Practical And Artistic Basketry

Basketry is experiencing a resurgence of popularity, and enjoying an exciting comeback at the hands of a new and dynamic generation of makers who are not afraid to experiment with mixing materials and techniques. This book will give you all the information you need to learn the basic methods, and then the confidence and inspiration to expand your making as far as your imagination can take you.

Excerpt from Practical and Artistic Basketry "Ornamental learning is a thing of the past and industrial and practical development is taking its place." It is not the purpose of the author to discuss the advisability of giving to every child an opportunity to unfold the mental, moral, and physical faculties simultaneously, thus giving an ideal and symmetrical education, but to suggest some of the ways by which these desired results may be attained. There are few who will deny that some training is needed, besides what the child now has, whereby he may be led to think, observe, compare, invent, and classify for himself. It should, however, be thoroughly understood by the patrons of the public schools that it is not the object of this training to teach their child any one trade. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Material Culture of Basketry celebrates basketry as a culturally significant skilled practice and as a theoretically rich discipline which has much to offer contemporary society. While sometimes understudied and underappreciated, it has much in common with mathematics and engineering, art, craft and design, and can also act as a socially beneficial source of skill and care. Contributors show how local knowledge of materials, plants and place are central to the craft. Case studies include the skill in weaverbird nest building (challenging how we perceive learning in craft and nature), an engineer's perspective on twining Peruvian grass bridges, and the local knowledge embodied in Pacific plaited patterns and knots. Photo-essays explore materials and techniques from the point of view of artists, anthropologists and mathematicians, revealing how the structure and skill in basketwork illustrate a significant form of textile technology. Thus, the book argues that the textures, patterns and geometric forms that emerge through basketwork reflect an embodied knowledge which expresses mathematical and engineering comprehension. The therapeutic value of the craft is recognised through a selection of case studies which consider basketry as a healing process for patients with brain injury, mental health problems, and as a memory aid for people living with dementia. This reclaims basketry's significant role in occupational therapy as an agent of recovery and well–being. Finally, basketry's inherently sustainable nature is also considered, demonstrating the continuation of basketry in spite of handwork's general decline and profiling new and recycled materials. Above all the book envisages basketry as an intellectually rewarding means of knowing. It presents the craft as embodying care for skilled making and for the social and natural environments in which it flourishes.

The work of nine preeminent contemporary Mi’kmaw artists Mi’kmaw artists are creating a wide range of imaginative and beautiful work using the skills and traditions of basketry weaving given to them by their elders and ancestors. In this book, nine artists present their work and their stories in their own words. Their unique artistic practices reflect their relationships to the natural world around them and their abilities to create unique and beautiful objects using a mix of traditional and contemporary materials and forms. Each artist's account of their background and practice is introduced by editor shalan joudry. Their words stand alongside examples of their art, photographed in their studios by Holly Brown Bear. Award-winning filmmaker and activist Catherine Anne Martin's introduction to the book offers a history of the art form and its cultural importance. This book is a milestone in creating awareness of and celebrating a group of important contemporary artists working today in Mi’kma'ki, the traditional territory which embraces Nova Scotia, New Brunswick, Prince Edward Island and portions of Quebec. Featured artists: Peter J. Clair, Elsipogtog First Nation, New Brunswick. Virick Francis, Eskasoni First Nation, Nova Scotia. Stephen Jerome, Gesgapegiag, Quebec. Della Maguire, Glooscap First Nation, Nova Scotia. Frank Meuse, L'sitkuk First Nation (Bear River), Nova Scotia. Margaret Pelletier, We'koqma'q First Nation, Nova Scotia. Sandra Racine, Elsipogtog First Nation, New Brunswick. Nora Richard, Lennox Island, Prince Edward Island. Ashley Sanipass, Indian Island, New Brunswick.