Postmodern Love In The Contemporary Jewish Imagination

Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. The chapters put into conversation major authors such as Jonathan Safran Foer, Nicole Krauss, Michael Chabon, and Nathan Englander with their Israeli counterparts Zeruya Shalev, Eshkol Nevo, and Etgar Keret and shows that they share common themes and concerns. Read through a postmodern lens, their preoccupation with failed marriage and failed ideals brings to the fore the crises of home, nation, historical destiny, and collective memory in contemporary secular Jewish culture. At times provocative, at others iconoclastic, this innovative study must be read by anyone concerned with Jewish culture and identity today, whether scholars, students, or the general reader.

This innovative study combines readings of contemporary literature, art, and performance to explore the diverse and complex directions of contemporary Jewish culture in Israel and the diaspora.

This edited volume offers profiles of contemporary Israeli Haredi (i.e., Jewish Ultra-Orthodox) society from several disciplinary points of view, resisting a generalized approach and examining the different, sometimes competing currents, that define it. It is argued that Haredi society has undergone a process of rejuvenation in recent history: demographically, it has experienced steady and consistent growth; on the Israeli political stage, Haredi parties have become increasingly influential; and culturally, the Haredi presence is increasingly felt in Israeli news media, popular movies, and TV series. Each of the chapters in the book focuses on a particular topic and combines research findings with an assessment of the current state of the field. These topics encompass Haredi ideology, politics, military service, education, geography, the media, and healthcare – together, they paint a complex picture of Haredi society as one of contradictory layers, dimensions, and aspects. Making sense of contemporary Haredi society is critical for anyone interested in understanding Israeli society as a whole, but the book will also appeal to historians of religion, scholars of contemporary conservative enclave religious societies and cultures, and those who focus on Jewish studies in the modern era.

Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day. The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy of the traditional texts and the chronologically corresponding visual and material culture. The author challenges traditional approaches to the study of Jewish culture by employing tools from art history, archaeology, and film and media studies. In each of these different contexts, there is ample evidence that women—despite persistent overall structural discrimination—have found ways to challenge male constructs of gender norms. Ultimately, these examples from past and present times highlight women’s eminence in shaping Jewish history and culture. Bringing a new interdisciplinary lens to the study of the history of gender and sexuality, the book will be of interest to students and researchers of Jewish history and culture, art history, archaeology, and film studies.

Beginning with the informal establishment of Jewish Orthodoxy by a Hungarian rabbi in the early nineteenth century, this book traces the history and legacy of Jewish Hungarian Orthodoxy over the course of the last 200 years. To date, no single book has provided a comprehensive overview of the history of Hungarian Orthodoxy, a singularly zealous, fundamental, and separatist faction within Jewish circles. This book describes and explains the impact of this strand of Jewish Orthodoxy – developed in Hungary in the second half of the nineteenth century – across the Jewish world. The author traces the development of Hungarian Orthodoxy in the “new” Jewish territories created in the wake of Hungary’s dismantlement following its defeat in World War I. The book also focuses on Hungarian Orthodoxy in the two spheres where it continued to develop after the Holocaust, namely Israel and the United States. The book concludes with a review of Hungarian Orthodoxy’s legacy in contemporary communities worldwide, most of which are known for their radical anti-Zionist and anti-modernistic strands. The book will prove vital reading for students and academics interested in religious fundamentalism, Hungarian history, and Jewish studies generally.

This book explores the life and poetry of Chaim Nachman Bialik (1873–1934) in the context of European national literature between the French Revolution and World War I, showing how he helped create a modern Hebrew national culture, spurring the revival of Hebrew as a spoken language. The author begins with Bialik’s background in the Tsarist Empire, contextualizing Jewish powerlessness in Eastern Europe in the late nineteenth century. As European anti-Semitism grew, Bialik emerged at the vanguard of a modern Hebrew national movement, building on ancient biblical and rabbinic tradition and speaking to Jewish concerns in neo-prophetic poems, love poems, poems for children, and folk poems. This book makes accessible a broad but representative selection of Bialik’s poetry in translation. Alongside this, a variety of national poets are considered from across Europe, including Solomos in Greece, Mickiewicz in Poland, Shevchenko in Ukraine, Njegoš in Serbia, Petőfi in Hungary, and Yeats in Ireland. Aberbach argues that Bialik as Jewish national poet cannot be understood except in the dual context of ancient Jewish nationalism and modern European nationalism, both political and cultural. Written in clear and accessible prose, this book will interest those studying modern European nationalism, Hebrew literature, Jewish history, and anti-Semitism.

Early Israel offers the most sweeping reinterpretation of the Pentateuch since the nineteenth-century Documentary Hypothesis. Engaging a dozen-plus modern academic disciplines—from anthropology, biblical studies, Egyptology and semiotics, to linguistics, cognitive poetics and consciousness studies; from religious studies, Jewish studies, psychoanalysis and literary criticism, to mysticism studies, cognitive psychology, phenomenology and philosophy of mind—it wrests from the Pentateuch an outline of the heretofore undiscovered ancient Israelite mystical-initiatory tradition of the First Temple priests. The book effectively launches a new research area: Pentateuchal esoteric mysticism, akin to a "center" or "organizing principle" discussed in biblical theology. The recovered priestly system is discordant vis-à-vis the much-later rabbinical project. This volume appeals to a diverse academic community, from Biblical and Jewish studies to literary studies, religious studies, anthropology, and consciousness studies.

Marta Tomczok presents all Polish postmodern novels about the Holocaust, starting with “The First Splendor” by Leopold Buczkowski and ending with “The Suspected Dybbuk” by Andrzej Bart. She also presents their rich relationships with selected foreign-language prose, which intensified especially at the turn of the 20th and 21st centuries. The culmination of the entire trend is a discussion around two novels: “Tworki” by Marek Bieńczyk and “Fly Trap Factory” by Andrzej Bart, which reveals the aestheticizing and post-memorial profile of Polish postmodernization and its advantage over the historiosophical trend. This monograph is not only the first such collection of post-Holocaust postmodern novels, but also the first comprehensive study of postmodernism in the literature about the Holocaust, which, thanks to comparative analysis, tries to analyze and explain the circumstances of the appearance and later disappearance of this trend from cultural landscape of the world and Poland.