Prince Juan

This is the story of Prince Juan’s journey to find true love and assume his father’s throne. He has three months to find a princess of his own to love and marry, or else be forced to marry the one his father, the king, has chosen for him. He sets out on a quest to find his true love, and meets Princess Maria, who comes from a magical family within a magical kingdom. They fall very much in love, but her father, King Solomon, doesn’t want to lose his beloved daughter, and so challenges Juan to pass three nearly impossible tests in order to prove himself worthy of marrying Maria. With no real magic of his own, will Prince Juan be able to win both Maria’s love and her hand in marriage or will an ancient family curse stand in the way of their happily ever after?

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Infante John, Prince of Girona (Spanish: Juan, Aragonese: Chuan) was an Aragonese infante, only son of King Ferdinand II of Aragon and Queen Germaine of Foix. He was born heir to the throne in 1509, the long awaited male heir of his father. King Ferdinand II hope to father a new heir of Aragon, separating it from Castile. It would have denied his son-in-law Philip I of Castile, and his grandson Charles I, from inheriting the crown and governance of Aragon.

This book explores Juan de Anchieta’s life and his music and, for the first time, presents a critical study of the life and works of a major Spanish composer from the time of Ferdinand and Isabel. A key figure in musical developments in Spain in the decades around 1500, Anchieta served in the Castilian royal chapel for over thirty years, from his appointment in 1489 as a singer in the household of Queen Isabel, and he continued to receive a pension from her grandson, the Emperor Charles V, until his death in 1523. He traveled to Flanders in the service of the Catholic Monarchs’ daughter Juana, and was briefly music master to Charles himself. Anchieta, along with Francisco de Peñalosa, his contemporary in the Aragonese chapel, and a few others, was a key figure in the rise of elaborate written polyphony in the Spain of Josquin’s time. The book brings together two of the leading specialists in Spanish music of the era in order to review and revise the rich biographical material relating to Anchieta’s life, and the historiographical traditions which have dominated its telling. After a biographical overview, the chapters focus on specific genres of his music, sacred and secular, with suggestions as to a possible chronology of his work based on its codicology and style, and consideration of the contexts in which it was conceived and performed. A final chapter summarizes his achievement and his influence in his own time and after his death. As the first comprehensive study of Anchieta’s life and works, The Music of Juan de Anchieta is an essential addition to the history of Spanish music.

Widely acknowledged as a key figure in Spain's remarkable transition to democracy following General Franco's death in 1975, King Juan Carlos consolidated his reputation as a champion of democracy by aborting the attempted military coup of 23 February 1981. This political biography of the Spanish monarch sheds new light on his childhood, the process whereby he became Franco's successor in 1969, his subsequent contribution to his nation's democratization, and his role as constitutional monarch since 1978, both at home and abroad.

The Politics of Emotion explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Nuria Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason. Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in medieval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.