Puzzling Portraits

How are we to see the Old Testament's characters--typically a tangle of both virtue and vice--as models for our own ethical living? It is clear that Scripture intends for us to embody some qualities while eschewing others, and at times these are immediately obvious: David's wholehearted pursuit of God is admirable, while his adultery with Bathsheba and murder of Uriah are deplorable. But more often than not we are left with shades of gray, not really knowing whether the narrator approves, disapproves, or is indifferent to the behavior of these characters. The present work seeks to address this issue, situating itself at the fault line of the problem: character portrayal. It argues that often what we take to be the narrator's silence about a character is not silence at all; rather, the narrator is simply speaking in ways that we are not attuned to. By becoming attuned to the voice of biblical narrative and by understanding its role in ethics, therefore, we are better able to understand the characters as resources for our own ethics. This work develops its ideas by leveraging pertinent literary and ethical models, which are then trained upon a particular case in point: the Gideon account in Judges 6-8.

The first part of this fascinating account of a biographer's problems tells of the adventures of one biographer in tracking down clues in several parts of the world--accidental discovery, long pursuit of a watward detail, and suggestions of new ways of turning up evidence. The second part deals more generally with problems faced by all biographers, the most difficult being the decision concerning how much of the available material to use. Originally published in 1970. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

It's not easy solving a mystery when your partner is your squirmy kid brother ... it's even harder when the mystery is over a hundred years old. With the discovery of a family secret and mystery hidden for generations in an old family portrait, two, young Indiana detectives search their family's past ...

How are we to see the Old Testament's characters--typically a tangle of both virtue and vice--as models for our own ethical living? It is clear that Scripture intends for us to embody some qualities while eschewing others, and at times these are immediately obvious: David's wholehearted pursuit of God is admirable, while his adultery with Bathsheba and murder of Uriah are deplorable. But more often than not we are left with shades of gray, not really knowing whether the narrator approves, disapproves, or is indifferent to the behavior of these characters. The present work seeks to address this issue, situating itself at the fault line of the problem: character portrayal. It argues that often what we take to be the narrator's silence about a character is not silence at all; rather, the narrator is simply speaking in ways that we are not attuned to. By becoming attuned to the voice of biblical narrative and by understanding its role in ethics, therefore, we are better able to understand the characters as resources for our own ethics. This work develops its ideas by leveraging pertinent literary and ethical models, which are then trained upon a particular case in point: the Gideon account in Judges 6-8.

Pointon examines how small-scale and valuable artefacts have figured in systems of belief and in political and social practice in Europe since the Renaissance.

In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city's pre-eminent commercial photographer. In Imagining Winnipeg, historian Esyllt W. Jones takes us beyond the iconic to reveal the complex artist behind the lens.

Many films and novels defy our ability to make sense of the plot. While puzzling storytelling, strange incongruities, inviting enigmas and persistent ambiguities have been central to the effects of many literary and cinematic traditions, a great deal of contemporary films and television series bring such qualities to the mainstream—but wherein lies the attractiveness of perplexing works of fiction? This collected volume offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.