Queen For A Day

Queen for a Day connects the logic of Venezuelan modernity with the production of a national femininity. In this ethnography, Marcia Ochoa considers how femininities are produced, performed, and consumed in the mass-media spectacles of international beauty pageants, on the runways of the Miss Venezuela contest, on the well-traveled Caracas avenue where transgender women (transformistas) project themselves into the urban imaginary, and on the bodies of both transformistas and beauty pageant contestants (misses). Placing transformistas and misses in the same analytic frame enables Ochoa to delve deeply into complex questions of media and spectacle, gender and sexuality, race and class, and self-fashioning and identity in Venezuela. Beauty pageants play an outsized role in Venezuela. The country has won more international beauty contests than any other. The femininity performed by Venezuelan women in high-profile, widely viewed pageants defines a kind of national femininity. Ochoa argues that as transformistas and misses work to achieve the bodies, clothing and makeup styles, and postures and gestures of this national femininity, they come to embody Venezuelan modernity.

"Somewhere between Sex and the City, Sharon Olds and Spalding Grey lies the poetry of Denise Duhamel, who in six volumes during the 1990s (all from small independent or small university presses) established herself as a vivacious, sarcastic, uninhibited and sometimes sex-obsessed observer of contemporary culture. Long fascinated by downtown New York, Duhamel got poetic mileage from her once-rough neighborhoods. Now she lives and teaches in Miami: this new-and-selected sums up her NYC years . . . Its humor, anger and forceful personality could make the book a genuine popular hit." --Publishers Weekly "Duhamel is an entertainer, as her new, retrospective collection confirms. . . . Throughout the book, each poem is utterly engaging, as hard to abandon as a chapter in a taut thriller." --Booklist Celebrates ideas and topics that aren't often the subect of bards and poets. Her playful, inventive way of string together ideas is evident. . . . Despite the frolicsome nature of much of her work, Duhamel writes incisively about serious themes and issues. The clash between high and low art never seems abraisive in Duhamel's work." --Pittsburgh Tribune- Review "Duhamel writes about Garcia-Lorca's Deli, Georgia O'Keefe's pelvis, a Barbie Doll in a Twelve-Step Program, Barbie as a Bisexual, Barbie's GYN appointment, and the difference between Pepsi and the Pope. . . . If you like knee-slapping, quasi-existential poetry, go out and pick up a Queen for a Day." --RALPH: The Review of Arts, Literature, Philosophy, and the Humanities "Engagingly charts her evolution as a fictionist-from ribald, bemused poems about body parts and coming of age dramas to increasingly sophisticated mock-narratives. Her work is tremendous fun, but often there's an underpinning of sadness in it as well, which keeps the poems from being mere play. You'll want to read parts of this book aloud to your smart friends. Or to give it as a gift." --Stephen Dunn "Denise Duhamel is a red-headed, red-lipped wild woman, a human and humane poet who isn't afraid to tackle any subject: violence, racism, A.I.D.S., bulimia, childishness, the myth of Bluebeard, the phenomenon of Barbie. It's been a singular joy to read this "selected" and see Duhamel's work grow and develop over the years. Queen for a Day is exuberant, brazen, bold, honest as hell, audaciously unpretentious and outrageously self-referential, a Frank O'Hara meets Lucille Ball meets Sandra Bernhard of a book: sin verguenza!" --Dorianne Laux Denise Duhamel's Queen for a Day includes poems from her five previous full-length books (The Star-Spangled Banner, Kinky, Girl Soldier, The Woman with Two Vaginas, and Smile!) as well as her chapbook, How the Sky Fell. Her poems have been anthologized widely, including four editions of The Best American Poetry. Her work has been featured on NPR's "All Things Considered," MPR's "The Writers' Almanac," and PBS's "Fooling with Words." She has collaborated with the poet Maureen Seaton in two volumes: Oyl and Exquisite Politics. Duhamel is assistant professor at Florida International University in Miami.

"How would you like to be queen for a day?" Those words opened a popular game show of the 1950s. Teenage girls like Catty Wadsworth gazed upon sweet ladies on the show, who receive a gift--such as a new stove! Each woman has submitted a story of a tragic accident, disease, or an important need, like a wheelchair. Catty hopes for a new car for the family so her mother, the sole breadwinner, can get to work alive. Catty is a fantasizer; she dreams of Hollywood romances, but she lives in the reality of a single mom with low-paying jobs. She makes friends and leaves them, over and over, in a rootless journey through small Southern schools. Yet Catty has the spunk to make friends wherever she goes, even a boyfriend who promises her a car. Catty grows through tears and courage in this novel of a quest for security and a strong sense of self-worth.

A story based on the characters from the video series Auto-B-Good. As a part of Professor's fairness experiment, Cali gets to be 'queen for a day' and spends her time being unfair to her new servant, Izzi.

With “intelligence and sympathy,” this compassionate and darkly humorous debut tells the stories of mothers of children with disabilities (Alison Lurie, Pulitzer Prize–winning author). After Mimi Slavitt’s three-year-old son, Danny, is diagnosed with autism, she finds herself in a world nearly as isolating as her son’s. It is a position she shares only with mothers like herself, women chosen against their will for lives of sacrifice and martyrdom. Searching for miracles, begging for the help of heartless bureaucracies while arranging every minute of every day for children who can never be left alone, they exist in a state of perpetual crisis, normal life always just out of reach. In chapters told from Mimi’s point of view and theirs, these women emerge as conflicted, complex individuals, totally unsuited for sainthood, often dreaming of the day they can just walk away. Taking its title from the 1950s reality TV show in which the contestants—housewives living lives filled with pain and suffering—competed with one another for deluxe refrigerators and sets of stainless steel silverware, Queen for a Day portrays a group of imperfect women coping under enormous pressure. In her impressive debut, Rosaler tells their stories in ironic, precise, and vivid prose, with humor and insight born of firsthand experience, and offers readers “the gut-heaving, throat-choking, darkly comic truth—about parenthood, marriage, love, rage, and hard-won survival” (Eileen Pollack, author of The Bible of Dirty Jokes).