Portrait Of A Life

Melanie Klein is one of the founding figures of psychoanalysis. In her lifetime, she was a controversial and powerful figure and her legacy has spread worldwide. Here is a comprehensive review of the many attempts to portray this elusive and complex woman, including the work of painters, sculptors, and portrait photographers. Its genesis was an article commissioned by the Melanie Klein Trust after a pair of delicate low relief sculptures of Klein by Oscar Nemon were re-discovered after eighty years in hiding. During his research, Roger Amos uncovered much material on depictions of Klein, including the fact that she had destroyed two significant works of art: a bust, also by Nemon, and a portrait by William Coldstream. What had driven her to destroy these representations of herself? Why did others survive? The complex and interrelated reasons are identified and discussed alongside the history of each artistic project, locating them in a narrative of Klein’s life. Through an understanding of the subject/artist relationship, Amos illuminates Klein’s professional life in a new, intriguing, and enjoyable approach. A must-read for all scholars and professionals in the fields of psychoanalysis and portraiture, plus those with an interest in Melanie Klein or aesthetics.

"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--

Life Portrait, Hannah Höch's last extensive photocollage, was created in 1973. This visual autobiography is the largest collage ever created by the artist. The artist provides rare insights into her work and her personality. She also ironically and poetically comments on the key political, social, and artistic events in her life. Hannah Höch selected 38 sections of the collage. These sections of the collage are complemented by explanatory texts and numerous quotations.

Named a Best Book of the Year by The Advocate “Catherine Cusset’s book caught a lot of me. I could recognize myself.” —David Hockney With clear, vivid prose, this meticulously researched novel draws an intimate, moving portrait of the most famous living English painter. Born in 1937 in a small town in the north of England, David Hockney had to fight to become an artist. After leaving his home in Bradford for the Royal College of Art in London, his career flourished, but he continued to struggle with a sense of not belonging, because of his homosexuality, which had yet to be decriminalized, and his inclination for a figurative style of art not sufficiently “contemporary” to be valued. Trips to New York and California—where he would live for many years and paint his iconic swimming pools—introduced him to new scenes and new loves, beginning a journey that would take him through the fraught years of the AIDS epidemic. A compelling hybrid of novel and biography, Life of David Hockney offers an insightful overview of a painter whose art is as accessible as it is compelling, and whose passion to create has never been deterred by heartbreak or illness or loss.

“Electric. A wildly astute plunge into the depths of love, rivalry, betrayal and the power of women.”—Bill Clegg An internationally renowned writer, Valeria Costas has dedicated her life to her work and to her secret lover, Martìn Acla, a prominent businessman. When his sudden stroke makes headlines, her world implodes; the idea of losing him is terrifying. Desperate to find a way to be present during her lover's final days, Valeria commissions his artist wife, Isla, to paint her portrait—insinuating herself into Martìn's family home and life. In the grand, chaotic London mansion where the man they share—husband, father, lover—lies in a coma, Valeria and Isla remain poised on the brink, transfixed by one another. Day after day, the two women talk to each other during the sittings, revealing truths, fragilities and strengths. But does Isla know of the writer's long involvement with Martìn? Does Valeria grasp the secrets that Isla harbors? Amidst their own private turmoil, the stories of their lives are exchanged, and as the portrait takes shape, we watch these complex and extraordinary women struggle while the love of their lives departs, in an unforgettable, breathless tale of deception and mystery that captivates until the very end.

A Portrait of the Artist as a Young Cat is a book of more than 20 influential artists reimagined as artistic felines. From Frida Catlo to Yayoi Catsama, Wassily Catdinski to Henri Catisse, each portrait of the artist as a young cat is accompanied by a clever tongue-in-cheek biography revealing the thrilling feline lives (all nine) behind their famed artwork. Loaded with clever cat puns, this playful romp through art history will twist the whiskers of any cat-loving creative, whether you're discovering the inspiration for Frida Catlo's renowned self-pawtraits to reflecting on the catmosphere that gave rise to Georgia O'Kitty's landscapes. • Features fantastic feline artists such as Mary Catsatt and Meow Weiwei • A cute and clever book that cat and art lovers alike will love • Packed with tons of real biographical info about each artist and plentiful cat puns For cat lovers with an artistic purr-suasion, this is the ultimate celebration of their favorite artists. • A purrfectly smart and sweet book for cat lovers, art lovers, pun enthusiasts, and those who love them • Great for those who loved Fat Cat Art by Svetlana Petrova, Cats Galore by Susan Herbert, Of Cats and Men: Profiles of History's Great Cat-Loving Artists, Writers, Thinkers and Statesmen by Sam Kalda

