Precarious Passages

Precarious Passages unites literature written by members of the far-flung Black Anglophone diaspora. Rather than categorizing novels as simply "African American," "Black Canadian," "Black British," or "postcolonial African Caribbean," this book takes an integrative approach: it argues that fiction creates and sustains a sense of a wider African diasporic community in the Western world. Tuire Valkeakari analyzes the writing of Toni Morrison, Caryl Phillips, Lawrence Hill, and other contemporary novelists of African descent. She shows how their novels connect with each other and with defining moments in the transatlantic experience, most notably the Middle Passage and enslavement. The lives of their characters are marked by migration and displacement. Their protagonists yearn to experience fulfilling human connection in a place they can call home. Portraying strategies of survival, adaptation, and resistance across the limitless varieties of life experiences in the diaspora, these novelists continually reimagine what it means to share a Black diasporic identity.

Exploring narratives produced by different groups of MENA and SSA migrants or refugees, this book focuses on the spatial and temporal aspects of their experiences. In doing so, the authors examine a wide range of accounts of journeys to host countries and memories (or recreations) of “home”. The spaces that migrants occupy (or not) in their new country; the spaces and times they share with local populations; and different conceptions of space and time across generations are also investigated, as are how feelings surrounding space and time are manifested within these different narratives and their affective-discursive practices. Taking both a traditional, linear view of migration as well as a multilinear, multimodal approach, the book presents an in-depth investigation into the ways in which people inhabit multiple real and digital spaces.

This 1854 account of Tregelles's methods in producing his important edition of the Greek New Testament still informs textual criticism.

Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship. This study nimbly traces a trio of distinct yet interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy is productively paired with the hallmark work of Indonesian modernism, Pramoedya's Buru quartet. The two novel sequences, penned years apart, narrate overlapping histories of imperialism in the Dutch East Indies, and both make opera central for understanding the cultural dynamic of colonial power. Creole modernism--defined not only by the linguistic diversity of the Caribbean but also by an alternative vision of literary history--provides a transnational context for reading Rhys's Good Morning, Midnight and Wide Sargasso Sea, each novel mapped in relation to the colonial English and postcolonial Indonesian coordinates of Conrad's The Shadow-Line and Pramoedya's This Earth of Mankind. All three modernisms-English, Creole, and Indonesian-converge in a discussion of the Indonesian figure of the nyai, a concubine or house servant, who represents the traumatic core of transnational modernism. Throughout the study, Pramoedya's extraordinary effort to reconstruct the lost record of Indonesia's emergence as a nation provides a model for reading each fragmentary passage of literature as part of an ongoing process of decolonizing tradition. Drawing on translated and un-translated works of fiction and nonfiction, GoGwilt effectively reexamines the roots of Anglophone modernist studies, thereby laying out the imperatives of a new postcolonial philology even as he resituates European modernism within the literary, linguistic, and historical context of decolonization.

The building of human towers (castells) is a centuries-old traditional sport where hundreds of men, women, and children gather in Catalan squares to create breathtaking edifices through a feat of collective athleticism. The result is a great spectacle of effort and overcoming, tension and release. Catalonia's Human Towers is an ethnographic look at the thriving castells practice--a symbol of Catalan cultural heritage and identity amid debates around national autonomy and secession from Spain. While the main function of building castells is to grow community through a low-cost, intergenerational, and inclusive leisure activity, Mariann Vaczi reveals how this unique sport also provides a social base, image, and vocabulary for the independence movement. Highlighting the intersection of folklore, performance, and sport, Catalonia's Human Towers captures the subtle processes by which the body becomes politicized and ideology becomes embodied, with all the desires, risks and precarities of collective constructions.

In her most impassioned and personal book to date, Judith Butler responds in this profound appraisal of post-9/11 America to the current US policies to wage perpetual war, and calls for a deeper understanding of how mourning and violence might instead inspire solidarity and a quest for global justice.