Qasida Poetry In Islamic Asia And Africa

This book attempts to see al-Mutanabbī, a great poet of the ‘Abbasid period from the lens of humanistic psychology. An effort has been made to discover the deeper aspects of al-Mutanabbī’s personality, which constitutes an important aspect of his artistic expression. Chapters are structured accordingly for better understanding of the whole discussion. The focuses are on: - Biographical sketch of al-Mutanabbī, which comprises on the historical, political, cultural background of the poet as well as his life with his patrons. - The relationship between psychology and poetry. - The major concept of humanistic psychology, as well as the work of Horney, Maslow and Rogers, upon which being the basis of the humanistic psychology. - The Maslovian theory, to consider al-Mutanabbī as a self-actualizing person in the light of his relationship with his patron Sayf al-Dawlah. - How al-Mutanabbī as a neurotic person, overcame the conflict inherent in his relationship with Kāfūr, his second patron. This book concludes that the relationship between al-Mutanabbī and Sayf al-Dawlah is the key to his great achievement as a poet, and the humanistic psychological theories thus enables us to gain a better understanding of him as a whole person. This book also proposes that humanistic psychology can open the door to a new world in the study of both Arabic literature and the life of a poet.

Winner, 2023 Clifford Geertz Prize in Anthropology of Religion, Society for the Anthropology of Religion The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.

"... transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." -- Roger Allen Throughout the classical Arabic literary tradition, from its roots in pre-Islamic Arabia until the end of the Golden Age in the 10th century, the courtly ode, or qasida, dominated other poetic forms. In The Poetics of Islamic Legitimacy, Suzanne Stetkevych explores how this poetry relates to ceremony and political authority and how the classical Arabic ode encoded and promoted a myth and ideology of legitimate Arabo-Islamic rule. Beginning with praise poems to pre-Islamic Arab kings, Stetkevych takes up poetry in praise of the Prophet Mohammed and odes addressed to Arabo-Islamic rulers. She explores the rich tradition of Arabic praise poems in light of ancient Near Eastern rites and ceremonies, gender, and political culture. Stetkevych's superb English translations capture the immediacy and vitality of classical Arabic poetry while opening up a multifaceted literary tradition for readers everywhere.

Cutting-edge research in the study of Islamic scholarship and its impact on the religious, political, economic and cultural history of Africa; bridges the europhone/non-europhone knowledge divides to significantly advance decolonial thinking, and extend the frontiers of social science research in Africa.

Anti-blackness has until recently been a taboo topic within Arab society. This began to change when Nader Kadhem, a prominent Arab and Muslim thinker, published the first in-depth investigation of anti-black racism in the Arab world in 2004. This translation of the new and revised edition of Kadhem’s influential text brings the conversation to the English-speaking world. Al-Istifraq or Africanism, a term that is analogous to Orientalism, refers to the discursive elements of perceiving, imagining, and representing black people as a subject of study in Arabic writings. Kadhem explores the narratives of Africanism in the Arab imaginary from the Middle Ages to the nineteenth century to show how racism toward black people is ingrained in the Arab world, offering a comprehensive account of the representations of blackness and black people in Arab cultural narratives – including the Quran, the hadith, and Arabic literature, geography, and history. The book examines the pejorative image of black people in Arab cultural discourse through three perspectives: the controversial anthropological concept that culture defines what it means to be human; the biblical narrative of Noah cursing his son Ham’s descendants – understood to be darker-skinned – with servitude; and Greco-Roman physiognomy, philosophy, medicine, and geography. Describing the shifting standards of inclusion that have positioned Arab identity in opposition to blackness, Kadhem argues that in the cultural imaginary of the Arab world, black people are widely conflated with the Other. Analyzing canonical Arabic texts through the lens of English, French, and German theory, Africanism traces the history of racism in Arab culture.