Professional Wrestling

Professional wrestling is one of the most popular performance practices in the United States and around the world, drawing millions of spectators to live events and televised broadcasts. The displays of violence, simulated and actual, may be the obvious appeal, but that is just the beginning. Fans debate performance choices with as much energy as they argue about their favorite wrestlers. The ongoing scenarios and presentations of manly and not-so-manly characters—from the flamboyantly feminine to the hypermasculine—simultaneously celebrate and critique, parody and affirm the American dream and the masculine ideal. Sharon Mazer looks at the world of professional wrestling from a fan’s-eye-view high in the stands and from ringside in the wrestlers’ gym. She investigates how performances are constructed and sold to spectators, both on a local level and in the “big leagues” of the WWF/E. She shares a close-up view of a group of wrestlers as they work out, get their faces pushed to the mat as part of their initiation into the fraternity of the ring, and dream of stardom. In later chapters, Mazer explores professional wrestling’s carnivalesque presentation of masculinities ranging from the cute to the brute, as well as the way in which the performances of women wrestlers often enter into the realm of pornographic. Finally, she explores the question of the “real” and the “fake” as the fans themselves confront it. First published in 1998, this new edition of Professional Wrestling: Sport and Spectacle both preserves the original’s snapshot of the wrestling scene of the 1980s and 1990s and features an up-to-date perspective on the current state of play.

Part sport, part performance art, professional wrestling's appeal crosses national, racial and gender boundaries--in large part by playing to national, racial and gender stereotypes that resonate with audiences. Scholars who study competitive sports tend to dismiss wrestling, with its scripted outcomes, as "fake," yet fail to recognize a key similarity: both present athletic displays for maximized profit through live events, television viewership and merchandise sales. This collection of new essays contributes to the literature on pro wrestling with a broad exploration of identity in the sport. Topics include cultural appropriation in the ring, gender non-comformity, national stereotypes, and wrestling as transmission of cultural values.

Performance and Professional Wrestling is the first edited volume to consider professional wrestling explicitly from the vantage point of theatre and performance studies. Moving beyond simply noting its performative qualities or reading it via other performance genres, this collection of essays offers a complete critical reassessment of the popular sport. Topics such as the suspension of disbelief, simulation, silence and speech, physical culture, and the performance of pain within the squared circle are explored in relation to professional wrestling, with work by both scholars and practitioners grouped into seven short sections: Audience Circulation Lucha Gender Queerness Bodies Race A significant re-reading of wrestling as a performing art, Performance and Professional Wrestling makes essential reading for scholars and students intrigued by this uniquely theatrical sport.

Professional Wrestling and the Commercial Stage examines professional wrestling as a century-old, theatrical form that spans from its local places of performance to circulate as a popular, global product. Professional wrestling has all the trappings of sport, but is, at its core, a theatrical event. This book acknowledges that professional wrestling shares many theatrical elements such as plot, character, scenic design, props, and spectacle. By assessing professional wrestling as a neglected but prototypical case study in the global business of theatre, Laine argues that it is an exemplary form of globalizing, commercial theatre. He asks what theatre scholars might learn from pro wrestling and how pro wrestling might contribute to conversations beyond the ring, by considering the laboring bodies of the wrestlers, and analyzing wrestling’s form and content. Of interest to scholars and students of theatre and performance, cultural studies, and sports studies, Professional Wrestling and the Commercial Stage delimits the edges of wrestling’s theatrical frame, critiques established understandings of corporate theatre, and offers key wrestling concepts as models for future study in other fields.

Written by a law professor (who also happens to be a wrestling fan), this book is an entertaining and informative exploration of legal cases involving professional wrestling. Relying upon judicial decisions and court documents, it discusses the legal theories and procedures involved in legal disputes involving professional wrestling and explores how the legal system--an institution devoted to arriving at the truth involved in any conflict--has dealt with the business of professional wrestling, a business with a long history of obscuring the truth. Topics include: the legal issues involved when a wrestler goes into the crowd and beats up a fan; Hulk Hogan's defamation lawsuit against World Championship Wrestling for statements made during a live pay-per-view event; and race and sex discrimination in professional wrestling.

This historic collection explores the origins of mixed martial arts and professional wrestling in the United States and features profiles of more than 30 mat stars of the era, wrestling in art, over 100 antique photos and more. There is perhaps no sport more primitive or more widely dispersed than wrestling. In its early days, many of the pros were Civil War soldiers who wrestled in camps, while others were lumberjacks, miners, and railroad men. In Pioneers of Professional Wrestling, author Tim Corvin takes a look at how mixed martial arts and today's professional wresting began. He provides insight into this competitive, hand-to-hand combat sport from 1860 through 1899 by delving into the sport's history; discussing the evolution of professional wrestling; describing the various wresting styles; and offering biographies of the sports' pioneers. A reference guide on the origins or mixed martial arts and professional wrestling, This book contains detailed listings of all available match results, newspaper clippings, tobacco cards, lithographs, and many fun facts, such as: Abraham Lincoln was one of the American frontier's fiercest grapplers William Muldoon and Clarence Whistler wrestled to a 7+ hour draw Farmer Burns had such a strong neck that he could drop six feet on a hangman's noose to no effect, then whistle "Yankee Doodle" while hanging Evan "Strangler" Lewis was the dirtiest wrestler in the game and often maimed his opponents "The Terrible Turk" was so violent he caused riots

Though professional wrestlers are usually ignored by sportswriters and entertainment reporters alike, the popularity of these gifted athletes and showbiz pros is undeniable. Few fans are concerned with whether the wrestling is “legitimate.” From Ace Abbott to Buck Zumhofe, this is the second edition of the first-ever comprehensive compilation of biographical information on professional wrestlers past and present, including major promoters and managers. Each entry is listed under the wrestling name most often used, with cross references to real names and other ring names. The ring name is followed by the grappler’s real name, hometown, height and weight, and birth and death dates when available. The biographical data provide the era in which the individual competed, wrestling associations, titles, tag team partners, major bouts and other highlights.

Describes the use of steroids in pro wrestling and its negative impact on wrestlers and their sport.