Prisoner Of Night And Fog

A gripping historical thriller set in 1930s Munich, Prisoner of Night and Fog is the evocative story of an ordinary girl faced with an extraordinary choice in Hitler's Germany. Fans of Code Name Verity will love this novel full of romance, danger, and intrigue! Gretchen Müller grew up in the National Socialist Party under the wing of her uncle Dolf—who has kept her family cherished and protected from that side of society ever since her father sacrificed his life for Dolf's years ago. Dolf is none other than Adolf Hitler. And Gretchen follows his every command. When she meets a fearless and handsome young Jewish reporter named Daniel Cohen, who claims that her father was actually murdered by an unknown comrade, Gretchen doesn't know what to believe. She soon discovers that beyond her sheltered view lies a world full of shadowy secrets and disturbing violence. As Gretchen's investigations lead her to question the motives and loyalties of her dearest friends and her closest family, she must determine her own allegiances—even if her choices could get her and Daniel killed.

The true story of one man's experiences of life in a concentration camp under the Nazis.

Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

Cassius Wortham leaves all he knows behind to make it as a writer in the City, a nameless, walled metropolis at the crossroads of the world. But things are not as they seem. His roommate might have mob connections, his artist friend has addiction issues, and the waitress at the poetry club has political aspirations. Not to mention the invisible spirit of history that follows them around waiting to chronicle a looming catastrophe. An overseas turmoil brings tides of refugees to the walls of the City. Ambitious leaders play at social engineering. The loudest voices are drowned in the growing silence. Only Cas, his friends and their ghostly tagalong hold the key to the future, for in the end the silent will decide the fate of the City. Listen...and you too may hear the instruments of the Silent Symphony.

Acclaimed author Anne Blankman returns to the shadowy and dangerous world of 1930s Germany in this thrilling sequel to Prisoner of Night and Fog, perfect for fans of Code Name Verity. The girl known as Gretchen Whitestone has a secret: She used to be part of Adolf Hitler's inner circle. More than a year after she made an enemy of her old family friend and fled Munich, she lives in England, posing as an ordinary German immigrant, and is preparing to graduate from high school. Her love, Daniel, is a reporter in town. For the first time in her life, Gretchen is content. But then Daniel gets a telegram that sends him back to Germany, and Gretchen's world turns upside down. When she receives word that Daniel is wanted for murder, she has to face the danger she thought she'd escaped—and return to her homeland. Gretchen must do everything she can to avoid capture, even though saving Daniel will mean consorting with her former friends, the Nazi elite. And as they work to clear Daniel's name, Gretchen and Daniel discover a deadly conspiracy stretching from the slums of Berlin to the Reichstag itself. Can they dig up the explosive truth and get out in time—or will Hitler discover them first?

Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from Nanook of the North (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's Grizzly Man (2005) and the controversial Borat (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those "regimes of truth" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, Documenting the Documentary continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.