On the 150th anniversary of Abraham Lincoln's assassination, the editors of LIFE bring readers everything that has been left to us from the life of one of history's most iconic figures. His pictures, actions, words in his speeches and his private letters are analyzed and pointed inward toward the person, to help us understand the man: the heart and soul of the man. This book is about the artifacts that are left us all these years later (letters, speeches and particularly pictures) — things that LIFE can show that allow us to know this man more intimately. And so we, with help from experts and several famous commentators, will show them in our pages, and lead the reader to the clues about Lincoln's essence. Includes chapters such as: "Lincoln Pictured," an introduction by Henry Louis Gates, Jr. A narrative by Allen C. Guelzo, explaining the man and his image — how the image reflects the true man "Who Was Mathew Brady?" — the famous photographer, his life and times, his truths and deceptions (before and after shots from the Gettysburg battlefield, detailing how he moved things around — even bodies — for dramatic impact) The words of Lincoln, in an artifact presentation with removable letters and speeches on archival paper that bring the reader back to the times "The Camera and the White House" — A fascinating chapter on American Presidents and their visual image — Thomas McAvoy's secret snaps of FDR, FDR hiding his legs, JFK's manipulation of photography taken of him, etc. The "book within a book" — the likes of David McCullough, Doris Kearns Goodwin, Richard Norton Smith, Walter Isaacson, Jon Meachem, Macklemore, Brad Pitt, Maya Angelou, Zadie Smith, Gay Talese, Tom Wolf and more in answer to the question "When you see Lincoln's face, what do you see?"

