Princess Jahanara S Notebook

Our story begins during the time of the First Anglo Afghan war. The protagonist of our tale , William Marlowe, is an English adventurer working for the British Queen's Foreign Service. When the story begins, William is sent, in the spring of 1850, to Kabul to the palace of Dost Mohammed, the ruler of Afghanistan. His assignment is to prepare the groundwork for better relations between the British and the Afghan governments. During their initial meeting, the ruler is interrupted and forced to leave the talk with his entourage only to encounter an unruly tribal chief and his men outside the palace. William is left alone in the meeting room. As he tries to find his way out of the palace, he hears a gunshot. When he stumbles into a room, he finds an unconscious woman, a dead palace guard, and a richly decorated box containing antique items, a locked velvet covered jewelry box, as well as a small notebook. William quickly pockets this notebook.Once translated, the cramped Persian writings reveal the owner of the notebook to be Princess Jahanara, daughter of Shah Jahan of the Great Moghul Empire, and they concern the mystery of a big beautiful diamond. Very much impressed with this information, William becomes determined to find out what happened to this elusive diamond. The chase takes him to the Middle East, Russia, and Istanbul in the Ottoman Empire.

Critically acclaimed author Indu Sundaresan picks up where she left off in The Twentieth Wife and The Feast of Roses, returning to seventeenth-century India as two princesses struggle for supremacy of their father’s kingdom. Trapped in the shadow of the magnificent tomb their grief-stricken father is building for his beloved deceased wife, the emperor’s daughters compete for everything: control over the imperial harem, their father’s affection, and the future of their country. They are forbidden to marry and instead choose to back different brothers in the fight for ultimate power over the throne. But only one of the sisters will succeed. With an enthusiasm for history and a flair for rich detail, Indu Sundaresan brings readers deep into the complicated lives of Indian women of the time period and highlights the profound history of one of the most celebrated works of architecture in the world, the Taj Mahal.

Based on a completely reconstructed archive of Persian, Hindi and Marathi documents, Nandini Chatterjee provides a unique micro-history of a family of landlords in Malwa, central India, who flourished in the region from at least the sixteenth until the twentieth century. By exploring their daily interactions with imperial elites as well as villagers and marauders, Chatterjee offers a new history from below of the Mughal Empire, far from the glittering courts of the emperors and nobles, but still dramatic and filled with colourful personalities. From this perspective, we see war, violence, betrayal, enterprise, romance and disappointment, but we also see a quest for law, justice, rights and righteousness. A rare story of Islamic law in a predominantly non-Muslim society, this is also an exploration of the peripheral regions of the Maratha empire and a neglected princely state under British colonial rule. This title is also available as Open Access.

Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling.

A colorful, magical tale set during the height of the Ottoman Empire, from the acclaimed author of The Island of Missing Trees (a Reese's Book Club Pick) Chosen for Camilla, Duchess of Cornwall’s “Reading Room” Book Club In this novel, Turkey’s preeminent female writer spins an epic tale spanning nearly a century in the life of the Ottoman Empire. In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices. A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.

Dozakhnama: Conversations in Hell is an extraordinary novel, a biography of Manto and Ghalib and a history of Indian culture rolled into one. Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.

"Emperor Jahangir is probably best known in the West as the father of Shahjahan, who built the Taj Mahal. Jahangir's reign was one of great prosperity, and his passion for art and nature encouraged an artistic flowering that rivaled European art during the rule of the Medicis. Jahangir's memoirs provide not only the history of his reign, but also his reflections on art, politics, and life, including the suicide of one of his wives, and selections of poetry written by members of his harem.