Prophetic Confrontation

The series Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.

Prophetic confrontation is God's last effort at getting us conform to his way. From the happenings in the Body of Christ, we are set for this experience. Those reading this can make prophetic adjustment and reposition themselves in alignment to the move of the Spirit in these last days. The line is drawn; you must decide how you are going to respond to the seasons God is bringing the church into.God stands at the border of your inheritance to check out your state of circumcision. No circumcision, no possession. The storehouse of heaven is filled with resources for exploit; how soon you access it is determined by you and not God. Galatians4:1-2 "Now I say that the heir, as long as he is a child, does not differ at all from a slave, though he is master of all, but is under guardians and stewards until the time appointed by the father"

1 Samuel is Volume VII of The Forms of the Old Testament Literature, a series that aims to present a form-critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical process so as to enable students and pastors to engage in their own analysis and interpretation of the Old Testament texts. Antony Campbell's valuable form-critical analysis of 1 Samuel highlights both the literary development of the text itself and its meanings for its audience. A skilled student of the Hebrew scriptures and their ancient context, Campbell shows modern readers the process of editing and reworking that shaped 1 Samuel's final form. As Campbell's study reveals, the tensions and contradictions that exist in the present text reflect a massive change in the way of life of ancient Israel. Samuel, the first prophet, here emerges to preside over the rise of Saul, Israel's first king, to be the agent of Saul's rejection, and to anoint David as Israel's next king and the first established head of a royal dynasty. The book of 1 Samuel captures the work of God within this interplay of sociopolitical forces, and Campbell fruitfully explores the text both as a repository of traditions of great significance for Israel and as a paradigm of Israel's use of narrative for theological expression.

"While William Blake's The Four Zoas may be fascinating to Blake scholars, it presents formidable obstacles to even the most ardent Romanticist, let alone interested critics or the general reader. Blake's Prophetic Workshop attempts to clear some of these obstacles by studying the work from a variety of critical perspectives. It assumes some familiarity with Blake's prophecies, but is cast between the introductory and advanced levels of the two previous books published on the poem." "Although the major reading strategy is close textual analysis, the poem is marked by various cultural and social contexts that need elucidation. Chapters alternate between sketching these contexts and traditions and providing detailed readings within these contexts. The first chapters give a reception history of the work and set it within the tradition of the eighteenth-century "long poem," namely Thomson's Seasons, Pope's An Essay on Man, and Young's Night Thoughts, texts that Blake critiques as Newtonian substitutions of Miltonic prophecy. Chapter three tests these assertions by reading the poem's creation narratives in terms of Anglican-Dissenting apologetics. The final chapters sift the cultural contexts that shape Blake's use of biblical typology and scrutinize several continental philosophies of history, and how they encroach on The Four Zoas, as well as situate the poem in the apocalyptic moment of the 1790s." "While a pluralist approach is followed, author George Anthony Rosso, Jr., subscribes to a fundamentally historical theory that places The Four Zoas in the broad and eclectic tradition of English poetic prophecy. Aware of recent critiques of "the prophetic," Rosso pursues his theory with flexibility and tolerance for other viewpoints." "An appendix provides a useful commentary on the relations between the text and certain designs, drawings, and sketches in the manuscript. Its aim is to show that Blake repeats key images in various frames to provide a sense of context and development, and that the drawings expose what the narrative represses, often in graphic sexual detail. Rosso presents a Blake who is both deadly serious and disarmingly ironic about the relevance of prophecy in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Sandford explains the critical need for sacrifice and challenges the church to return to the cleansing power of Jesus' blood.

Epp-Tiessen sheds light on the compositional history, structure, and theology of the book of Jeremiah by demonstrating that a large concentric unit of material focusing on true and false prophecy stands at the center of the book. This unit, titled "Concerning the Prophets" (23:9), utilizes the heritage of Jeremiah to contrast the nature of true and false prophecy in order to warn the Second Temple community of the disastrous consequences of false prophecy and to highlight the saving potential of true prophecy. False prophecy leads to doom because it ignores the moral failings of the community, promises well-being in the face of catastrophe, and reinforces the misleading theological certainties of Judah's pre-587 way of life. In contrast, the true prophet Jeremiah challenges the faith community to embrace the physical and spiritual dislocation of the Babylonian destruction. Post-disaster life stands under the saving purposes of YHWH, but the only way forward is to learn the painful lessons of catastrophe and heed the prophetic summons to repent and embrace a Torah-based way of life.

This book presents two extraordinary texts - The Shining of Swords by Al-Qarakhi and a new translation for a contemporary readership of Leo Tolstoy's Hadji Murat - illuminating the mountain war between the Muslim peoples of the Caucasus and the imperial Russian army from 1830 to 1859. The authors offer a complete commentary on the various intellectual and religious contexts that shaped the two texts and explain the historical significance of the Russian-Muslim confrontation. It is shown that the mountain war was a clash of two cultures, two religious outlooks and two different worlds. The book provides an important background for the ongoing contest between Russia and indigenous people for control of the Caucasus.