Postmodern Journeys

Part memoir, part cultural criticism, this fast-paced ride through the postmodern landscape of American popular culture explores how our responses to headline events and popular films help script the ways in which we imagine ourselves and the world around us.

"Markey emphasizes the coherence of Calvino's literary production and convincingly and carefully argues that postmodernism--first latent and then increasingly (and exasperatingly) overt--is Calvino's essential muse."--Wiley Feinstein, Loyola University, Chicago "By thoroughly and persuasively interpreting and explaining Calvino's contributions to the postmodern esthetic, this book provides not only a better appreciation of postmodern literature but a better understanding of our postmodern world, where reality and textuality mingle, a world which Calvino anticipated, interrogated, and ultimately helped to fashion, and one which Markey now helps us to perceive and comprehend."--Sante Matteo, Miami University This primer for Italo Calvino fans looks at the international author in English translation, appraising his place in world literature and tracing his development as a postmodern writer from the start of his career during World War II to his death in 1985. Constance Markey, who knew Calvino personally, correlates details of his life with the growth of his thinking and artistry, using summaries and analysis of his novels, short stories, and essays to underscore the link between his life and work. Starting with his early writing as a political neorealist, she traces his move away from realism, first toward modernism and fantasy, eventually toward full maturation as a postmodern writer. Though Calvino chronicled uncommon events during a turbulent era, Markey shows that his writing evolved in a consistent, unified, and logical way. Writing for both the novice Calvino reader and those expert in his work, Markey also examines in depth his ties to other authors such as Conrad, Beckett, Borges, Kafka, and even Twain. She establishes Calvino's influence as a major force in the shaping of 20th-century literature and offers a persuasive account of postmodernism. Constance Markey teaches Italian at DePaul University, where she has served as head of the Italian section. She has written widely on Italian and European authors and on film and has published articles in Italica, Italian Quarterly, and Quaderni d'italianistica, and book reviews in the Chicago Tribune.

Modernity has been an age of revolutions—political, scientific, industrial and philosophical. Consequently, it has also been an age of revolutions in theology, as Christians attempt to make sense of their faith in light of the cultural upheavals around them, what Walter Lippman once called the "acids of modernity." Modern theology is the result of this struggle to think responsibly about God within the modern cultural ethos. In this major revision and expansion of the classic 20th Century Theology (1992), co-authored with Stanley J. Grenz, Roger Olson widens the scope of the story to include a fuller account of modernity, more material on the nineteenth century and an engagement with postmodernity. More importantly, the entire narrative is now recast in terms of how theologians have accommodated or rejected the Enlightenment and scientific revolutions. With that question in mind, Olson guides us on the epic journey of modern theology, from the liberal "reconstruction" of theology that originated with Friedrich Schleiermacher to the postliberal and postmodern "deconstruction" of modern theology that continues today. The Journey of Modern Theology is vintage Olson: eminently readable, panoramic in scope, at once original and balanced, and marked throughout by a passionate concern for the church's faithfulness to the gospel of Jesus Christ. This will no doubt become another standard text in historical theology.

The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.

The essays in Border Dialogues embark on journeys into some of the most challenging territories of contemporary culture, philosophy and criticism. They intervene in the debate on modernism and postmodernism through critical encounters with a diverse range of theoretical and cultural topics. By exploring the interstitial zones where traditional disciplines and discourses overlap, Chambers seeks to widen some of the terms of contemporary critical thought. The common goal of the essays in Border Dialogues is a reading of postmodernity in which the different voices and vocabularies in comtemporary theory come together in an increasingly shared network.

First published in 1990, Border Dialogues explores some of the territories of contemporary culture, philosophy and criticism. It touches on arguments surrounding Nietzsche and Italian ‘weak thought’, the mysteries of being ‘British’, and with more immediate concerns such as computers, fashion, gender and ethnicity. The chapters explore how such different strands are joined together, and how this can lead to a reassessment of contemporary cultural criticism. This innovative and interesting reissue will be of particular interest to students of critical theory, cultural studies, radical philosophy and deconstruction.

Eight essays in honor of political philosopher Fred Dallmays explore issues of subjectivity and inter-subjectivity, elucidating the implications of postmodernism and the phenomenological tradition for contemporary ethics and political theory. The contributors include Dallmays, William E. Connolly, and Jean Bethke Elshtain. Annotation copyrighted by Book News, Inc., Portland, OR