Pulp Fable

Stagmother is a savage road warrior nomad who battles the bloodthirsty scavengers that stalk the desert of a world beyond imagination. In the wake of a hard kill she comes to the rescue of a wandering man that has lost his memory and who bears a wound the shape of a powerful symbol in his chest that never seems to heal. The pair find themselves pursued by deadly enemies wearing haunting crow masks. After several violent encounters they must seek answers in the depths of a vibrant underground city where the last survivors of this blasted world gather for safety and community. Journey to a realm where stories are real and imagination can kill in this surreal tale of blades, bullets, and enchantment.

In this study of the five novels set outside the fictional county, Yoknapatawpha, the author devotes a chapter to each novel and develops the theme that these texts present in fictional form Faulkner's reflections on his aesthetic development and on the mutual responsibilities of writer and reader.

Toward an Anti-Racist Poetics seeks to dislodge the often unspoken white universalism that underpins literary production and reception today. In this personal and thoughtful book, award-winning author Wayde Compton explores how we might collectively develop a poetic approach that makes space for diversity by doing away with universalism in both lyric and avant-garde verse. Poignant and contemporary examples reveal how white authors often forget that their whiteness is a racial position. In the propulsive push to experiment with form, they essentially fail to see themselves as “white artists.” Noting that he has never felt that his subjectivity was universal, Compton advocates for the importance of understanding your own history and positionality, and for letting go of the idea of a common aesthetic. Toward an Anti-Racist Poetics offers validation for poets of colour who do not work in dominant western forms, and is for all writers seeking to engage in anti-racist work.

Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues that they were essential sources of amusement and instruction—and were also often profoundly unsettling. Such authors in the realm of the animal fable as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Čapek, Vladimir Propp, and many more are discussed.