Principles Of Anthropology

This book shows how anthropology can provide an innovative perspective on the human movement into space. It examines adaptation to space on timescales of generations, rather than merely months or years, and uses evolutionary adaptation as a guiding theme. Employing the lessons of evolutionary adaptation, Principles of Extraterrestrial Anthropology recommends evolutionarily-sound strategies of space settlement, covering genetics at the organismal and population levels. The author organizes the concept of cultural adaptation to environments beyond Earth according to observed patterns in human adaptation on Earth. He uses original artwork and tables to help convey complex information in a form accessible to undergraduate and graduate students. Though primarily written to engage students interested in space settlement and exploration, who will eventually build a full anthropology of space settlement, Principles of Extraterrestrial Anthropology is engaging to anthropologists across sub-disciplines, as well as scholars interested in the human dimensions of space exploration and settlement. Just as the term exobiology was invented only a few decades ago to shape the field of space life studies, exoanthropology is outlined to assist in the perpetuation of Earth life through human space settlement.

This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.

No detailed description available for "Principles of Visual Anthropology".

For courses on anthropological theory, history, and methods... Science, Reason, and Anthropology explores the philosophical foundations of anthropology and identifies the fundamental principles of rational inquiry upon which all sound anthropological knowledge is based. As a field guide to critical thinking, with examples throughout, it is devoted to a thorough explication and analysis of the nature of reason and the practice of anthropological inquiry. Chapter one reviews the historical context of the contemporary debate between scientific and humanistic perspectives in anthropology, highlighting essential differences between the two approaches. Chapter two examines the nature of knowledge and explains the essential elements of epistemological analysis. Chapter three describes the basic features of the scientific method; it defines science as an objective, logical, and systematic approach to propositional knowledge, and explains each feature in detail. Chapter four applies the fundamental principles of critical thinking to an analysis of contemporary anthropological theory. Chapter five suggests a reconciliation between the scientific and humanistic approaches, arguing that the essential elements of sound reasoning are common to both perspectives. Science, Reason, and Anthropology argues forcefully for the preeminent value of the scientific approach in anthropology, but it does so while recognizing the inherent worth and innate appeal of the humanistic perspective. Even those who are not predisposed to share the author's conclusions will appreciate the clear and forthright manner with which he presents his arguments.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Using philosophical and ethnographic theory, presents new approaches to ritual and memory, relating them to visual and sound images as acts of communication.