Posthuman Blues

Posthuman Blues, Vol. I is first volume of the edited version of the popular weblog maintained by author Mac Tonnies from 2003 until his tragic death in 2009. Tonnies' blog was a pastiche of his original fiction, reflections on his day-to-day life, trenchant observations of current events, and thoughts on an eclectic range of material he culled from the Internet. What resulted was a remarkably broad portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor.

Posthuman Blues, Vol. I is first volume of the edited version of the popular weblog maintained by author Mac Tonnies from 2003 until his tragic death in 2009. Tonnies' blog was a pastiche of his original fiction, reflections on his day-to-day life, trenchant observations of current events, and thoughts on an eclectic range of material he culled from the Internet. What resulted was a remarkably broad portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor.

"You there. Reading this. You don't have to you know. But I have succumbed to the narcotic tentacles of blogging and will be posting a daily mishmash of uncategorical mental rubbish to appease my strange and obscure urges to populate the info-sphere with my creative spoor." So begins this first volume of Posthuman Blues, the edited version of the popular weblog maintained by author Mac Tonnies from 2003 until his tragic death in 2009. Tonnies' blog was a pastiche of his original fiction, reflections on his day-to-day life, trenchant observations of current events, and thoughts on an eclectic range of material that he culled from the Internet. The result was a remarkably broad portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor. "Posthuman Blues is of a piece with the Lost Generation of the 1920s and the Beat Generation of the 1950s. Tonnies spoke for his generation with passion, eloquence, and a rare insight." - A. J. Gulyas, author of Extraterrestrials and the American Zeitgeist "This book has the inventiveness and prose of a novel, but it's good, honest observation and speculation. From lambasting fakery to closing in on the true paranormal, Mac Tonnies takes us on a wild trip. Tonnies was mysterious, maybe because he always had an eye and ear for the mystery underlying our strange existence." - John Shirley, author of Gurdjieff: An Introduction to his Life and Ideas and the A Song Called Youth trilogy "Mind-stretching!" - Clifford Pickover, Ph.D.

Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- Chapter 1 Temporal Liminality in Toni Morrison's Beloved and A Mercy -- Chapter 2 Posthuman Solidarity in Sherley Anne Williams's Dessa Rose -- Chapter 3 Afrofuturist Aesthetics in the Works of Erykah Badu, Janelle Monáe, and Gayl Jones -- Chapter 4 Posthuman Multiple Consciousness in Octavia E. Butler's Science Fiction -- Chapter Submarine Transversality in Texts by Sheree Renée Thomas and Julie Dash -- Notes -- Works Cited -- Index

In "The Chaos Conundrum," historian Aaron John Gulyas examines how the paranormal has intersected and influenced our culture in myriad ways, from the conspiracy beliefs of William Cooper and Exopolitics to the challenge that the stories of Gray Barker presented to our concept of self and time. He looks at the maelstrom of personalities, agendas, impressions, data, confusion, and contradictions that can be found in the world of the weird, and demonstrates how they have become an integral part of our lives, whether in the form of flying saucers, hauntings, religious revelations, psychic abilities, or dozens of other guises. Gulyas delves into the stories of the people who have attempted to create order out of the chaos. Along the way he recounts his own journey from enthusiastic believer in the "shadow government" and their underground bases to jaded academic skeptic, and then finally to someone who thinks there might just be something to the paranormal after all... but not what we have been led to expect or believe!

In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration—funeral homes, hospitals and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it—but it seems that death is back. In the current era marked by economic, political and social uncertainty, we see it on television, on the Internet; we see it almost everywhere. (Inter)Facing Death analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory. It argues that death today can be thought of as "interfaced," that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies and communications, (Inter)Facing Death examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology and cultural and media studies with interests in death.

"There's an itch in my mind, but I can only find it occassionally. It's like rummaging through a box of ancient refuse and incomprehensible knick-knacks and suddenly feeling the two-pronged bite of a snake between your fingers; you recoil. shrinking, but your curiosity is irreversibly piqued. You want to empty the box into the light of day regardless of the danger - or maybe even because of it." So writes author Mac Tonnies in the early pages of the second volume of Posthuman Blues, a compilation of his best and most thought-provoking work from the popular weblog of the same name, which he ran from 2003 until his tragic death in 2009. This volume covers the years 2005 and 2006. The result is a pastiche of original fiction, poetry, art, photography, observations about day-to-day life in the American midwest during the first decade of the 21st century, and trenchant commentary on current events and subjects that he found of interest, many of which were related to the paranormal, futurism and posthumanism. It presents a compelling portrait of a thoughtful man and the complex times in which he lived, rendered with intelligence, imagination, and a wickedly absurdist sense of humor.

In The Other Side of Truth, filmmaker Paul Kimball crosses the Rubicon of the imagination to explore the idea that what we call the 'paranormal' is actually a form of artistic expression created by an advanced non-human intelligence to inspire us to think about who we are, where we have been, and where we are going. Using his own journey of discovery as the starting point, Kimball presents the 'other side of truth' - the world not as we have been told it is, but as we are being encouraged to imagine that it could become.