Private Demons

She wrote one of the most memorable American short stories of the century, "The Lottery", a chilling tale that shocked the world when it was first published in 1948. To many, this haunting allegory epitomizes the short story form. A deceptively simple, but ultimately tragic tale, the life of its author, Shirley Jackson, echoes in every phrase. A brilliant writer, she was a woman of extreme contradictions. Her extraordinarily complex life is revealed in this compelling biography of a creative genius who left her indelible mark on the literature of our time. -- From publisher's description.

Everyone hides a secret from the past . . . but Lucien’s secret is inescapable. A living thing that has followed him across the world, from the horrors of Southeast Asia to the penthouse suites of the rich and famous. Everyone craves money, power, and sex . . . but Lucien can satisfy his every urge, every decadent impulse, every erotic whim—for a price. Everyone has private demons . . . but Lucien’s demon is all too real. All too powerful. All too hungry . . . for human souls.

Morgan Galloway is in deep depression. And it's only getting worse. Two years ago, Morgan was told she shouldn't look the way she looks. And of course, the bully who told her that was only joking. But Morgan didn't see it as a joke; she went home to kill herself, only to wake up in the hospital hours later. She has a voice in her head that is telling her every day why she is in no way beautiful, and Morgan thinks the only way to really get rid of the voice is to end it all. She fears she won't ever get better, and she doesn't want to spend the rest of her life getting made fun of. She has kind support from her mom and brother, but her dad just doesn't get it. He is the one parent she wants love and affection from, but he refuses because of the attempt she did on her bathroom floor.

The first book to expose the turbulent personal life of this fascinating Father of Confederation. Prime Minister Sir John A. Macdonald once remarked, “I had no boyhood,” an understatement if there ever was one. Indeed, John A.’s Dickensian childhood, filled with poverty, alcoholism, and the beating death of his five-year-old brother at the hands of a drunken babysitter (a friend of his father, Hugh’s), set the stage for a political power grab that has seen no equal in Canadian history. In Private Demons, bestselling author Patricia Phenix explores through Macdonald’s family journals, diaries, and never-before-seen letters the troubled man behind Canada’s most successful politician. Phenix describes a man of myriad contradictions: patient, yet prone to settle fights with his fists; ethical, yet capable of pilfering corporate profits to pay private debts; shy, yet wildly flirtatious; sociable, yet so desirous of solitude he built escape hatches into the walls of his homes. She also examines reports that Macdonald’s depression became so deep that he once attempted suicide. Ultimately, in an obsessive need to escape his childhood demons, he sacrificed friends, family members, and financial security to achieve his single greatest ambition — to design and control the destiny of Canada. Private Demons paints a vivid portrait of nineteenth-century society while exploring the amazingly tumultuous domestic life of our most famous prime minister.

Night after night, Jema Shaw's dreams have become a haven for Thierry Durand. But his nocturnal visits have placed her in danger and brought her between two ancient enemies: the Brethren and the Darkyn.

She almost caught him once. Now, he’s back. For three years, Investigator Cassie Dewell has been on a hunt for a serial killer known as the Lizard King whose hunting grounds are the highways and truck stops where runaways and prostitutes are most likely to vanish. Cassie almost caught him...once. Working for the Bakken County, North Dakota sheriff's department, Cassie has set what she believes is the perfect trap and she has lured him and his truck to a depot. But the plan goes horribly wrong, and the blame falls on Cassie. Disgraced, she loses her job and investigation into her role is put into motion. At the same time, Kyle Westergaard, a troubled kid whom Cassie has taken under her wing, has disappeared after telling people that he’s going off on a long-planned adventure. Kyle's grandmother begs Cassie to find him and, with nothing else to do, Cassie agrees—all the while hunting the truck driver. Now Cassie is a lone wolf. And in the same way that two streams converge into a river, Kyle's disappearance may have a more sinister meaning than anyone realizes. With no allies, no support, and only her own wits to rely on, Cassie must take down a killer who is as ruthless as he is cunning. But can she do it alone, without losing her own humanity or her own life? Paradise Valley continues the Highway Quartet series from bestselling author C. J. Box.

Jema Shaw, an antiquities expert who moonlights as a police forensic consultant, finds refuge from the mysterious ailment that has plagued her for years in the arms of her tormented demon lover, Thierry Durand, a love that has them trapped in the middle of the conflict between two ancient enemies--the Brethren and the Darkyn. Original.

Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates.But with In the Company of Demons, the world’s leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances—their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits’ knowledge of their human interlocutors’ pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.