The Zola Experience

As a result of the impact of grief and loss due to the "COVID-19 pandemic" and the financial crisis, many individuals and communities are struggling to find acceptance and closure. The most obvious loss is the loss of loved ones. As a result of the "crisis", how people transition has changed, and family members are not allowed to take part in the transition process. This has created a level of grief that makes closure challenging. However, many are also suffering the loss of careers, retirement options, not to mention incomes and wealth. The purpose of this training is to train providers to incorporate this proven brief treatment model for grief/loss recovery. The "ZOLA Experience" Provider will then be equipped to utilize this intervention in a variety of settings from community to formal treatment settings; individual or group settings. The goal is to have a community of facilitators trained in "The ZOLA Experience" available to be able to work with a great variety of individuals and families in support of their recovery process from loss.

This book examines the figure of the public intellectual through the work of Émile Zola in the Dreyfus affair. It analyzes Zola’s famous letter “J’Accuse” supporting Alfred Dreyfus and its philosophical and political consequences for the intellectual world, including Indian public intellectuals. The volume is an examination of the critical role that can be played by public intellectuals today by referring to the “J’Accuse” model and a homage to the ideal of living decently and truthfully through the exercise of critical reason and moral excellence. Accessible and comprehensive, the book will be essential reading for students of philosophy and critical reasoning. It will be of interest to general readers as well.

A comprehensive study guide offering in-depth explanation, essay, and test prep for Emile Zola’s Germinal, a classic piece of literature due to its historically factual description of the class differentiation in France during the 1800s. As a nineteenth century fictional documentation of France, Germinal describes the impact of class differentiation on a striking coal miner’s family. Moreover, it outlines and highlights the mistreatment of the lower class and how they were forced into poverty by their superiors through the example of the miners. This Bright Notes Study Guide explores the context and history of Zola’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

In African countries there has been a surge of intellectual interest in foregrounding ideas and thinkers of African origin—in philosophy as in other disciplines—that have been unjustly ignored or marginalized. African scholars have demonstrated that precolonial African cultures generated ideas and arguments which were at once truly philosophical and distinctively African, and several contemporary African thinkers are now established figures in the philosophical mainstream. Yet, despite the universality of its themes, relevant contributions from African philosophy have rarely permeated global philosophical debates. Critical intellectual excavation has also tended to prioritize precolonial thought, overlooking more recent sources of home-grown philosophical thinking such as Africa’s intellectually rich liberation movements. This book demonstrates the potential for constructive interchange between currents of thought from African philosophy and other intellectual currents within philosophy. Chapters authored by leading and emerging scholars: recover philosophical thinkers and currents of ideas within Africa and about Africa, bringing them into dialogue with contemporary mainstream philosophy; foreground the relevance of African theorizing to contemporary debates in epistemology, philosophy of language, moral/political philosophy, philosophy of race, environmental ethics and the metaphysics of disability; make new interventions within on-going debates in African philosophy; consider ways in which philosophy can become epistemically inclusive, interrogating the contemporary call for ‘decolonization’ of philosophy. Showing how foregrounding Africa—its ideas, thinkers and problems—can help with the project of renewing and improving the discipline of philosophy worldwide, this book will stimulate and challenge everyone with an interest in philosophy, and is essential reading for upper-level undergraduate students, postgraduate students and scholars of African and Africana philosophy.

It is the evening of 18 July 1898 and the world-renowned novelist Émile Zola is on the run. His crime? Taking on the highest powers in the land with his open letter 'J'accuse' and losing. Forced to leave Paris, with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return.This is the little-known story of his time in exile. Rosen has traced Zola's footsteps from the Gare du Nord to London, examining the significance of this year. The Disappearance of Zola offers an intriguing insight into the mind, the loves, the politics and the work of the great writer.

Emile Zola's reputation as a landmark European novelist is undisputed. His monumental achievement, the novel cycle Les Rougon-Macquart: Histoire sociale et naturelle d'une famille sous le Second Empire (1871-1893), fixed his status as a major writer in the naturalist tradition. Is there any more to be said? Susan Harrow answers boldly in the affirmative, challenging the commonplace view that Zola's writing is predictable, prolix and transparent (what Barthes called 'readerly', for which read 'tedious'). Harrow exposes the modernist and postmodernist strategies which surface in the Rougon-Macquart novels, and reveals Zola's innovatory representation of the body captured here at work, at war, at play, at rest, and in arresting abstraction. Informed by critical thought from Barthes and Deleuze to Michel de Certeau and Anthony Giddens, Zola, the Body Modern offers a model for how we can revitalize our understanding of the canonical nineteenth-century European novel, and learn to travel more flexibly between parameters of century, style and aesthetics.

This book tells the story of three young men: two French, one Russian; all born the same year, when European culture was moving from Romanticism to something else in painting, music, and literature. Influenced by the environment from which they came, all three grew to take a leading role in moving the arts in a bold new direction. It was the age when Impressionism reinvented what painting could be, when Naturalism changed how fiction is written, and when Russia moved from the edges of European society to the vital role it has played ever since. Leading, guiding, determining this new course were Monet, Tchaikovsky, and Zola. Parallel biographies of these three artistic geniuses follow them from the magic year of their birth to the point when they established themselves as bold, original creators in the early 1870s. The book explores how they chose to follow careers in creative art, how each of them came to play such a central role in their respective domains, and how those arts interacted and influenced each other. As they move through the cultural world of 19th century Europe, a panorama appears of the rich intellectual environment of France and Russia in that period, as well as the unique experiences and talents that led all three to their towering position in modern culture. Often considered separately, art, music, and literature come together in this study to offer a multifaceted view of a key era in the development of modernism in all the arts.

Emile Zola is a towering literary figure of the nineteenth century. His main literary achievement was his twenty-volume novel cycle, Les Rougon-Macquart (1870–93). In this series he combines a novelist's skills with those of the investigative journalist to examine the social, sexual and moral landscape of the late nineteenth century in a way that scandalized bourgeois society. In 1898 Zola crowned his literary career with a political act, his famous open letter ('J'accuse...!') to the President of the French Republic in defence of Alfred Dreyfus. The essays in this volume offer readings of individual novels as well as analyses of Zola's originality, his representation of society, sexuality and gender, his relations with the painters of his time, his narrative art, and his role in the Dreyfus Affair. The Companion also includes a chronology, detailed summaries of all of Zola's novels, suggestions for further reading, and information about specialist resources.