Poems For The Flood Volume Ii

A collection of poems from the author of The Flood, this is the second volume in the collection, and that is readily seen through the depth of the verse contained within these pages.

Continuing on from the first volume's strong debut, this edition demonstrates the power of the author's control over words, phrases, and emotions.

A collection of poems from the author of The Flood, this is the first volume in the collection. Join the author and follow the first tentative steps into his dark and whimsical world.

"Sherwin Bitsui's new poetry collection, Flood Song—a sprawling, panoramic journey through landscape, time, and cultures—is well worth the ride."—Poets & Writers “Bitsui’s poetry is elegant, probative, and original. His vision connects worlds.”—New Mexico Magazine “His images can tilt on the side of surrealism, yet his work can be compellingly accessible.”—Arizona Daily Star “Sherwin Bitsui sees violent beauty in the American landscape. There are junipers, black ants, axes, and cities dragging their bridges. I can hear Whitman's drums in these poems and I can see Ginsberg's supermarkets. But above all else, there is an indigenous eccentricity, ‘a cornfield at the bottom of a sandstone canyon,’ that you will not find anywhere else.”—Sherman Alexie Native traditions scrape against contemporary urban life in Flood Song, an interweaving painterly sequence populated with wrens and reeds, bricks and gasoline. Poet Sherwin Bitsui is at the forefront of a new generation of Native writers who resist being identified solely by race. At the same time, he comes from a traditional indigenous family and Flood Song is filled with allusions to Dine (Navajo) myths, customs, and traditions. Highly imagistic and constantly in motion, his poems draw variously upon medicine song and contemporary language and poetics. “I map a shrinking map,” he writes, and “bite my eyes shut between these songs.” An astonishing, elemental volume. I retrace and trace over my fingerprints Here: magma, there: shore, and on the peninsula of his finger pointing west— a bell rope woven from optic nerves is tethered to mustangs galloping from a nation lifting its first page through the man hole—burn marks in the saddle horn, static in the ear that cannot sever cries from wailing. Sherwin Bitsui’s acclaimed first book of poems, Shapeshift, appeared in 2003. He has earned many honors for his work, including fellowships from the Witter Bynner Foundation and Lannan Foundation, and he is frequently invited to poetry festivals throughout the world. He lives in Tucson, Arizona.

Excerpt from The Flood of Life: And Other Poems The gold of slanted sunlight, and scents blown From gardens where the hyacinth awakes, Or from the dusky woods where paths are sown With maiden primroses whose fair breath shakes An undistinguished glory o'er the budding brakes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Winner: 2017 Governor General's Literary Award for Poetry In his final years, Richard Harrison's father suffered from a form of dementia, but he died without ever forgetting the poems he had memorized as a student and had taught to Richard as a child. In 2013, the poet feared his father's ashes had been lost in the flood water that ravaged Alberta--a crisis that would become the inciting event and central theme of this collection. Combining elements of memoir, elegy, lyrical essay and personal correspondence with appreciations of literary works ranging from haiku to comic books, Richard Harrison has written a book of great intellectual depth that is as generous as it is enchanting.

Floods occur in most parts of the world and range from being welcomed annual occurrences, to natural disasters which have countless physical and societal impacts. Floods presents the most comprehensive collection to date of new research, providing a rich body of theory and experience and drawing together contributions from over fifty leading international researchers in the field. An extensive range of case-studies covering major floods and regions prone to flooding worldwide are included.

The territory of Clare Shaw's third collection isn't one she chose herself, but one which chose her: the flooded valley and the ruined home. The 2015 floods in Britain left whole swathes of the country submerged, including her home town. Flood offers an eye-witness account of those events, from rainfall to rescue, but ripples out from there. Intimately interwoven with the breakdown of a relationship, flooding serves as a powerful metaphor for wider experiences of loss, destruction and recovery. Testifying equally to the forces that destroy us and save us, flood runs through the book in different forms - bereavement and trauma, the Savile scandal, life in an asylum. Yet ultimately, this is a story of one life as it is unravelled and rebuilt, written from the heart and from the North, in a language as dangerous and sustaining as water.