Pop Art Style

In the 1950s, a young man from Pittsburgh named Andy Warhol was earning a comfortable living as a commercial illustrator in New York City. But his ambitions went well beyond that; soon he was painting Coca-Cola bottles and filling a gallery with paintings of Campbell’s Soup cans. He certainly wasn’t the first to make a Pop work, but Warhol soon became a brand name himself, synonymous with the new art form that embodied everything youthful, subversive, bright and fresh.

Pop Art is eye-catching, bold, recognizable and, best of all, it's easy to reproduce - making it fantastic for beginners. Thomas Böhler explains all the fundamentals including materials, tools and the basic techniques - which are all acrylic based - as well as everything you need to know about this fashionable art form. The book is packed full of inspirational pop art pieces partly inspired by famous pop art artists such as Andy Warhol and Roy Lichtenstein; but including plenty of contemporary references and subjects. More than just a decorative hobby, this book will inspire you to create your own unique works of pop art.

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'The first serious attempt to analyse pop culture by someone who was part of it.' Julian Mitchell, Guardian The redoubtable George Melly (1926-2007): flamboyant jazz singer, sexually ambiguous raconteur, prodigiously gifted critic. In the early sixties, at the birth of what we now recognise as the pop revolution, Melly began work as a broadsheet journalist, commenting upon this new cultural phenomenon. Revolt into Style (1970) is his first-hand account of those turbulent and exciting years when all things creative - whether music, fashion, film, art or literature - were changed utterly. Central to the book are The Beatles - the epitome of the swinging sixties - who charted the decade's changes and about whose significance the Liverpudlian Melly had a special feel and insight. Alongside the Fab Four is a large cast of movers and shakers, of wannabes and taste-makers, all dissected by Melly's surgical mind.

In this age of insta-stardom and selfies, Pop Art still defines the world we live in. Emerging in the 1950s, Pop Art arrived in an explosion of colour, offering bold representations and plenty of humour. All of the celebrities, events and politics that came to define two turbulent decades are encapsulated in their work. Pop Art challenged the establishment and offered a new modernism, blurring the line between art and mass production. Uncover 100 stories in this essential guide to a groundbreaking movement. Enjoy enlightening critiques of iconic works; meet key figures including Warhol and Hockney; and discover inspirational ideas and novel new methods.

"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts.

Originating in England in the mid 1950s, Pop Art developed its full potential in the USA in the 1960s. It substitutes the everyday for the splendid; mass-produced articles are assigned the same importance as one-offs; the difference between high culture and popular culture is swept away. Media and advertising are among the preferred contents of Pop Art, which celebrates the consumer society in its own witty fashion. The enthusiasm generated by Pop Art since the first works were exhibited has never died down -- it is greater today than ever before. Book jacket.

Pop art accepted, symbolised, and acknowledged the growth of a new "popular culture." though many Pop artists were active first in art events-such as Happenings, the theatre, music, and dance-pop itself soon was recognised as a style that transcended art on the canvas to include everyday life. The emerging mass-media culture-advertising, movies and television, consumer goods-would contribute a language and attitude to the new art as well as provide it with abundant subject matter.