Practising Diplomacy In The Mamluk Sultanate

Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. From Cairo, where they controlled the medieval spice trade and the holy sites of Christianity and Islam, the Mamluk Sultans - conscious of their humble slave origins - augmented their claims to legitimacy through brilliant displays of diplomatic gift-giving, creating a celebrated reputation for the Sultanate from Europe to the Far East. From spices, ceremonial textiles and military objects to elephants and giraffes, and even humans - either living or as severed heads - the offerings varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Through an unparalleled study of primary sources and rigorous fieldwork, this original book - richly illustrated in colour - explores the unpredictable and nuanced art of the regal gift in the Mamluk Sultanate from 1250-1517. Doris Behrens-Abouseif not only provides the first study of this subject, but makes an important contribution to the study of diplomacy, economics, visual arts and material culture in the medieval period.

Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. In firm control of the medieval spice trade as well as the holy sites of Christianity and Islam, the Sultanate's capital at Cairo became a diplomatic crossroads in the medieval world and the seat of a new Islamic caliphate. Already victorious over both the Crusaders and the Mongols, their military success and lavish religious patronage were not enough to ensure the dynasty's prestige: the Mamluk Sultans were often reminded of their slave origins, impugned by rivals as 'pagans' recruited to faith and service by purchase. In response, the sultans staged brilliant performances in Cairo and dispatched carefully designed diplomatic gifts all over the medieval world. These marvellous displays were the crowning ornament of Mamluk legitimacy, celebrated from Europe to the Far East. Drawing on extensive primary sources and fieldwork in museums across the world, Doris Behrens-Abouseif is the first to treat this important subject in depth and here reveals an unexplored aspect of Middle Eastern material culture. Composed of spectacular elements such as spices, exotic animals, Chinese porcelain, ceremonial textiles and military and equestrian objects - not to mention humans, either living or as severed heads - the regal offering varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Acknowledging the established historical precedents of diplomacy and regal gift-giving, the author examines the nuance of cultural and political realities in period diplomacy as well as the transmission of encrypted messages, illuminating the subtle conveyance of self-representation and identity in medieval Cairo and the world beyond. With ground-breaking new research, this book - richly illustrated in colour - provides a comprehensive view of the art and politics of the Mamluk diplomatic gift, by which these sultans of humble origins created a magnificent image of themselves in the courts of their Muslim rivals and allies worldwide. It will prove essential reading for both students and scholars.

Mamluk Cairo, a Crossroads for Embassies gathers twenty-eight essays that offer the most up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers.

The Mamluk Sultanate represents an extremely interesting case study to examine social, economic and cultural developments in the transition into the rapidly changing modern world. On the one hand, it is the heir of a political and military tradition that goes back hundreds of years, and brought this to a high pitch that enabled astounding victories over serious external threats. On the other hand, as time went on, it was increasingly confronted with "modern" problems that would necessitate fundamental changes in its structure and content. The Mamluk period was one of great religious and social change, and in many ways the modern demographic map was established at this time. This volume shows that the situation of the Mamluk Sultanate was far from that of decadence, and until the end it was a vibrant society (although not without tensions and increasing problems) that did its best to adapt and compete in a rapidly changing world.

The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.

The general field of study of this volume is the history and culture of the Mamluk Sultanate (1250–1517). It contains the proceedings of the First German-Japanese Workshop held at the Toyo Bunko in Tokyo, Japan. The authors write about a variety of topics from rural irrigation systems to high diplomacy vis à vis the Safavid empire and the Ottoman threat. The volume includes case studies of important personalities and families living in the centres of Mamluk power such as Cairo and Damascus as well as analyses of contemporary writers and their stance toward the ruling military class. Next to innovation in the field, this volume is an agenda of an increasing globalisation of scholarship that is fertilizing future research.