Popular Culture In Europe Since 1800

This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity – secularisation, industrialisation, social cohesion and control, globalisation and technological change – this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organised as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period.

Understanding Popular Culture

"This wide-ranging and hugely ambitious book offers, for the first time ever, an integrated history of the culture produced and consumed by Europeans since 1800, and follows its transformation from an elite activity to a mass market - from lending libraries to the internet, from the first public concerts to music downloads."--BOOK JACKET.

Explores Natalie Zemon Davis's concept of history as a dialogue, not only with the past, but with other historians.

Since the Second World War, Europe has undergone a continual invasion: wave after wave of American popular culture. The diffusion of American culture in Europe is both a European story about America and an American story about Europe. This work examines this cross-cultural phenomenon from the European viewpoint. Nearly two dozen European experts in their respective fields offer an invigorating, engaging, and open-minded examination of America as perceived with the acute insight of the interested European outsider—a fruitful tradition that stretches back to Lafayette, de Tocqueville, and Goethe, to name three. Of interest to scholars, students, and general readers alike. The book's focus is both sensuous and intellectual: how America is seen (The Image); heard (Popular Music); perused (The Written Word); digested (Food); learned from its common ways (Social Customs); perceived by minorities (Ethnic Cultures); and taken as an instrument of change (Americanization). It is the first book of its kind published in the United States. It is rich with selected, up-to-date critical bibliographies in areas for which very little information is otherwise available. In sum: a cogent, cross-cultural analysis of how U.S. popular culture exposes both European dreams of well-being and nightmares of discontent. These are insights which deserve to be savored.

This book takes an interdisciplinary approach to understanding the different ways in which the past remains present in Western popular culture in the twenty-first century. It combines theoretical analyses with case study-based chapters focusing on examples from Britain, the US, and Germany, among other countries. In doing so, it pushes beyond a simplistic and monolithic conception of what ‘nostalgia’ is to allow for a more nuanced and varied conceptualisation of this phenomenon, and to also incorporate other ways of understanding the invoking or inclusion of different histories within cultural objects, formats, and practices.