Portraits Of Whole Language Classrooms

A group of whole language teachers share their personal experiences by highlighting a typical day in their classrooms.

This volume chronicles a project that involved the staff and principals in the midwestern United States, in collaboration with a team of educational researchers. Included as chapters are qualitative studies of immersion teachers, analyses of the use of drama and children's literature, and discussions of staff preparation and maintenance for immersion schooling.

This four-volume collection reprints key debates about exactly what it means to be literate and how literacy can best be taught. Rather than centering on the emotional reaction of mass media debates, this set focuses on research findings into processes and pedagogy. The themes covered include Literacy : its nature and its teaching, Reading - processes and teaching, Writing - processes and teaching and New Literacies - the impact of technologies.

有鑒於過往國內英語文教學的僵化及過於注重支離破碎的語言分析，此書以全語文(Whole Language)的理論為基礎，加上羅傑斯(Carl Rogers)以人為中心的教育理念，以及弗雷勒(Paulo Freire)的解放型教育(Education of Liberation)，以期提供成人學習英語文讀寫的另一種嚐試。全語文強調語言的整體性及語言學習的不可分割性。認為語言學習的最佳狀態是聽、說、讀、寫同時並行，且完整的故事內容優於片段的單句練習。此外，全語文強調有意義的學習必須是學習內容與學生的背景、生活、興趣密切相關。同樣地，羅傑斯的人本主義教育觀，認為學習者是一切學習的中心，教學者應尊重學習者，視學習者為獨特的個體並充滿潛在的能力。弗雷勒(Paulo Freire)的解放型教育(Education of Liberation)也認為學習者有潛在的能力，尤其是成人學生。成人學生有豐富的人生經驗及專業背景，這些資源應被尊重。因此，學生可以是老師的老師，老師也可以是學生的學生。弗雷勒(Paulo Freire)主張學習應是一種持續對談的關係，學習者透過與自身、環境、社會的持續對談，思考、批判、並應用所學。基於上述的理論，不難認定英文寫作是學習者內在思想的呈現，而非單單字句組合的練習。寫作者必須對他想呈現的思想內容有興趣或有意見，才有可能竭盡所能搜尋恰當的字眼，以表達他的想法。因此，英文寫作課程是否也能提供這樣的學習彈性和空間，讓學習者選擇自己關注的議題，進行閱讀、討論、寫作分享，並在這過程中提升英文寫作的能力，就成為本書所關注的主要議題。【秀威資訊科技股份有限公司製作】

Covering the period between 1984 and 2003, this authoritative sequel picks up where the earlier volumes (Braddock et al., 1963, and Hillocks, 1986), now classics in the field, left off. It features a broader focus that goes beyond the classroom teaching of writing to include teacher research, second-language writing, rhetoric, home and community literacy, workplace literacy, and histories of writing. Each chapter is written by an expert in the area reviewed and covers both conventional written composition and multimodal forms of composition, including drawing, digital forms, and other relevant media. Research on Composition is an invaluable road map of composition research for the next decade, and required reading for anyone teaching or writing about composition today.

Everybody’s got a theory . . . or do they? Thomas McLaughlin argues that critical theory—raising serious, sustained questions about cultural practice and ideology—is practiced not only by an academic elite but also by savvy viewers of sitcoms and TV news, by Elvis fans and Trekkies, by labor organizers and school teachers, by the average person in the street. Like academic theorists, who are trained in a tradition of philosophical and political skepticism that challenges all orthodoxies, the vernacular theorists McLaughlin identifies display a lively and healthy alertness to contradiction and propaganda. They are not passive victims of ideology but active questioners of the belief systems that have power over their lives. Their theoretical work arises from the circumstances they confront on the job, in the family, in popular culture. And their questioning of established institutions, McLaughlin contends, is essential and healthy, for it energizes other theorists who clarify the purpose and strategies of institutions and justify the existence of cultural practices. Street Smarts and Critical Theory leads us through eye-opening explorations of social activism in the Southern Christian anti-pornography movement, fan critiques in the ‘zine scene, New Age narratives of healing and transformation, the methodical manipulations of the advertising profession, and vernacular theory in the whole-language movement. Emphasizing that theory is itself a pervasive cultural practice, McLaughlin calls on academic institutions to recognize and develop the theoretical strategies that students bring into the classroom. “This book demystifies the idea of theory, taking it out of the hands of a priestly caste and showing it as the democratic endowment of the people.”—Daniel T. O’Hara, Temple University, author of Radical Parody: American Culture and Critical Agency after Foucault and Lionel Trilling: The Work of Liberation. “McLaughlin takes seriously the critical and theoretical activity of everyday people and does so in a way that will empower these very populations to take seriously their own activities as theorists. . . . A manifesto that is sure to be heard by the younger generation of thinkers in American cultural studies.”—Henry Jenkins, MIT, author of Textual Poachers: Television Fans and Participatory Culture