Procession Of The Dead

Darren Shan, New York Times bestselling author of the Cirque du Freak and Demonata series, makes his adult fiction debut with this first book in a dark and twisted new series, The City. PROCESSION OF THE DEAD What had I done before coming to the City? I couldn't remember. It sounded crazy but my past was a blank. I could recall every step since alighting from the train, but not a single one before. Young, quick-witted, and cocksure, Capac Raimi arrives in the City determined to make his mark in a world of sweet, sinister sin. He finds the City is a place of exotic dangers: a legendary assassin with snakes tattooed on his face who moves like smoke, blind Incan priests whom no one seems to see, a kingpin who plays with puppets, and friends who mysteriously disappear as though they never existed. Then Capac crosses paths with The Cardinal, and his life changes forever. The Cardinal is the City, and the City is The Cardinal. They are joined at the soul. Nothing moves on the streets, or below them, without The Cardinal's knowledge. His rule is absolute. When Capac discovers how deeply The Cardinal has influenced his life, he is faced with hard choices that conflict with his soaring ambition. To find his way, Capac must know himself and what he is capable of. But how can you trust yourself when you can't remember your past?

Finalist for the National Jewish Book Awards Finalist, National Translation Award in Prose An exquisitely original collection of darkly funny stories that explore the panorama of Jewish experience in contemporary Poland, from a world-class contemporary writer “These small, searing prose pieces are moving and unsettling at the same time. If the diagnosis they present is right, then we have a great problem in Poland.” —Olga Tokarczuk, Nobel Prize laureate and author of Flights Mikołaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction—a book that has been widely praised by critics and was shortlisted for Poland’s top literary prize—Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I’d Like to Say Sorry, but There’s No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In “Unnecessary Trouble,” a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In “Cacophony,” Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In “My Five Jews,” a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say “I’m sorry” to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland’s complex and difficult relationship with its Jewish past.

Perhaps only someone who has worked for almost a decade as a medic in New York City's Hell's Kitchen--as Joe Connelly has--could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity. In Frank Pierce, a brash EMS medic working the streets of Hell's Kitchen, Connelly gives us a man who is being destroyed by the act of saving people. Addicted to the thrill ("the best drug in the world") and the mission of the job, Frank is nevertheless drowning in five years' worth of grief and guilt--his own and others': "my primary role was less about saving lives than about bearing witness." His wife has left him, he's drinking on the job, and just a month ago he "helped to kill" an eighteen-year-old asthmatic girl. Now she's become the waking nightmare of all his failures: hallucination and projection ("the ghosts that once visited my dreams had followed me out to the street and were now talking back"), and as real to him as his own skin. And in reaction to her death, Frank has desperately resurrected a patient back into a life now little better than death. In a narrative that moves with the furious energy of an ambulance run, we follow Frank through two days and nights: into the excitement and dread of the calls; the mad humor that keeps the medics afloat; the memories, distant and recent, through which Frank reminds himself why he became a medic and tries, in vain, to convince himself to give it up. And we are with him as he faces his newest ghost: the resurrected patient, whose demands to be released into death might be the most sensible thing Frank has heard in months, if only he would listen. Bringing Out the Dead is a stunning novel.

The Cardinal is the City. He knows everything that happens there, between sewer and skyscraper top, from east to West. They are joined at the soul. When the the young gangster Capac Raimi arrives in the City he has great hopes of carving out a life of criminal greatness, afterall there is always room for one more gangster. He little suspects that his past present and future are tied to the Cardinal. And he is a jealous master. AYUAMARCA brings together an alternate present and ancient Aztec mysteries in a novel of endless ambition. It is an astonsihing fiction debut.

New York Times bestselling novelist Darren Shan returns with the second book in his series The City. In the City, The Cardinal rules, and Al Jeery is a loyal member of his personal guard. But when Al is pulled from his duties at Party Central to investigate a murder, an unexpected discovery leads him in a new direction, where his loyalties and beliefs will be severely tested. Soon he is involved in a terrifying mystery that draws in the dead, the City's Incan forefathers, the imposing figure of The Cardinal, and the near-mythical assassin Paucar Wami. Wami is a law unto himself, a shadowy, enigmatic figure who can apparently kill anyone he chooses without fear of punishment or retribution. And Al is about to find out that he has a lot more in common with Wami than he could ever have imagined...

Joanna, the youngest of King Henry's daughters, is on her way to marry William II, king of Sicily. The journey will be long and dangerous, so Henry sends the only doctor he trusts—Adelia Aquilar, who is just as gifted with the living as she is with the dead. Usually, Adelia would be eager to visit her homeland, but Henry insists she leave her daughter in England as insurance she'll return. Adelia takes out her bitterness on Rowley, her former lover and Henry's most loyal man. Rowley is along for protection because a princess travelling with a fortune in jewels and gold is a tempting target, especially when among the treasures is the great sword Excalibur. Henry has decided to give it to his future son-in-law and greatest ally—to keep it from his ambitious sons. But the scheming of princes is nothing compared to a madman who seeks revenge because he blames Adelia for his lover's death...

New York Times bestselling novelist Darren Shan presents the final book in his The City series. For ten years Capac Raimi has ruled the City. Created by the first Cardinal to continue his legacy, Capac cannot be killed. Then Capac disappears. His trusted lieutenant, Ford Tasso, suspects the mysterious villacs, ancient and powerful Incan priests. To Ford, only one man has the cunning to outwit such adversaries-Al Jeery, who has taken the guise of his father, the terrifying assassin Paucar Wami. Al has no love for Capac and no wish to tangle with the villacs. Until Ford promises him the one thing he truly craves-retribution against the man who killed those he loved most and destroyed his life. Lured into the twisted, nightmarish world of the Incan priests, Al will learn more about the City than he ever imagined, and be offered more power than he ever desired. But in the City, everything comes at a cost...