Preaching The Memory Of Virtue And Vice

This volume explores the integral role of memory and mnemonic techniques in medieval preaching from the thirteenth to the early fifteenth century. It argues that the mendicant orders inherited from the early Middle Ages both the simple mnemonic techniques of rhetorical practice and a tradition of monastic meditation founded on memory images. In the thirteenth century Dominican and Franciscan writers drew on these basic techniques even as they re-evaluated the ancient mnemonic system of the Rhetorica ad Herennium (first century BC). The increasing emphasis that intellectuals placed upon cognitive science, ethics, and on distinctions between rhetoric and logic created a climate that welcomed an image-based memory system designed for orators. The book also explores the Franciscan contribution to mnemonics, which has been almost entirely neglected by scholars. As the Franciscans came to value imaginative meditation as part of their own spiritual lives, their habit of meditating on mental images of the virtues and vices eventually spilled out into their sermons. As the new orators of the period, Franciscans and Dominicans each inserted mnemonic images into their sermons as a way to aid the recall of both preachers and listeners. The products of such mnemonic practices in medieval sermons, which included elaborate descriptions of buildings, schematic renderings of the number seven, and verbal images of the virtues and vices, were then allegorised in moral terms and circulated on the continent in exempla collections. This book argues that verbal images and complicated schema functioned as 'ordering devices' for those preaching and listening to sermons, whilst also provoking an affective response that enhanced listeners' devotional and penitential experiences.

How objective are our history books? This addition to the Writing History series examines the critical role that memory plays in the writing of history. This book includes: - Essays from an international team of historians, bringing together analysis of forms of public history such as museums, exhibitions, memorials and speeches - Coverage of the ancient world to the present, on topics such as oral history and generational and collective memory - Two key case studies on Holocaust memorialisation and the memory of Communism

This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.

Based on his wide-ranging knowledge of late-medieval Latin sermons from England as well as his editorial experience with medieval Latin texts, Siegfried Wenzel offers critical editions of five instruction manuals on the "art of preaching" dating from 1230 to the fifteenth century. Four of the texts are edited and translated for the first time; the fifth is re-edited from all extant manuscripts. Each of the five sermons is accompanied by a facing-page translation into English. The book aims to stimulate interest and new research in a field that still awaits closer analysis of the relationships among existing treatises and of their historical development.

This volume offers a sample of the many ways that medieval Franciscans wrote, represented in art, and preached about the ‘model of models’ of the medieval religious experience, the Virgin Mary. This is an extremely valuable collection of essays that highlight the significant role the Franciscans played in developing Mariology in the Middle Ages. Beginning with Francis, Clare, and Anthony, a number of significant theologians, spiritual writers, preachers, and artists are presented in their attempt to capture the significance and meaning of the Virgin Mary in the context of the late Middle Ages within the Franciscan movement. Contributors are Luciano Bertazzo, Michael W. Blastic, Rachel Fulton Brown, Leah Marie Buturain, Marzia Ceschia, Holly Flora, Alessia Francone, J. Isaac Goff, Darrelyn Gunzburg, Mary Beth Ingham, Christiaan Kappes, Steven J. McMichael, Pacelli Millane, Kimberly Rivers, Filippo Sedda, and Christopher J. Shorrock.

This book provides a needed overview of the scholarship on medieval public culture and popular movements such as the Peace of God, heresy, and the crusades and illustrates how a changing sense of the populus, the importance of publics and public opinion and public spheres was influential in the evolution of medieval cultures. Public opinion did play an important role, even in the Middle Ages; it did not wait until the era of modern history to do so. Using modern research on such aspects of culture as textual communities, large and small publics, cults, crowds, rumor, malediction, gossip, dispute resolution and the European popular revolution, the author focuses on the Peace of God movement, the era of Church reform in the tenth and eleventh centuries, the rise and combat of heresy, the crusades, and the works of fourteenth-century political thinkers such as Marsiglio of Padua regarding the role of the populus as the basis for the analysis. The pattern of changes reflected in this study argues that just as in the modern world the simplistic idea of “the public‎” was a phantom. Instead there were publics large and small that were influential in shaping the cultures of the era under review.

The impetus of religious reform between ca. 1380-1520, which expressed itself in a variety of Observant initiatives in many religious orders all over Europe, and also brought forth the Devotio moderna movement in the late medieval Low Countries, had considerable repercussions for the production of a wide range of religious texts, and the embrace of other forms of cultural production (scribal activities, liturgical innovations, art, music, religious architecture). At the same time, the very impetus of reform within late medieval religious orders and the wish to return to a more modest religious lifestyle in accordance with monastic and mendicant rules, and ultimately with the commands of Christ in the Gospel, made it difficult to wholeheartedly embrace the material consequences of learning, literary and artistic prowess, as the very pursuit of such pursuits ran against basic demands of evangelical poverty and humility. This volume explores how this tension was negotiated in various Observant and Devotio moderna contexts, and how communities connected with these movements instrumentalized various types of writing, learning, and other forms of cultural expression to further the cause of religious reform, defend it against order-internal and external criticism, to shape recognizable reform identities for themselves, and to transform religious life in society as a whole.