Pony Mad Girl S Sketchbook

This cute blank sketchbook and drawing book, would make the perfect gift for any little girl or for those who just love a cute cover design book for drawing, sketching, doodling, journaling creative writing or anything else. They can use this lovely book to express their creativity, the list is endless as to what they can do with it. Use as a keepsake or to keep all of their valuable drawings, doodles and writings in one place, this large sketchbook will give hours, days, and weeks of creativity. 100+ pages with 50+ framed.

Tirek's mad quest for power starts here!

Steamzine is a fanzine about steampunk, and its impact on the geek culture. Reviews of steampunk-themed, anime, animation, comic books, graphic novels, and more. Plus, steampunk conventions and events, as well as the plus an original tale written by comics author Sean Taylor of Steam Bunny, a genius bunnygirl.

Learn to draw your favorite pint-sized crime-fighters--Blossom, Buttercups, and Bubbles--along with Professor Utonium, etc.

Little girls. Fat hairy ponies. Hook-nosed riding teachers, riders on backward, and horses gone madly off course. The artist Norman Thelwell published his first pony cartoon in 1953, and quite by accident, his name became synonymous with these kinds of images. "The response was instantaneous," he wrote in his autobiography. "Suddenly I had fan mail...I dreamed up some more horsey ideas and people went into raptures." The "Thelwell pony" soon became the most-often referenced source of horse-humor the world over. In 1957, Thelwell's first collection of pony cartoons, Angels on Horseback, was published, followed by A Leg at Each Corner in '61, and Riding Academy in '63. In this Anniversary Special Collection, readers get all three classics, featuring page after page of Thelwell's hilarious cartoons along with his often blisteringly accurate advice for survival in and around the equine herd. Whether audiences open Pony Calvacade out of nostalgia or curiosity, the delightful details of Thelwell's illustrations and timeless wit of his caricatures and asides are a surefire way to change a day for the better, and certain to send a new generation of fat-hairy-pony-lovers out to the barn to test the truths within.

It is as if I am slowly sinking in the water, just occasionally making it back to the top for a gulp of air – to a sort of memory of what life can be – what life should be – and then down down down I go again. And each time the surfacing gets harder and harder and requires a greater feat of will, kicking and turning and fighting against the undertow ... What I fear most is that as the memory gets fainter and fainter – that eventually I will just give into it and go under, relieved that I don't have to struggle anymore, that I can just sink into to this blessed oblivion, give into this siren song of domesticity... The only child of two famous but self-absorbed artists, Zelda Steele is adopted by her parent's patrons when she is just a baby. Great things are expected of this privileged young woman, but at twenty-seven Zelda is dead, leaving two young children and a body of work that only hints at her promise. Decades later, Zelda's daughter Ruth returns to her childhood home to find the diaries her mother is rumoured to have kept. What they reveal takes her on a journey into the past: her mother's, her grandmothers and, ultimately, her own. Weaving together the narratives of three very different women, living in vastly different times, The Steele Diaries paints a rich and evocative portrait of the Sydney art scene from the thirties to the seventies, and the eternal conflict between motherhood and self. "As a fan of Out of the Silence, the author's award winning debut, I had high hopes for this second effort – and it didn't disappoint. Diaries is a wonderful exploration of the tricky relationship between motherhood and art." — WHO Magazine

The images of children that abound in Western art do not simply mirror reality; they are imaginative constructs, representing childhood as a special stage of human life, or emblematic of the human condition itself. In a compelling book ranging widely across time, national boundaries, and genres from ancient Egyptian amulets to Picasso's Guernica, Erika Langmuir demonstrates that no historic period has a monopoly on the 'discovery of childhood'. Famous pictures by great artists, as well as barely known anonymous artefacts, illustrate not only Western society's perennially ambivalent attitudes to children, but also the many and varied functions that works of art have played throughout its history.

Chelsea Nirvana, as Mighty Man, interrupts Ann Stevens' funeral. While fighting him, Dragon discovers a Wicked Worm on Mighty Man's neck, and then causes him to transform back into a starving, elderly, dying Chelsea Nirvana.