Public Sex

As some activists have turned to regulation rather than education in the effort to curb the AIDS epidemic, the public culture at the foundation of queer culture has come under attack.

Twelve essays provide a nuanced portrait of why public sexual activity is such an integral part of gay culture. Contributors explore issues such as visibility and secrecy, as well as economic status and social class, and interrogate the historical trajectories through which certain locations come to be favored sites for sexual encounters.

This informative book examines the dangers of violence, murder, and HIV contraction and how community organizations are trying to address these issues. Containing interviews with police officials, murderers, and the sex workers themselves, this in-depth study discusses data on assault and crime to provide you with information on how individuals can stay safe while seeking sex in public places."--BOOK JACKET.

Despite decades of feminist awareness and activism, women continue to be portrayed in outdoor advertising in a limited and sexist manner. The fact that in public space audiences are exposed to such images without choice, renders the issue an important public policy concern. Sex in Public utilises a large outdoor advertising data collection to examine the contemporary outdoor advertising landscape, documenting the routine portrayal of women as thin, white, young and idle. This book examines why such portrayals are concerning for feminists as well as for public policy, and explores the advertising self-regulation systems that facilitate the display of such images. This book criticises sexist outdoor advertising as a form of sexual harassment given that imagery often bearing very strong semblance to pin-ups which would be outlawed in a workplace are readily displayed in public space, reflecting a troublesome public policy double standard. Understanding sexist outdoor advertising as a form of sexual harassment is a new framework that Sex in Public offers to understand, critique and condemn such images.

The most intelligent and outspoken commentator on sexual politics writing today, Pat Califia has been "fuming and fussing" about censorship and the rights of perverts for more than two decades. Whether writing about gender bending and transsexuality, lesbian relationships, S/M and leather sex, sex between lesbians and gay men, eroticizing latex and safer sex, prostitution, or sex in public, Califia's essays—clear consistent, provocative and eminently readable—set the standard for writing about sex.

A chronicle of the radical sex movement in the United States covers sexual practices, gay and lesbian activism, feminism, censorship, and other important issues. Original.

An up close and personal look at impersonal sex, with revealing looks into the steamy world of sex in bathhouses, gyms, parks, peep shows, swingers clubs, mens rooms, and Internet cruising.

Sex in Public examines the ideological poetics and the rhetoric of power in the Soviet Union during the 1920s, a period of anxiety over the historical legitimacy of Soviet ideology and Bolshevik power. Drawing on a wide range of soruces—Party Congress transcripts, the classics of early Soviet literature, sex education pamphlets, the cinema, crime reports, and early Soviet ventures into popular science—the author seeks to explain the period's preoccupation with crime, disease, and, especially, sex. Using strategies of reading developed by literary scholars, he devotes special care to exploring the role of narrative in authoritative political texts. The book breaks new ground in its attention to the ideological importance of the female body during this important formative stage of Bolshevik rule. Sex in Public provides a fundamentally new history of the New Economic Policy and offers important revisionist readings of many of the fundamental cultural products of the early Soviet period. Perhaps most important, it serves as a model for the sort of interdisciplinary work that is possible when historians take literary and ideology theory seriously and when ideology theorists seek to conform to the standards of documentary rigor traditionally demanded by historians. It thus becomes a study that can be read as both positivistic and postmodern. Eric Naiman is Associate Professor of Russian and Comparative Literature at the University of California, Berkeley. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.