Portraits Of Medieval Europe 800 1400

This volume provides a collection of ‘imagined lives’ – individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book’s approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits – unique, personal, and engaging – offer not only a wide geographical scope but also perspective on the formation of European society in its fullest form. This book is accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society.

"This volume provides a collection of 'imagined lives'-individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book's approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits-unique, personal, and engaging-offer not only a wide geographical scope, but also perspective on the formation of European society in its fullest form. This book is an accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society"--

Portraits of Medieval Eastern Europe provides imagined biographies of twenty different figures from all walks of life living in Eastern Europe from 900 to 1400. Moving beyond the usual boundaries of speculative history, the book presents innovative and creative interpretations of the people, places, and events of medieval Eastern Europe and provides an insight into medieval life from Scandinavia to Byzantium. Each chapter explores a different figure and together they present snapshots of life across a wide range of different social backgrounds. Among the figures are both imagined and historical characters, including the Byzantine Princess Anna Porphyrogenita, a Jewish traveller, a slave, the Mongol general Sübodei, a woman from Novgorod, and a Rus’ pilgrim. A range of different narrative styles are also used throughout the book, from omniscient third-person narrators to diary entries, letters, and travel accounts. By using primary sources to construct the lives of, and give a voice to, the types of people who existed within medieval European history, Portraits of Medieval Eastern Europe provides a highly accessible introduction to the period. Accompanied by a new and interactive companion website, it is the perfect teaching aid to support and excite students of medieval Eastern Europe.

"Portraits of Medieval Eastern Europe provides imagined biographies of twenty different figures from all walks of life living in Eastern Europe from 900 to 1400. Moving beyond the usual boundaries of speculative history, the book presents innovative and creative interpretations of the people, places, and events of medieval Eastern Europe and provides an insight into medieval life from Scandinavia to Byzantium. Each chapter explores a different figure and together they present snapshots of life across a wide range of different social backgrounds. Among the figures are both imagined and historical characters, including the Byzantine Princess Anna Porphyrogenita, a Jewish traveller, a slave, the Mongol general Sübodei, a woman from Novgorod, and a Rus' pilgrim. A range of different narrative styles are also used throughout the book, from omniscient third-person narrators to diary entries, letters, and travel accounts.By using primary sources to construct the lives of, and give a voice to, the types of people who existed within medieval European history, Portraits of Medieval Eastern Europe provides a highly accessible introduction to the period. Accompanied by a new and interactive companion website, it is the perfect teaching aid to support and excite students of medieval Eastern Europe. "--Provided by publisher.

A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. E. T. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.

Who can concentrate on thoughts of Scripture or philosophy and be able to endure babies crying ... ? Will he put up with the constant muddle and squalor which small children bring into the home? The wealthy can do so ... but philosophers lead a very different life ... So, according to Peter Abelard, did his wife Heloise state in characteristically stark terms the antithetical demands of family and scholarship. Heloise was not alone in making this assumption. Sources from Jerome onward never cease to remind us that the life of the mind stands at odds with life in the family. For all that we have moved in the past two generations beyond kings and battles, fiefs and barons, motherhood has remained a blind spot for medieval historians. Whatever the reasons, the result is that the historiography of the medieval period is largely motherless. The aim of this book is to insist that this picture is intolerably one-dimensional, and to begin to change it. The volume is focussed on the paradox of motherhood in the European Middle Ages: to be a mother is at once to hold great power, and by the same token to be acutely vulnerable. The essays look to analyse the powers and the dangers of motherhood within the warp and weft of social history, beginning with the premise that religious discourse or practice served as a medium in which mothers (and others) could assess their situation, defend claims, and make accusations. Within this frame, three main themes emerge: survival, agency, and institutionalization. The volume spans the length and breadth of the Middle Ages, from late Roman North Africa through ninth-century Byzantium to late medieval Somerset, drawing in a range of types of historian, including textual scholars, literary critics, students of religion and economic historians. The unity of the volume arises from the very diversity of approaches within it, all addressed to the central topic.

Ingeniously organized by topic and thoroughly cross-referenced, this all-embracing book enables the reader to explore and understand every facet of the Middle Ages, an era of breathtaking artistic achievement and religious faith. Covers the entire period from the collapse of the Roman Empire in the Dark Ages to the first flowering of the Renaissance. Over 800 illustrations organized into themed features with authoritative commentaries appealing to every level of readership. Eight chapters explore the full range of medieval life, including - religion; political structure; art; lives, emotions and beliefs of ordinary people; alchemy, magic and witchcraft; astronomy; courtly love and Arthurian romance; the world outside Christendom, and how it interacted with and influenced medieval Europe. Complete with biographies of key personalities, from Charlemagne to Wycliffe, timelines, maps, glossary, gazetteer and bibliography.