Polka King

Arguably the most important polka practitioner of his generation, reedist/vocalist Jimmy Sturr has won an eye-popping 18 Grammy Awards, and when you hear his exuberant brand of the music that is his heart and soul, you'll understand why. Blending the timeless elements of traditional polka music with hints of country, Cajun, and rock and roll, Sturr's unique sound has taken polka to new heights of accessibility and popularity, and his modernized renditions of polka standards and renditions of rock classics have captured the imagination (and feet) of listeners throughout the world. In his memoir Polka King, you'll meet the man behind the beer barrel. In his lively, oftentimes hilarious literary debut, Jimmy chronicles how a small-town boy from tiny Florida, N.Y., made good, ultimately becoming a respected bandleader, entrepreneur, and Grammy winner with guest appearances on Saturday Night Live. He'll take you into the recording studio and onto the stage, where he's shared the microphone with the likes of Willie Nelson, The Oak Ridge Boys, and Charlie Daniels. Featuring forewords by Willie Nelson, Bobby Vinton, and “Whispering" Bill Anderson, Polka King will introduce the world to a one-of-a-kind artist who has taken one of the world's most beloved musical genres and made it his own.

For half a century Frank Yankovic wowed polka fans around the globe with hits such as ?Just Because? and ?The Blue Skirt Waltz.? He traveled the country, sold millions of records, and won the first Polka Grammy. The Cleveland native found fame and fortune beyond his wildest dreams. But behind the happy sounds of the accordion stood a man obsessed with trying to please himself and the ones he loved. With a tumultuous touring schedule that consisted of 200 shows a year, a restless temper and three failed marriages, Yankovic found himself being distanced from reality. Author Bob Dolgan delves into the life of America's Polka king and tells the tale of not only a musician, but of a man struggling for happiness.

Not so long ago, songs by the Andrews Sisters and Lawrence Welk blasted from phonographs, lilted over the radio, and dazzled television viewers across the country. Lending star quality to the ethnic music of Poles, Italians, Slovaks, Jews, and Scandinavians, luminaries like Frankie Yankovic, the Polka King, and "Whoopee John" Wilfart became household names to millions of Americans. In this vivid and engaging book, Victor Greene uncovers a wonderful corner of American social history as he traces the popularization of old-time ethnic music from the turn of the century to the 1960s. Drawing on newspaper clippings, private collections, ethnic societies, photographs, recordings, and interviews with musicians and promoters, Greene chronicles the emergence of a new mass culture that drew heavily on the vivid color, music, and dance of ethnic communities. In this story of American ethnic music, with its countless entertainers performing never-forgotten tunes in hundreds of small cities around the country, Greene revises our notion of how many Americans experienced cultural life. In the polka belt, extending from Connecticut to Nebraska and from Texas up to Minnesota and the Dakotas, not only were polkas, laendlers, schottisches, and waltzes a musical passion, but they shone a scintillating new light on the American cultural landscape. Greene follows the fortunes of groups like the Gold Chain Bohemians, illuminating the development of an important segment of American popular music that fed the craze for international dance music. And even though old-time music declined in the 1960s, overtaken by rock and roll, a new Grammy for the polka was initiated in 1986. In its ebullience and vitality, the genre endures.

"Polka Heartland" captures the beat that pulses in the heart of Midwestern culture--the polka--and offers up the fascinating history of how "oompah-pah" came to be the sound of middle America. From the crowded dance tent at Pulaski Polka Days to an off-the-grid Mexican polka dance in small-town Wisconsin, "Polka Heartland" explores the people, places, and history behind the Midwest's favorite music. From polka's surprising origin story as a cutting-edge European fad to an exploration of the modern-day polka scene, author Rick March and photographer Dick Blau take readers on a joyful romp through this beloved, unique, and richly storied genre. "Polka Heartland" describes the artists, venues, instruments, and music-makers who have been pivotal to polka's popularity across the Midwest and offers six full-color photo galleries to immerse readers in today's vibrant polka scene.

Although considered a relatively new genre, the mockumentary has existed nearly as long as filmmaking itself and has become one of the most common forms of film and television comedy today. In order to better understand the larger cultural truths artfully woven into their deception, these works demonstrate just how tenuous and problematic our collective understandings of our social worlds can be. In Too Bold for the Box Office: The Mockumentary from Big Screen to Small, Cynthia J. Miller has assembled essays by scholars and filmmakers who examine this unique cinematic form. Individually, each of these essays looks at a given instance of mockumentary parody and subversion, examining the ways in which each calls into question our assumptions, pleasures, beliefs, and even our senses. Writing about national film, television, and new media traditions as diverse as their backgrounds, this volume’s contributors explore and theorize the workings of mockumentaries, as well as the strategies and motivations of the writers and filmmakers who brought them into being. Reflections by filmmakers Kevin Brownlow (It Happened Here), Christopher Hansen (The Proper Care and Feeding of An American Messiah), and Spencer Schaffner (The Urban Literacy Manifesto) add valued perspective and significantly deepen the discussions found in the volume’s other contributions. This collection of essays on films, television programming, and new media illustrates common threads running across cultures and eras and attempts to answer sweeping existential questions about the nature of social life and the human condition.

Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.