Promiscuities

By following a group of four contemporary girls - including her younger self - as they come of age in the seventies, Wolf shows how our culture tries to shape and confine women's desire. Embarking on a voyage of discovery, she illustrates how flawed and prescribed are the notions of what women want, and how these change through the ages - from Taoist techniques for giving women pleasure, to Victorian repression, and the so-called liberated nineties. Drawing on scholarly texts, secret diaries, real life and fantasy, she demonstrates that female sexuality is wilder, more demanding and more powerful than our culture dares to accept.

In Promiscuities, Naomi Wolf has written an exceptionally frank sexual memoir of an individual and a generation, and a call to women not only to reclaim but to celebrate their own sexual experiences, desires and histories.

"Drawing on correspondence, novels, literary criticism, and other documents by Riccoboni, Laclos, and Burney, Antoinette Sol demonstrates how these novelists, traditionally separated by nationality, gender, and genre, are in fact concerned with similar issues of individual authority and social criticism. She shows how arbitrary literary categorization of these writers as sentimental or libertine has kept their work from a reading which reveals their commonalities."--BOOK JACKET.

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This book examines cultural recycling in cinematic representations. Drawing from various disciplines including cultural studies, film studies, visual culture, and the history of ideas, Pop explains the practices of reinterpreting myths and narratives and discusses the cultural impact of recent popular movies on contemporary collective imaginaries.

Liking, sharing, friending, going viral: what would it mean to recognize these current modes of media interaction as promiscuous? In a contemporary network culture characterized by a proliferation of new forms of intimate mediated sociality, this book argues that promiscuity is a new standard of user engagement. Intimate relations among media users and between users and their media are increasingly structured by an entrepreneurial logic and put to work for the economic interests of media corporations. But these multiple intimacies can also be understood as technologies of promiscuous desire serving both to liberalize mediated social connection and to contain it within normative frames of value. Payne brings crucial questions of gender, sexuality, intimacy, and attention back into conversation with recent thinking on network culture and social media, identifying the queer undercurrents of these current media dynamics.

Wide-ranging research suggests that partners in gay male and bisexual relationships do not necessarily expect monogamy, or see it as an important issue. Although the frequency of gay male and bisexual non-monogamous partnerships tends to be widely acknowledged in social science literature, these relationships have rarely been explored in more detail. By providing rich empirical data, thoughtful analysis and theoretical debate, this book makes a significant contribution to the sociological literature on sexual and intimate relationships. More specifically it explores the diversity of gay male and bisexual relationship practices in the context of heteronormative citizenship and intra-social movement conflict, and highlights the complexity of power relations that circumscribe queer people's relationships and sexual lives. Written in an accessible and engaging manner, The Spectre of Promiscuity provides important insights for further studies on sexual culture, discourse, citizenship, politics and ethics.

Poet and novelist Charles Bukowski described promiscuity as "feast and feast and feast." The promiscuous person is having fun, getting away with it, and showing no signs of stopping. More often, though, promiscuity has been seen as demonic, as the sign of an uncivilised race, or as a symptom of mental disorder. Promiscuity in Western Literature capitalises on the fact that literature gives us deep and varied resources for reflecting on this controversial aspect of human behaviour. Drawing on authors from Homer to Margaret Atwood, it explores recurrent ideas and scenarios: Why does the literature of promiscuity evoke ideas of the animal? Why does it so often turn upon the image of the "excessive" woman? How and why does promiscuity feature in comic writing? How does the emergence of the modern city change representations of promiscuity? And, in the present day, what impact have ecological concerns had on the way writers depict promiscuity?