Quiet Night Think

""One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time," writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition. During the remarkable period of early parenthood, Sze's new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze's memory of reading Li Bai's poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures. In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?"--

A prosimetrical collection that explores the early shaping of a writer, cultural and language gaps, identity, the creative process, and motherhood.

“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition. During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures. In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?

THE PERFECT GIFT for the ones who like to seize the day, wrestle it to the carpet, tie it up, lock it in the cupboard and settle down with a cup of tea and a biscuit. Marianne has been staying in a watching old episodes of Sex And The City for two weeks now. The women in the show remind Marianne of her and her friends. Except that the women in Sex And The City never stay in for two weeks watching old episodes of Sex And The City. _____________ There is a pop disco at the community centre tonight, but the word 'community' brings Davey out in a cold sweat. Some people suffer from F.O.M.O., the fear of missing out. Davey is delighted that he has F.O.J.I., the fear of joining in. This delightful book is the latest in the series of Ladybird books which have been specially planned to help grown-ups with the world about them. The large clear script, the careful choice of words, the frequent repetition and the thoughtful matching of text with pictures all enable grown-ups to think they have taught themselves to cope. Featuring original Ladybird artwork alongside brilliantly funny, brand new text. 'Hilarious' Stylist

There's a place inside us that is cloaked in darkness, rubbed raw with silence. It's a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration. Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame. "On Quiet Nights" pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life's biggest questions: "Who am I? What am I? Why am I?"

For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.

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"In her interview with The Paris Review, Joan Didion offered this credo: 'The writer is always tricking the reader into listening to the dream.' To read Devin Kelly's poetry collection, In This Quiet Church of Night I Say Amen is to privilege the dream. This book is an elegy for the living, the simple difficulty within and behind departure: 'Who we let go & how-I want to tell you this means more than who we stay beside.' The hard geographic lines in this collection, as we move through the industrial landscape of Appalachia to the coffee-studded sidewalks of Brooklyn, draw parcels of memories and non-memories. Such proximities ask us who we are when we are here and not here. Kelly is a poet of infinite feeling, a poet who is not afraid to bewilder his capacity to love. This book hurts the way life hurts, and Kelly promises us thus: 'Life will have, I think, its punishment for all of us.' If you grow dizzy as you read this book, it's because you haven't been breathing. These are gorgeous poems." --Natalie Eilbert, author of Indictus and Swan Feast