Princess Ka Iulani

Tells the story of Hawaii's last heir to the throne who was denied her right to rule when the monarchy was abolished.

The life story of Kaiulani, an Hawaiian princess in the late nineteenth century, as written in her dairy.

Ka'iulani's story spans the years when Hawai'i struggled against foreign domination, the monarchy was overthrown, and Hawai'i became a U.S. territory. It is a dramatic story, full of interest, beauty, and pathos, both fascinating as the biography of a singularly gifted, beautiful, and wise young woman, and valuable as a chapter in the history of the fiftieth state. Ka'iulani was a fairy-tale princess, who as a child lived in an enchanted Waikk garden of huge banyan trees where peacocks roamed. Her uncle, King David Kal kaua, was overjoyed at her birth, happy to know that his sister, Princess Miriam Likelike, had produced an heir to the throne. She was a dazzled witness to the first formal coronation of a Hawaiian king; a princess who later suffered years of exile and humiliation, who became the shining heroine of a humbled nation, and who died still young and beautiful at the age of twenty-three. Richly illustrated with vintage photographs, Ka'iulani: Hawai'i's Tragic Princess, tells the story of Hawai'i's beloved princess while illuminating late nineteenth century Hawaiian history.

"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For K&257;naka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the K&257;naka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning. While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.

The dramatic history of America's tropical paradise The history of Hawaii may be said to be the story of arrivals—from the eruption of volcanoes on the ocean floor 18,000 feet below, the first hardy seeds that over millennia found their way to the islands, and the confused birds blown from their migratory routes, to the early Polynesian adventurers who sailed across the Pacific in double canoes, the Spanish galleons en route to the Philippines, and the British navigators in search of a Northwest Passage, soon followed by pious Protestant missionaries, shipwrecked sailors, and rowdy Irish poachers escaped from Botany Bay—all wanderers washed ashore, sometimes by accident. This is true of many cultures, but in Hawaii, no one seems to have left. And in Hawaii, a set of myths accompanied each of these migrants—legends that shape our understanding of this mysterious place. In Paradise of the Pacific, Susanna Moore, the award-winning author of In the Cut and The Life of Objects, pieces together the elusive, dramatic story of late-eighteenth-century Hawaii—its kings and queens, gods and goddesses, missionaries, migrants, and explorers—a not-so-distant time of abrupt transition, in which an isolated pagan world of human sacrifice and strict taboo, without a currency or a written language, was confronted with the equally ritualized world of capitalism, Western education, and Christian values.