Projet R Gional De Soutien Aux Aidants Naturels Profil Des Aidants Et Des Personnes Aid Es Et Profil Des Interventions Et Activit S R Alis Es Par Les Organismes Communautaires En Mont R Gie

Sherwood Forest, home of Oberon, Titania, Puck, Cobweb, Peaseblossom and the rest of the mob, has been whittled away by urban development. It's time to move on, the fairies decide. Sid, their captive, a kindly if gruff young car mechanic, teaches Titania to drive, and on Midsummer's Eve the party sets off in a battered and smelly old bus. They're bound for the New Forest, where they hope to be able to regenerate their magic. The fairies' journey is full of excitement. At a village fair, they show the morris dancers how to cut previously undreamt-of capers. Titania falls in love with a human baby and steals her from her pram, starting a nationwide search for the missing infant. The fairies then link up with a group of New Age travellers on their way to Stonehenge, who befriend them almost without question. Finally, a fight to the death between Titania and the terrifying and sadistic Morgan-le-Fey must take place before everyone can settle down into some form of harmony and peace.

New York Times bestselling author Simon Green introduces a new kind of hero, one who fights the good fight against some very old foes in the first novel in the Secret Histories series. The name’s Bond. Shaman Bond. Actually, that's just his cover. His real name is Eddie Drood, but when your job includes a license to kick supernatural arse on a regular basis, you find your laughs where you can. For centuries, his family has been the secret guardian of Humanity, all that stands between all of you and all of the really nasty things that go bump in the night. As a Drood field agent he wore the golden torc, he killed monsters, and he protected the world. He loved his job. Right up to the point where his own family declared him rogue for no reason. Now, the only people who can help Eddie prove his innocence are the people he used to consider his enemies...

A journalist's extensive investigation in the areas of near-death experiences, supernatural interventions and guardian angels.

A New York Times bestsesller, The Dark Design is the third novel in Hugo and Nebula award-winning science fiction legend Philip José Farmer's Riverworld series. Milton Firebrass, once Mark Twain's enemy and now his greatest ally, plans to build a giant airship that can fly to the North Pole of Riverworld. Once there, he hopes to learn the secret of the mysterious tower that dominates the landscape and find the answer to his most urgent question: could the tower contain the Ethicals, the enigmatic beings that created Riverworld? Meanwhile, Jill Gulbirra is challenged for the job of piloting the airship by none other than Cyrano de Bergerac. As if there were not enough challenges facing the crew, they soon suspect there is an agent of the Ethicals among their number, plotting their destruction.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

It should have been a simple job. But for Garrett, a human detective in a world of gnomes, tracking down the woman to whom his dead pal Danny left a fortune in silver is no slight task. Even with the aid of Morley, the toughest half-elf around, Garrett isn't sure he'll make it out alive from a land where magic can be murder, the dead still talk, and vampires are always hungry for human blood.

Since the dirty bomb hit Times Square and the city became a shell of itself, Spademan has become a hitman, not a garbage man. But when he's hired to kill the daughter of a powerful evangelist, his unadorned street life is upended.

Adrian Ludlow, a novelist with a distinguished reputation and a book on the 'A' level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path. His university friend Sam Sharp, who has become a successful screen writer, drops in on the way to Los Angeles, fuming over a vicious profile of himself by Fanny Tarrant, one of the new breed of Rottweiler interviews, in a Sunday newspaper. Together they decide to take revenge on the interviewer, though Adrian is risking what he values most: his privacy. David Lodge's dazzling novella examines with wit and insight the contemporary culture of celebrity and the conflict between the solitary activity of writing and the demands of the media circus. 'Sharp, intelligent, surprising and fun' THE TIMES.

It is November 1918. Germany has just surrendered after four years of the most savage warfare in history. It is teetering on the brink of total social and economic collapse, and the German people now lie at the mercy of new, liberal politicians who despise everything Germany once stood for. The Communists are rioting in the streets, threatening to topple the new government in Weimar and bring about their own revolution. The frontline soldiers are returning from the hell of the war to find an unrecognizable land, the principles and traditions they had sacrificed so much to defend now the stuff of mockery. The narrator of The Outlaws, a 16-year-old military cadet, is too young to have served in the trenches, but feels the sting of this betrayal no less than they. Since Germany's armies have been all but disbanded, he joins the paramilitary Freikorps - groups of veterans who refuse to lay down their arms, and who have pledged to stop the Communists - and begins fighting, first in the streets of Germany's cities, and then in the Baltic states, defending Germany's eastern frontiers from Communist subversion while ignoring the calls to disengage by the meek politicians at home. After months of intense fighting abroad, the Freikorps soldiers return to settle scores with their enemies in Germany, dreaming of a nationalist counter-revolution, and, their trigger fingers still itchy, fix their sights on bringing down the hated new government once and for all... The Outlaws is a chronicle of the experiences of the men who fought in the Freikorps, but it is also an adventure and a war story about an entire generation of soldiers who loved their homeland more than peace and comfort, and who refused to accept defeat at any price. "What we wanted we did not know; but what we knew we did not want. To force a way through the prisoning wall of the world, to march over burning fields, to stamp over ruins and scattered ashes, to dash recklessly through wild forests, over blasted heaths, to push, conquer, eat our way through towards the East, to the white, hot, dark, cold land that stretched between ourselves and Asia - was that what we wanted? I do not know whether that was our desire, but that was what we did. And the search for reasons why was lost in the tumult of continuous fighting." - p. 65 Ernst von Salomon (1902-1972) was one of the writers of the German Conservative Revolution of the 1920s. Like the narrator of The Outlaws, he was a military cadet at the end of the First World War, and joined the Freikorps, participating in many of the events described in the book, including the assassination of Foreign Minister Walther Rathenau, for which he was imprisoned. He went on to write many books and film scripts.