Politics And Truth

Considers the contested concept of truth in contemporary politics in light of the postmodernist challenge to Enlightenment ideals and examines the treatment of truth in an unusual lineup of thinkers ranging from Plato and Hobbes to Weber, Foucault, and Arendt.

Two hundred years later, Michel Foucault wrote a response to Kant's initial essay, positioning Kant as the initiator of the discourse and critique of modernity.

`The truth will set you free' is a maxim central to both theories and practices of resistance. Nonetheless, it is a claim that has come under fire from an array of critical perspectives in the second half of the 20th century. Iain MacKenzie analyses two of the most compelling of these perspectives: the poststructuralist politics of truth formulated by Michel Foucault and Gilles Deleuze and the alternative post-foundational account of truth and militancy developed by Alain Badiou. He argues that a critically oriented version of poststructuralism provides both an understanding of the deeply entwined nature of truth and power and a compelling account of the creative practices that may sustain resistance.

With a new investigative epilogue by a prominent Washington journalist and a new foreword by the author. Ambassador Joseph Wilson recounts more than two decades of foreign service to our country in this unprecedented look at the life of an American diplomat and an unabashed account of policies that sometimes succeeded and sometimes failed. As the last American official to meet with Saddam before Desert Storm, Wilson successfully parried the dictator's threats to use American hostages as human shields against U.S. bombing. Yet today he finds himself battling threats from his own government because he called a lie a lie. When President Bush alleged that Iraq had pursued uranium from Africa for its nuclear weapons program, Wilson could not stand silent. He had traveled to Niger the previous year and found no evidence to support the president's claim. To intimidate Wilson, senior administration officials disclosed the undercover status of Wilson's wife, CIA operative Valerie Plame, to the press, putting her life in danger. Rather than backing down, Wilson persistently criticized the way the administration misled the nation into war. Now he continues his fight in this groundbreaking book by revealing the perils bred by the war-hungry regime in the White House.

Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska

C. Wright Mills was a radical public intellectual, a tough-talking, motorcycle-riding anarchist from Texas who taught sociology at Columbia University. Mills's three most influential books--The Power Elite, White Collar, and The Sociological Imagination--were originally published by OUP and are considered classics. The first collection of his writings to be published since 1963, The Politics of Truth contains 23 out-of-print and hard-to-find writings which show his growth from academic sociologist to an intellectual maestro in command of a mature style, a dissenter who sought to inspire the public to oppose the drift toward permanent war. Given the political deceptions of recent years, Mills's truth-telling is more relevant than ever. Seminal papers including "Letter to the New Left" appear alongside lesser known meditations such as "Are We Losing Our Sense of Belonging?" John Summers provides fresh insights in his introduction, which gives an overview of Mills's life and career. Summers has also written annotations that establish each piece's context and has drawn up a comprehensive bibliography of Mills's published and unpublished writings.

Cheryl Misak argues that truth ought to be reinstated to a central position in moral and political philosophy. She argues that the correct account of truth is one found in a certain kind of pragmatism: a true belief is one upon which inquiry could not improve, a belief which would not be defeated by experience and argument. This account is not only an improvement on the views of central figures such as Rawls and Habermas, but it can also make sense of the idea that, despite conflict, pluralism, and the expression of difference, our moral and political beliefs aim at truth and can be subject to criticism. Anyone interested in a fresh discussion of political theory and philosophy will find this a fascinating read.

More urgent than ever, two landmark essays by the legendary political theorist on the greatest threat to democracy, gathered with a new introduction by David Bromwich “No one,” Hannah Arendt observed, “has ever counted truthfulness as a political virtue.” But why do politicians lie? What is the relationship between political lies and self-delusion? And how much organized deceit can a democracy endure before it ceases to function? Fifty years ago, the century’s greatest political theorist turned her focus to these essential questions in two seminal essays, brought together here for the first time. Her conclusions, delivered in searching prose that crackles with insight and intelligence, remain powerfully relevant, perhaps more so today than when they were written. In “Truth and Politics,” Arendt explores the affinity between lying and politics, and reminds us that the survival of factual truth depends on the testimony of credible witnesses and on an informed citizenry. She shows how our shared sense of reality—the texture of facts in which we wrap our daily lives—can be torn apart by organized lying, replaced with a fantasy world of airbrushed evidence and doctored documents. In “Lying in Politics,” written in response to the release of the Pentagon Papers, Arendt applies these insights to an analysis of American policy in Southeast Asia, arguing that the real goal of the Vietnam War—and of the official lies used to justify it by successive administrations—was nothing other than the burnishing of America’s image. In his introduction, David Bromwich (American Breakdown: The Trump Years and How They Befell Us) engages with Arendt’s essays in the context of her other writings and underscores their clarion call to take seriously the ever-present threat to democracy posed by lying.