Property Crime In London 1850 Present

This book examines London's transformation from the mid-Victorian "miracle" of low crime to a high-crime society, treating six different types of misdeed as representative of phases in the evolution of crime to argue that lawbreaking must be explained by connecting all types of offenses to their social and economic contexts.

This book examines London's transformation from the mid-Victorian "miracle" of low crime to a high-crime society, treating six different types of misdeed as representative of phases in the evolution of crime to argue that lawbreaking must be explained by connecting all types of offenses to their social and economic contexts.

This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.

We explore why the idea of the criminal class came into being. Starting with garrotters lurking in dark Victorian alleyways, the fiend Jack the Ripper stalking London’s streets to the menace of violent gangs, the ‘Scuttlers’, Peaky Blinders, and Liverpool’s High Rip, all the way through to 1970s joyriders, 1990s ravers, and the modern drug trade that brings guns and knives to our streets. It describes the actions taken to control the hard-core group – increasingly harsh punishments, executions, floggings, long prison sentences and the ways that society learns about crime, dangerous areas, and the people who habitually offend against society. How do we know what dangers apparently lurk in the inner cities? What part did the newspapers, authors and social investigators play in sensationalising some crimes, and were they right to do so? The book compares real-life criminals (and their lives) with fictional accounts, such as the Artful Dodger, Pinkie in Brighton Rock, and the scenes that social investigators such as Henry Mayhew dragged back from the criminal rookeries to entertain and frighten respectable people. Perhaps most importantly, the book shows which groups have been targeted as the criminal classes, particularly the young, as well as ethnic and racial minorities, and concludes by asking, “Who are the new criminal classes likely to be?“

At once an invitation and a provocation, The Socio-Literary Imaginary represents the first collection of essays to illuminate the historically and intellectually complex relationship between literary studies and sociology in nineteenth and early twentieth-century Britain. During the ongoing emergence of what Thomas Carlyle, in "Signs of the Times" (1829), pejoratively labeled a new "Mechanical Age," Britain’s robust tradition of social thought was transformed by professionalization, institutionalization, and the birth of modern disciplinary fields. Writers and thinkers most committed to an approach grounded in empirical data and inductive reasoning, such as Harriet Martineau and John Stuart Mill, positioned themselves in relation to French positivist Auguste Comte’s recent neologism "la sociologie." Some Victorian and Edwardian novelists, George Eliot and John Galsworthy among them, became enthusiastic adopters of early sociological theory; others, including Charles Dickens and Ford Madox Ford, more idiosyncratically both complemented and competed with the "systems of society" proposed by their social scientific contemporaries. Chronologically bound within the period from the 1830s through the 1920s, this volume expansively reconstructs their expansive if never collective efforts. Individual essays focus on Comte, Dickens, Eliot, Ford, and Galsworthy, as well as Friedrich Engels, Elizabeth Gaskell, G. H. Lewes, Virginia Woolf, and others. The volume's introduction locates these author-specific contributions in the context of both the international intellectual history of sociology in Britain through the First World War and the interanimating intersections of sociological and literary theory from the work of Hippolyte Taine in the 1860s through the successive linguistic and digital turns of the late twentieth and early twenty-first centuries.

A comprehensive introduction to all the key topics, perspectives, and themes that you will cover when studying criminology and criminal justice. An Introduction to Criminology provides you with a thorough grounding in the main traditions and perspectives within the discipline and introduces cutting edge emerging themes that will shape criminology for years to come. It features insight from over 30 international experts with each chapter written by leading specialists within the field, giving you an in-depth and authoritative account of each vital area of study, from organised crime and victimisation to life-course criminology, prisons, and youth justice. Key features: Covers emerging areas of criminology and contemporary issues such as cybercrime, cultural criminology, hate crime, human trafficking, and gendered violence. Contains a range of features to help you study, including case studies and questions, student voices and advice, reflective exercises and more. Supports lecturers by providing access to a suite of online resources, featuring exclusive video content from the SAGE Video Criminology Collection, critical thinking exercises, multiple choice tests, and sample essay questions. Essential reading for any student of criminology, this will be a go-to reference text throughout your studies.

This book offers an original and exciting analysis of the concept of the criminal underworld. Print culture, policing and law enforcement, criminal networks, space and territory are explored here through a series of case studies taken from the eighteenth, nineteenth and twentieth centuries.

Night Raiders is the first history of burglary in modern Britain. Until 1968, burglary was defined in law as occurring only between the 'night-time' hours of nine pm and six am in residential buildings. Time and space gave burglary a unique cloak of terror, since burglars' victims were likely to be in the bedroom, asleep and unawares, when the intruder crept in, prowling near them in the darkness. Yet fear sometimes gave way to sexual fantasy; eroticized visions of handsome young thieves sneaking around the boudoirs of beautiful, lonely heiresses emerged alongside tales of violence and loss in popular culture, confounding social commentators by casting the burglar as criminal hero. Night Raiders charts how burglary lay historically at the heart of national debates over the meanings of 'home', experiences of urban life, and social inequality. The book explores intimate stories of the devastation caused by burglars' presence in the most private domains, showing how they are deeply embedded within broader histories of capitalism and liberal democracy. The fear and fascination surrounding burglary were mobilized by media, state, and market to sell insurance and security technologies, whilst also popularising the crime in fiction, theatre, and film. Cat burglars' rooftop adventures transformed ideas about the architecture and policing of the city, and post-war 'spy-burglars' theft of information illuminated Cold War skirmishes across the capital. More than any other crime, burglary shaped the everyday rhythms, purchases, and perceptions of modern urban life.