“I do not consider myself to be Robert Millikan’s biographer. This book is not a full record of Millikan’s life or even of his scientific career. It is an essay, very selective, on themes that are illustrated and illuminated by Millikan’s life in American science. It is, as well, a portrait of the development of a scientist... Robert Millikan was among the most famous of American scientists; to the public of the 1920s, Millikan represented science. The first American-born physicist to win the Nobel Prize, Millikan was a leader in the application of scientific research to military problems during World War I and a guiding force in the rise of the California Institute of Technology to a preeminent place in American scientific education and research. His life is therefore peculiarly suited to illuminate and provide texture for the vast changes that have taken place in science during the twentieth century. In this extended essay, I employ the biographical mode to explore several important aspects of this theme. Millikan was successively a teacher, researcher, administrator, entrepreneur, and sage. By describing the novel roles that he assumed, I suggest how science grew in complexity and carved out an essential place for itself in our general culture.” — Robert H. Kargon, from the Preface of The Rise of Robert Millikan: Portrait of a Life in American Science “Professor Kargon... has given us a sympathetic account of Millikan’s scientific career, including his great triumphs, his rearguard actions to defend untenable positions, and the eventual rejection or revision of every major result or standpoint. But he is more concerned with Millikan’s influence on the developing American physics community and with Millikan’s role in advancing American science generally and American higher education... Together with the chemist A.P. Noyes and the astronomer G.E. Hale, Millikan... believed in an American scientific destiny... This picture of American science is presented with great insight, tremendous learning, and wit... Professor Kargon’s book strikes a happy balance between being an interpretive story of a scientific life and a social history of science in America. Every reader interested in science or in the place of science in society will come away from this book with new information, important insights and a better understanding of the growth of scientific ideas and institutions in the twentieth century.” — I. Bernard Cohen, Nature “With the publication of this volume by Kargon, readers now have new and valuable access to much material about Millikan that was previously unavailable... Kargon states that he is not writing a biography of Millikan but rather a portrait of the man and the scientific scene in early 20th-century America... he has succeeded well in this endeavor... the book is well written, and readers who are already reasonably conversant with 20th-century developments in physics will find much that is illuminating... a genuine contribution to the history of science.” — Katherine R. Sopka, American Scientist “[H]ere is an admirable piece of work... Kargon has not sought to make his readers like his subject, but only to understand his scientific style, his achievements, and his character, and to perceive how his life was ‘a microcosm of new roles assumed by the scientist during the course of the twentieth century’... Kargon’s [...] insights [are] important, and his book [is] deserving of a careful study. “ — Robert C. Post, The American Historical Review “A useful corrective to Millikan’s self-portrait that reveals some of the blemishes, as well as the embellishments, of an important life in American science.” — Robert W. Seidel, Science “For over thirty years, the only overview of Millikan’s life available to the layman was his own selective autobiography. That book either omitted or told only one side (sometimes biased by hindsight) of many important controversial episodes associated with his achievements and views... Kargon’s portrait-essay deals with some of these neglected incidents in a well-written and coherent manner aimed at a wide readership.” — John L. Michel, Technology and Culture “A very readable work with the virtue of containing a great deal of information in a brief compass. Kargon’s book deserves and will receive a wide audience as the successor to its subject’s autobiography... [Kargon] also merits credit for interesting discussions on Millikan as a statesman, administrator, and spokesman for science... a clearly first-rate narrative...” — Nathan Reingold, Isis “Admirably, Kargon combines institutional with intellectual history... Kargon offers a fascinating discussion of Millikan’s and George Hale’s contributions to war research, the California Institute of Technology, and the Mount Wilson Observatory. Kargon rightly stresses the collaborators’ links with the leaders of finance and industry developing Los Angeles... as a brief sketch of Millikan the scientific institution builder, Kargon’s book deserves the wide audience he seeks.” — Peter Galison, The Journal of American History “The book leaves us in no doubt about [Millikan’s] ability, but does not gloss over his occasional obstinacy or his wishful thinking about past errors, matters on which some histories tend to be silent. Millikan was not a revolutionary who started new ideas, but the author stresses — rightly — the importance of men like him for the progress of science.” — Rudolf Peierls, The New York Review of Books “A gem of a book — thought-provoking, insightful, highly interesting reading.” — Lawrence Badash, University of California, Santa Barbara “The author skillfully weaves the story of Millikan with the story of modern science in a book that will be well received by a variety of audiences from professional historians of science to the general public.” — Choice “Kargon’s background in physics serves him well in placing Millikan’s work in its theoretical context, in the analysis of the work itself, and in generally managing to capture both the intense excitement and the routine involved in testing the ideas of the giants of that period in physics... Kargon... has certainly opened enough questions in this perceptive work — in addition to the large number that he has settled; and he has demonstrated an important use for the biographical mode. The general American historian as well as the historian of science can profit from reading this volume.” — George H. Daniels, The Historian “Robert Millikan’s scientific career, his character, and his roles as teacher, administrator at the California Institute of Technology, entrepreneur, and public figure are the topics covered in this biography. Even in discussing Millikan’s later decline as a front-line scientist, author Robert Kargon treats the scientist with compassion and fairness and portrays him as a many-faceted, often controversial man with doubts and uncertainties at the height of his fame... The high school physics student will find this book engaging and insightful in its description of a scientist struggling with science, self, and society.” — A. Cordell Perkes, The Science Teacher “[V]ery well researched and written. Robert Kargon gives an excellent picture of the rise of American physics, from the years when every aspiring young American physicist wanted to go to Germany to study, to the years when every aspiring young European physicist wanted to come to the United States for the same purpose. He clearly understands science, yet knows how to present its history so that it is interesting and meaningful to non-scientists. He tells not only of Millikan’s triumphs, but of his doubts as well; of his discoveries, and also of his mistakes... All in all, this is an excellent book, strongly recommended to the reader who is interested in the history of American science, and in the life of an outstanding practitioner of it.” — Donald E. Osterbrock, The Wisconsin Magazine of History