers, editors, translators, and fellow writers to literary critics, filmmakers, musicians, and illustrators. In this volume, the work of presenting Poe’s texts for public consumption becomes a fascinating object of study in its own right, one that highlights the powerful and often overlooked influence of those who have edited, anthologized, translated, and adapted the author’s writing over the past 170 years.

The Critical History of Edgar Allan Poe's The Narrative of Arthur Gordon Pym: A Dialogue with Unreason traces the complex, scattered criticism of Poe's most anomalous work, as it has steadily grown in prominence to a central position in the study of Poe and American literature. The winding route the criticism of Pym has charted, as convoluted as the narrative itself, has been a history of disagreement at almost every level at which critics and scholars read texts--including the nature and genre of the work, the seriousness or levity of the author's intent, and its stature as a work of genius, hackwork, or something in between. The unique set of thematic and narrative problems the work poses has eluded every hermeneutic structure brought against it so far, consistently undermining the very reading strategies it seems to invite. The only comprehensive critical history and bibliography of Pym, this study fills a large hole Poe scholars have long felt, as it analyzes the ways in which critics and critical camps have attempted to confront, rationalize, contain, or evade its novel and disturbing features. In the process, the criticism is correlated with the popular reception and the international response. Because literary history has entangled no author with his work more than Poe, ultimately this book is as much a study of Poe as of Pym. At every point, therefore, this study embeds the critical response to Pym in the history of Poe studies in general, as well as in the larger context of American literary theory and history. Includes bibliography and index.

This collection of fifteen original essays and one original poem explores the theme of “place” in the life, works, and afterlife of Edgar A. Poe (1809-1849). Poe and Place argues that “place” is an important critical category through which to understand this classic American author in new and interesting ways. The geographical “places” examined include the cities in which Poe lived and worked, specific locales included in his fictional works, imaginary places featured in his writings, physical and imaginary places and spaces from which he departed and those to which he sought to return, places he claimed to have gone, and places that have embraced him as their own. The geo-critical and geo-spatial perspectives in the collection offer fresh readings of Poe and provide readers new vantage points from which to approach Poe’s life, literary works, aesthetic concerns, and cultural afterlife.

This interdisciplinary study establishes connections between divergent approaches to rationality in philosophy, social science, and literary studies. Livingston provides a broad survey of the basic assumptions and questions associated with concepts of rationality in philosophical accounts of action, in decision theory, and in the theory of rational choice.