Poor Ghost

On a September afternoon in Santa Barbara, a private jet carrying the members of Poor Ghost—one of America’s most storied rock bands—plunges into the backyard of Caleb Crane, a retired insurance salesman. Poor Ghost moves back and forth between the impact of the plane crash on Caleb’s life, and an oral history of Poor Ghost, from its beginnings as a working-class punk band to rock icons.

Drawing on modern field research among elderly women in England and historical research in supernatural traditions, Gillian Bennett offers a clear and thought-provoking discussion of the vigorous survival, nature, and patterns of belief in the supernatural. Focusing on contact with the dead, which was especially emphasized and recounted by her informants, Bennett discusses the role of bereavement in these occurrences, examines how and why narratives are employed to account for personal experiences, and looks at case studies in the history of ghosts and visitations. Book jacket.

Nineteenth-century ghost literature by women shows the Gothic becoming more experimental and subversive as its writers abandoned the stereotypical Gothic heroines of the past in order to create more realistic, middle-class characters (both living and dead, male and female) who rage against the limits imposed on them by the natural world. The ghosts of Female Gothic thereby become reflections of the social, sexual, economic and racial troubles of the living. Expanding the parameters of Female Gothic and moving it into the nineteenth and twentieth centuries allows us to recognise women’s ghost literature as a specific strain of the Female Gothic that began not with Ann Radcliffe, but with the Romantic Gothic ballads of women in the first decade of the nineteenth century.

The chief of the village had a bad family, so I ate the offerings on the grave. At night, a woman came to me and said ...

Ghost stories have played a prominent role in childhood. Circulated around playgrounds and whispered in slumber parties, their history in American literature is little known and seldom discussed by scholars. This book explores the fascinating origins and development of these tales, focusing on the social and historical factors that shaped them and gave birth to the genre. Ghost stories have existed for centuries but have been published specifically for children for only about 200 years. Early on, supernatural ghost stories were rare--authors and publishers, fearing they might adversely affect young minds, presented stories in which the ghost was always revealed as a fraud. These tales dominated children's publishing in the 19th century but the 20th century saw a change in perspective and the supernatural ghost story flourished.