Production Safety For Film Television And Video

Covering all aspects of production safety, this is an invaluable reference guide for the independent programme maker, freelancer, manager, producer, tutor and student filmmaker. Robin Small identifies all the major risks and gives advice on how to control and/or eliminate them. Each hazard section includes useful references to the relevant legislation, documents and licences, as well as addresses of organisations for essential advice and recommended further reading. An appendix lists samples of vital certificates, with visual references provided on www.focalpress.com. Important information about hazard identification, risk assessment and safety policy is provided in the chapters covering legislation, health and safety management, personal protective equipment and insurance. Particular hazards are then split into individual sections for ease of reference. These hazards include: Asbestos Cranes Explosives and pyrotechnics Food and catering Manual handing and lifting Visual display screens Working at heights The appendices provide comprehensive contact information for UK and European Heath and Safety sources. They also include sample forms to draw up your own safety system. Robin Small is Senior Lecturer in Television, Media Department at the University of Huddersfield.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Researching for Television and Radio is an essential guide to the skills necessary for working as a researcher in the television and radio industries.

Digital video students and enthusiasts must learn lighting fundamentals and techniques to enhance the visual quality of their work. Moreover, since lighting specifications for digital video differ significantly from those for analog video or film, professional videographers and cinematographers must learn how to adapt their lighting skills for this new digital medium to ensure that the final product meets broadcast standards. This complete course in digital video and television lighting begins with how the human eye and the camera process light and color, progresses through the basics of equipment and setups, and culminates with practical lessons on how to solve common problems. It features clear illustrations and real-world examples that demonstrate proper equipment use, safety issues, and staging techniques. Detailed diagrams, figures, and photos illustrate techniques that enable novices to complete basic lighting setups. This new edition also features a 16-page color insert and new chapters on interview setups and lighting for low budgets.

Filmmakers often suffer from "cinematic immunity" - the false perception of immunity from injury in the controlled environment of the movie set. In reality, movie sets are incredibly dangerous. Potentially hazardous shooting locations, electrical dangers, precarious grip and rigging set-ups, weapons and pyrotechnics, and basic human error can - and have - caused serious injury and death. Unfortunately, in this freelance industry, there is no standardized safety training protocol - until now. The producers of FilmSkills have teamed up with the architects of the California Safety Pass program - a safety course required of all union television and motion picture IATSE workers in California - to make the film industry's first production safety protocol.The FilmSkills Production Safety manual covers:* Creating the Attitude of Safety* Basic On-Set Safety* Working On Location* Working in Studio Facilities * Lighting Equipment Safety* Grip and Rigging Safety* Electrical Safety* Vehicle and Roadway Safety* Weapon Safety* Lifts, Trucks, and Tools* Pyrotechnics and Special Effects* Environmental Safety

In a society that is increasingly steeped in video culture, the role of videographer is more and more prominent. Here is a do-it-yourself guide to videography that offers comprehensive information for anyone working in or hoping to enter this fast-growing field. Written by an educator, this revised and updated manual provides detailed information on shooting and editing videos. It begins with basic concepts and progresses through all facets of video equipment and technique. Discussions deal not only with the mechanics of shooting a video but also with the artistry involved. Special emphasis is placed on pre-production planning and the necessity of considering subject as well as audience. Helpful hints on production, staging and budgeting are also included. Mini-glossaries within the sections define important terms. The final section is devoted to in-depth strategies for shooting specific types of videos, including newscasts; legal, corporate and music videos; and weddings and other events.

Skilful lighting involves a subtle blend of systematic mechanics and a sensitive visual imagination. It requires anticipation, perceptiveness, patience and know-how. But learning through practice alone can take a great deal of time. This book is a distillation of many years' experience, with advice and guidance that will bring successful results right from the start. Whether you are a student studying lighting techniques in the television, video and film media, or a professional lighting for the camera, this book will be an invaluable aid. Other members of the production team, including camera crews, designers and directors, will also find the information here interesting and useful. The book concentrates primarily on the fundamental principles of lighting in studios, on location and display, as well as single-camera, small unit production, improvised and economy lighting, and working with limited facilities. Emphasis is also placed on the safety aspects of working with lighting equipment. Lighting for Television and Film reflects the author's considerable experience of lighting techniques in BBC studios, his teaching and consultancy work. Gerald Millerson's analytical writings spring from a lifetime's personal experience in the medium, and from his teaching and engineering background. During his career with the BBC, he was primarily associated with studio operations in the Television Service. His lecturing background included courses in TV production at a number of American universities. His other books for Focal Press are Television Production, TV Scenic Design, Video Production Handbook and, in the Media Manuals series, Effective TV Production, Lighting for Video and Video Camera Techniques.