Pyongyang

The perennial graphic novel about the "Hermit Country" with new cover and introduction by Gore Verbinski Pyongyang: A Journey in North Korea is Guy Delisle's graphic novel that made his career,an international bestseller for over ten years. Delisle became one of the few Westerners to be allowed access to the fortresslike country when he was working in animation for a French company. While living in the nation's capital for two months on a work visa, Delisle observed everything he was allowed to see of the culture and lives of the few North Koreans he encountered, bringing a sardonic and skeptical perspective on a place rife with propaganda. As a guide to the country, Delisle is a non-believer with a keen eye for the humor and tragedy of dictatorial whims, expressed in looming architecture and tiny, omnipresent photos of the President. The absurd vagaries of everyday life become fodder for a frustrated animator’s musings as boredom and censorship sink in. Delisle himself is the ideal foil for North Korean spin, the grumpy outsider who brought a copy of George Orwell’s 1984 with him into the totalitarian nation. Pyongyang is an informative, personal, and accessible look at a dangerous and enigmatic country. Pyongyang has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

Part history book, part travel guide of the North Korean capital, this volume combines color photographs with 140 entries detailing the history and uses of various sites of the city (including a number that proclaim "exact location unknown"), from museums, art galleries, and government buildings to ancient tombs and geological features. The entries are preceded by a brief history of North Korea and Pyongyang. Distributed by Saranda Books. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

A photographic journey through the architecture of North Korea's “model” utopia. The story of Pyongyang is unique even in the annals of model cities and modernist utopias. Entirely rebuilt after the Korean War, North Korea's capital city was planned and fully implemented to embody a single ideological vision. This extraordinary, richly illustrated book takes readers on a photographic journey through the architecture of North Korea's “model” utopia. Built as an ideological guide for its citizens, Pyongyang displays a unique architectural cohesion and narrative. From the city's large-scale monumental axes to its symbolic sports halls and experimental housing, Model City offers offers comprehensive visual access to Pyongyang's restricted buildings. The architecture of Pyongyang exists within a culture that favors construction and renewal over historical preservation, and in recent years many buildings have been redeveloped to remove interior features or render facades unrecognizable. Often kitschy, colorful, and dramatic, Pyongyang's architecture makes it difficult to distinguish between reality and theater. As befits a culture that has carefully crafted its own narrative, the backdrop of each photograph in Model City has been replaced with a color gradient, evoking the pastel skies of North Korea's propaganda posters. Model City features two hundred color illustrations of buildings rarely seen by non-North Koreans, diagrams and architectural drawings that reveal the planning behind the city's elaborate symbolism, and texts by experts on Korean architecture—including an excerpt from On Architecture by Kim Jong-Il, father of the current leader Kim Jong-un. The authors' research has been supported by Koryo Studio and Korea Cities Federation.

Despite the notorious fact of it being one of the most veiled countries in modern history, North Korea recently has started to get engaged with the rest of the world, and now we can easily witness various socio-economic changes of the nation which was seen in the 1990s in other post-socialist countries. And as the capital of the nation, Pyongyang has already entered into fast transformation stage with numbers of developments both in public and private sectors since the new regime of Kim Jung Un. However, we sometimes overlook the fact that the city was built based on the goal to be an ideal socialist city. After the three years of Korean War in the 1950s, Pyongyang was completely demolished and had a unique chance to build a new city based on the socialist ideology. Although the current morphology may not be exactly same as the original master plan, many urban spaces and infrastructures remain as evidences of socialist urban planning. And interestingly enough, these are urban elements that have major conflict with the idea of market-oriented economy, and at the moment, the morphology of the city is already changing. Then, the question is, will Pyongyang become one of post-socialist cities, having them as precedents to the city, or will it have its own development path that is unprecedented?

A "close-up look at the cloistered country" (USA Today), See You Again in Pyongyang is American writer Travis Jeppesen's "probing" and "artful" (New York Times Book Review) chronicle of his travels in North Korea--an eye-opening portrait that goes behind the headlines about Trump and Kim, revealing North Koreans' "entrepreneurial spirit, and hidden love of foreign media, as well as their dreams and fears" (Los Angeles Times). In See You Again in Pyongyang, Travis Jeppesen culls from his experiences traveling and studying in North Korea to create a multifaceted portrait of the country and its idiosyncratic capital city. Jeppesen challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture. Revealing a complex society, rife with contradictions, See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating places.

Shenzhen is entertainingly compact with Guy Delisle’s observations of life in urban southern China, sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle skillfully notes the differences between Western and Eastern cultures, while also conveying his compassion for the simple freedoms that escape his colleagues in the Communist state. Shenzhen has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

Written for a young audience, this intense memoir explores the harsh realities of life on the streets in contemporary North Korea. Every Falling Star is the memoir of Sungju Lee, who at the age of twelve was forced to live on the streets of North Korea and fend for himself. To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly recreates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, “his brothers,” to daily be hungry and to fear arrest, imprisonment, and even execution. This riveting memoir allows young readers to learn about other cultures where freedoms they take for granted do not exist.

Part horror story, part historical document, part memoir, part political tract, one man's suffering gives eyewitness proof to an ongoing sorrowful chapter of modern history.