Prelude For A Lord

An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel

The Encyclopedia offers comprehensive and international coverage of children's literature from a number of perspectives - theory and critical approaches, types and genres, context, applications and individual country essays.

A unique collection of classical piano solos appropriate for church services as well as concerts and personal enjoyment. These carefully edited or arranged pieces represent a number of well-known composers and were chosen because of their indefinable quality of reverence and artistic expression. Each piece can create a feeling of peace, joy, calmness, love, comfort, and an overall sense of well being for the listener. the book includes selections by Scarlatti, Gluck, Schumann, Handel, Mozart, Beethoven, Bach, and many others. the author also provides suggestions of appropriate pieces for various times during a church service. Most of the pieces are intermediate in difficulty; a few are slightly more advanced. the author offers encouragement to the pianist: It has been said that Music is the language of Heaven and cannot be spoken in words. As you play these beautiful pieces, I pray that you will be uplifted as well as the listeners.

This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.

The glorious return of Jesus Christ is a certain and unavoidable fact that several events indicate the approach; however, the date and time are not known. I think that it might be on purpose that God let us in ignorance in this regard in order to stimulate our vigilance. My greatest wish is that it is used to open the eyes of all the believers who look forward to the day of abduction to realize in what era they live. If they are sleeping spiritually, it is time for them to wake up for the clock of time indicates that it is getting very late. I also want this book to represent a last warning addressed to the rebels and the unbelievers that they need to settle their matters as quickly as possible by accepting Jesus Christ as their personal Savior for soon the world will be in distress.

In our busy, every-day-lives we must change our focus from the worldly mind to the silent contemplation of the spirit, from the many to the One. In prayer we seek to know the reality and presence of God. It is not a cold, calculating process but what the Greek Fathers called theoria a passionate, contemplative insight, involving communion and sharing. Anglicanism in the Jewish tradition describes three levels of existence as one; body, mind and spirit. We must discipline ourselves to assure the transition from the body and mind to the spirit. To help inform our prayers and leave room for personal expression The Anglican Prayer Life emphasizes both the structured prayers in the Book of Common Prayer and personal prayers informed by Scripture. Whether used as a companion in individual prayer, with a prayer partner, anamchara, or in a formal prayer group, this little book will help you enter a relationship with Jesus Christ and provide both solace in your personal needs and the courage to intercede on behalf of others.