Queen S Return

A young woman travels to a distant land to learn magic. In time she discovers an evil enchantment cast over the castle. The enchantment has prevented daughters from being born into the royal family. But it won’t be enough just to smash the enchantment. What else must she do when the chance of rule by a Queen returns to this kingdom?

I hope you find the same adventure and fantasy in this book as a reader as I found the adventure in writing it.

The tide is turning in Metamoor. The rebel forces have been shattered by Caleb's transformation & Prince Phobos has grown more desperate to take over the throne. Looking to the Guardians for help, Elyon prepares for the most difficult & dangerous battle of all. The Guardians are at her side - ready to fight.

Netflix’s most watched limited series to date! The thrilling novel of one young woman’s journey through the worlds of chess and drug addiction.​ When eight-year-old Beth Harmon’s parents are killed in an automobile accident, she’s placed in an orphanage in Mount Sterling, Kentucky. Plain and shy, Beth learns to play chess from the janitor in the basement and discovers she is a prodigy. Though penniless, she is desperate to learn more—and steals a chess magazine and enough money to enter a tournament. Beth also steals some of her foster mother’s tranquilizers to which she is becoming addicted. At thirteen, Beth wins the chess tournament. By the age of sixteen she is competing in the US Open Championship and, like Fast Eddie in The Hustler, she hates to lose. By eighteen she is the US champion—and Russia awaits . . . Fast-paced and elegantly written, The Queen’s Gambit is a thriller masquerading as a chess novel—one that’s sure to keep you on the edge of your seat. “The Queen’s Gambit is sheer entertainment. It is a book I reread every few years—for the pure pleasure and skill of it.” —Michael Ondaatje, Man Booker Prize–winning author of The English Patient

How a caribou population went from the brink of extinction in the 1950s to the largest herd in the world in the late 1980s - and whether it can survive today's environmental changes.

Follow Elianna on her journey as she finds out she has The Great Gift and is attacked by another power.

This book sustains a critical glance at the ways in which we attend to the corpse, tracing a trajectory from encounter toward considering options for disposal: veneered mortuary internment, green burial and its attendant rot, cremation and alkaline hydrolysis, donation and display, and ecological burial. Through tracing the possible futures of the dead that haunt the living, through both the stories that we tell and physical manifestations following the end of life, we expose the workings of aesthetics that shape corpses, as well as the ways in which corpses spill over, resisting aestheticization. This book creates a space for ritualized practices surrounding death: corpse disposal; corpse aesthetics that shape both practices attendant upon and representations of the corpse; and literary, figural, and cultural representations that deploy these practices to tell a story about dead bodies—about their separation from the living, about their disposability, and ultimately about the living who survive the dead, if only for a while. There is an aesthetics of erasure persistently at work on the dead body. It must be quickly hidden from sight to shield us from the certain trauma of our own demise, or so the unspoken argument goes. Experts—scientists, forensic specialists, death-care professionals, and law enforcement—are the only ones qualified to view the dead for any extended period of time. The rest of us, with only brief doses, inoculate ourselves from the materiality of death in complex and highly ritualized ceremonies. Beyond participating in the project of restoring our sense of finitude, we try to make sense of the untouchable, unviewable, haunting, and taboo presence of the corpse itself.

This unique and meticulously-researched study examines the triangular relationship between the British government, the Palace, and the modern Commonwealth since 1945. It has two principal areas of focus: the monarch's role as sovereign of a series of Commonwealth Realms, and quite separately as head of the Commonwealth. It traces how, in the early part of the twentieth century, the British government promoted the Crown as a counterbalance to the centrifugal forces that were drawing the Empire apart. Ultimately, however, with newly-independent India's determination to become a republic in the late 1940s, Britain had to accept that allegiance to the Crown could no longer be the common factor binding the Commonwealth together. It therefore devised the notion of the headship of the Commonwealth as a means of enabling a republican India 'to continue to give the monarchy a pivotal symbolic role and therefore to remain in the Commonwealth.' In the years of rapid decolonization which followed 1945, it became clear that this elaborate constitutional infrastructure posed significant problems for British foreign policy. The system of Commonwealth Realms was a recipe for confusion and misunderstanding. Policy makers in the UK increasingly saw it as a liability in terms of Britain's relations with its former colonies, so much so that by the early 1960s they actively sought to persuade African nationalist leaders to adopt republican constitutions on independence. The headship of the Commonwealth also became a cause for concern, partly because it offered opportunities for the monarch to act without ministerial advice, and partly because it tended to tie the British government to what many within the UK had begun to regard as a largely redundant institution. Philip Murphy employs a large amount of previously-unpublished documentary evidence to argue that the monarchy's relationship with the Commonwealth, which was initially promoted by the UK as a means of strengthening Imperial ties, increasingly became an source of frustration for British foreign policy makers.